Gold Leaf Prints and Multiples

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

Jayson Lilley A little bit of the Thames Limited Edition City Scape Print Edition of 50 Screen Print with Gold Leaf, Pen and Ink on Museum Board Size: H 24cm x W 51cm Sold Unframed ...

Jayson Lilley From Greenwich Park II Limited Edition Print Edition of 39 Image Size: H 84cm x W 84cm Signed Sold Unframed Please note that insitu images are purely an indication of ...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

‘London Gold II’ – Original Handmade Silk Screen Print on 24k Gold Leaf created by London artist, Katie Edwards. Sold UNFRAMED – framing ideas have been provided. (Please note that i...

Clare Halifax Shimmer and Shine New York City Skyline Limited Edition Silkscreen Print Edition of 30 Image Size: H 100cm x W 33cm Sheet Size: H 110cm x W 3...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

"All about the light. The rich golden light at sunset on a beach in Sri Lanka. Palm trees are everywhere and they have many identities. They can sway gracefully in the breeze, or the...

"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka. The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

"The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't re...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the subject: a provocative sexuality and an impassive perception of a plastic form. As a matter of fact, aggressive approaches are increasingly predominant in taking photos of a naked body. For example, paparazzi are keen to shoot women with a candid camera in bed, bathrooms, etc. Characteristically, Vladimir rejects using bright colors and deliberately limits himself in methods of expression. All the characters are shot sitting back to the viewer, and the sensual message is conveyed through fine outlines, plasticity of a woman's body and definite parts of the background. In the Film Divas project, the portraits are given in the form of a definite film symbol, while Sensuality is a sort of a poster imbued with sensuality. In his portraits Vladimir uses still life elements, which are helpful in revealing the objects: a woman's back, a child sitting next to her, flowers, a hand with a string of pearls on an opened book, a branch of winter berries against the background of home-made open-work fabric. Sensuality presents expressive and vivid images of young women. In their midst you can see a girl in a carnival mask with expensive rings...

Limited Edition Geclee Print Edition of 50 on watercolor paper, hand-embellished by watercolor, crown , earrring is hand-embellished by gold leaf. The print is meticulously created ...

Color screen print on 300 GSM somerset paper. Hand signed and numbered on front by Snik. From the edition of 15. Frame size approx 29 x 29 inches. Artwork is in excellent conditi...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

This work of art is a screen print, relief, and collage with colored silver and gold leaf and thread on Sekishu Thick, Koso, French Black Hemptone, printed on Rives BFK. The language...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

Screenprint on paper with 24 karat gold leaf, collage and tape on board (Edition of 24) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in Ne...