Handmade Paper Prints and Multiples

Abstract Color Field Lithograph in Pale Blue and Brown by American Beat artist Will Peterson (1928-1994.) This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. A long copper-brown rectangle shines through from the bottom layer of the colors. It is then crossed in multiple places by black linework and hatching. Around this shape a pale cornflower blue acts as a frame and crosses the brown shape in the center. The addition of the cool black and blue tones creates a sense of warmth in the underlying shape. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at a teahouse in Otsu, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige...

Etching by Pierre Alechinsky. The piece is called "Motus Vivendi" from 2008. It is hand signed in pencil and numbered 62/90. dimensions of the paper : 225mm x 155mm. Dimension of the...

Konstantin Weber - "Rheinland". Giclée print on handmade cotton paper. Hand signed and numbered. A beautiful artwork that looks good in every room and especially in the living roo...

Armando 18.09.1929 Amsterdam Landschaft Giclee on heavy, hand-made cotton paper Year: 2018 Hand-signed and numbered Edition: 25 Condition: In good condition Dimensions: 48.0 x 47.7 on 61.0 x 58.7 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: II from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image S...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the sun rising over a snow-laden town and a procession heading towards a castle. Signed in Kanji lower rig...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of the Nihonbashi business district in Tokyo, circa 1850. Signed in Kanji lower right, "Hiroshige ...

Brittany Noriega Free Magnolia Laser Transfer on Handmade Paper Year: 2021 Size: 6 x 4 inches Edition: 10 Signed by hand COA provided Ref.: 924802-10...

Willi Kissmer - "The Victorian Scarf". Giclée print on heavy handmade cotton paper. Hand signed and numbered. A beautiful artwork that looks good in every room and especially in t...

Delicate Abstract Lithograph with Blue and Orange by American Beat artist Will Peterson (1928-1994.) This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. The vibrant orange rectangle in the center of the piece is bracketed by a contrasting cobalt border. The edges of these shapes are softened by delicate linework and areas of hazy lighter blues and whites. Overall, this creates an atmospheric and striking piece. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

Delicate Abstract Lithograph in Pale Blues and Greys by American Beat artist Will Peterson (1928-1994.) This lithograph features a soft warm grey background overlayed with light blue shading and line work. In the bottom center of the piece is a spiky white shape. The colors and shapes are subtle and feel reminiscent of ice. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

This original lithograph is hand signed in green pencil by the artist "Hockney" in the lower right margin. It is also dated "79" (1979) in pencil. It is hand numbered and inscribed ...

REDOUTÉ, Pierre-Joseph. Gladiolus Cardinalis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments...

This work on paper is by Donald Farnsworth (1952-). It is titled Counterpoint Gothic VI. It measures 29.5 x 21 inches the sheet, 38.5 x 29.75 inches ...

After Paul Klee "Wunderbare Landung" Pochoir c.1964 A fine pochoir on rice paper, signed in the plate, from an edition of 500. 1964 after the 1920 original. 13.5" wide x 10" high....

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Purple Iris Lowell Blair Nesbitt, American (1933–1993) Dat...

Steven Sorman was born in Minneapolis, Minnesota in 1948. Internationally known as a painter and printmaker, Sorman earned his Bachelor of Fine Arts degree from University of Minneso...

"Lady Holding a Baby" - Woodblock Print on Laid Rice Paper Elegant woodcut print by Stephen White (American, b. 1939). In an early example of White's signature style, a stylized, mi...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...

"1981" ("Entwicklung Kunstwerk") is an original screen print on hand-made Japanese paper from 1981 by internationally acclaimed German ZERO group artist Günther Uecker. Small ddition...

"Interaction" is a painting realized by Indian artist Vagaram Choudhary in 2024. Painting Medium : Natural pigment on wasli paper Painting backside Hand sign with years Painting s...

Artist: Sandro Chia Title: Lonely Dude from Ten Masterprints Medium: Carborundum Etching with handcoloring on handmade paper, signed and numbered in pencil Edition: 38/50 Size: 40 in...

Marino Marini Due Pomone Plate X from "Tout pres de Marino" Aquatint Etching on Arches paper Year: 1971 Lithograph Size: 10.25x7.45 on 22x15in Edition: 95 Not individually signed (o...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588 Sheet size: 16.75" x 14.5" Platemark size: 13.63" x 10.88" Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors Rare Notes: Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet. Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...

Wilhelm Schlote I love you (Ich liebe Dich) Giclee on Linen Year: 2015 Size: 15.4 × 12.0 inches Signed, dated and titled by hand COA provided Ref.: 924802-914 ---------------------------------- Wilhelm Schlote (born March 4, 1946 in Lüdenscheid) is a German artist, children's book author, cartoonist and caricaturist. Schlote grew up in Essen. His first art teacher was Heinz Mack (member of the artist group ZERO), who recognized Wilhelm Schlote's talent for drawing early on. His mentor and friend Albert Schulze-Vellinghausen, who, as a literary critic for the Frankfurter Allgemeine Zeitung (FAZ), was the predecessor of Marcel Reich-Ranicki, was just as philosophically influential. After graduating from high school, Schlote studied philosophy in Bonn until 1968 and then art at the Kunsthochschule Kassel until 1972. From 1973 to 1978 he was a teacher in higher education in Kassel and Hamburg. Simultaneously with the decision to go to Paris, Schlote was offered a professorship at a German art college. In 1978, however, Schlote decided to move to France, where he lived partly in Nice, but mainly in Paris. In 1980 he exhibited for the first time in the Medical Faculty of St. Germain des Pres in Paris. Since 2011 Wilhelm Schlote lives and works in Cologne, Germany. In 1968 Schlote published the first of a total of 35 children's books. Starting in 1976 he published cartoon postcards - the so-called "Schlote-Karten" - and in the same year received the German Youth Book Prize for “I wish for a hippopotamus today”. In 1991 he was awarded by the "Académie Calvet"; the award was presented to him by Catherine Deneuve and Claude Chabrol. Schlote's cartoons and drawings have appeared in magazines such as Die Zeit, Die Welt, The New Yorker, Le Monde and Le Figaro. He creates his city posters...

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge, "1/5 Stage 1 Kimono 3 Patricia A Pearce" (images altered for better viewing). Presented in a new off-white mat with foam core backing. Mat size: 30"H x 25"W Paper size: 27"H x 22"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions...

Signed lower right in graphite, 'Shoichi Hasegawa 長谷川 彰一' (Japanese-French, born 1929), titled lower center, 'le chapiteau et la guitare', with number...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock Whimsical woodblock print by Utagawa Hirokage (Japanese, active 1855–1865). Four people are sitting on...

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

REDOUTÉ, Pierre-Joseph. Lilium Superbum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of b...

FAILE Secret Seas, 2019 Acrylic, Silkscreen Ink on Lenox 100 Paper. (two sided) Hand Signed, titled, dated and numbered 6/250 (each unique) 25 × 19 inches Hand signed and annotated o...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of a Kusatsu in Shiga Prefecture, circa 1850. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshig...

Franz Graw VW-Käfer Mixed Media on handmade paper, Lino Carving 2022 Size: 12.59 x 10.23 inches (32,0 x 26,0 cm) Signed by hand, stamped COA provided Ref.: 924802-2107 Tags: #FranzG...

London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...

A set of four stipple-engraved plates printed in colours and finished by hand. Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers entering the coastal town of Oiso on a rainy evening, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. Two sets of travelers arrive in the town of Oiso on a bleak, rainy day. The subtitle of the print is "Tora’s Rain," named after the lover of one of the Soga brothers in the Soga Monogatari, an epic tale of revenge set in the twelfth-century. In the story, the Soga brothers commit a massacre to avenge their father’s murder, and are in turn put to death by the shogun. Tora weeps after learning of her lover's fate and her tears cause a torrential downpour over the town...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

REDOUTÉ, Pierre-Joseph. Hæmanthus Multiflorus Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...

REDOUTÉ, Pierre-Joseph. Pancratium Calathiforme Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monume...

"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024. Painting Medium : Natural pigment on wasli paper Painting backside Hand sign with years Painting style ...

Wilhelm Schlote Love in a cup Giclee on hand made cotton paper Year: 2015 Signed by hand Size: 11.4 × 10.6 on 15.0 × 12.0 inches COA provided Ref.: 924802-899 ---------------------------------- Wilhelm Schlote (born March 4, 1946 in Lüdenscheid) is a German artist, children's book author, cartoonist and caricaturist. Schlote grew up in Essen. His first art teacher was Heinz Mack (member of the artist group ZERO), who recognized Wilhelm Schlote's talent for drawing early on. His mentor and friend Albert Schulze-Vellinghausen, who, as a literary critic for the Frankfurter Allgemeine Zeitung (FAZ), was the predecessor of Marcel Reich-Ranicki, was just as philosophically influential. After graduating from high school, Schlote studied philosophy in Bonn until 1968 and then art at the Kunsthochschule Kassel until 1972. From 1973 to 1978 he was a teacher in higher education in Kassel and Hamburg. Simultaneously with the decision to go to Paris, Schlote was offered a professorship at a German art college. In 1978, however, Schlote decided to move to France, where he lived partly in Nice, but mainly in Paris. In 1980 he exhibited for the first time in the Medical Faculty of St. Germain des Pres in Paris. Since 2011 Wilhelm Schlote lives and works in Cologne, Germany. In 1968 Schlote published the first of a total of 35 children's books. Starting in 1976 he published cartoon postcards - the so-called "Schlote-Karten" - and in the same year received the German Youth Book Prize for “I wish for a hippopotamus today”. In 1991 he was awarded by the "Académie Calvet"; the award was presented to him by Catherine Deneuve and Claude Chabrol. Schlote's cartoons and drawings have appeared in magazines such as Die Zeit, Die Welt, The New Yorker, Le Monde and Le Figaro. He creates his city posters...

Andy Warhol print on rice paper Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.

Brittany Noriega Magnolia II on Gray Laser transfer print on handmade paper Year: 2022 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1649 T...

"Pictures Of Noh" - 1922 Original Japanese Woodblock Print Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869-1927...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Unsigned but acquired in a portfolio of artist's work. Presented in a new white mat. Mat size: 3...

Brittany Noriega Femme on Gray Laser transfer print on handmade paper Year: 2021 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1655 Tags: fi...

Brittany Noriega Embrace on Gray Laser transfer print on handmade paper Year: 2022 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1653 Tags: ...

Peter Schmidt Title: Flowing in the Right Direction Year: 1970 Medium: Lithograph on Japanese paper Edition: XXXV/XXXV Signed in Pencil Size: 26 x 20 inc...

Artist: Francisca Sutil, Chilean (1952 - ) Title: Thebes Year: 1986 Medium: Paper Pulp and Pigment Multiple, signed and numbered in pencil Edition: 75 Image Size: 22.5 x 14.5 inches ...

POITEAU, A. and P. TURPIN. Traité des arbres fruitiers: A Set of Four Apples H. Perronneau for T. Delachausée, Paris, 1807-1835. A set of Four Apples, fine stipple-engrave...