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Medium: Handmade Paper
English victorian Gentlemen playing Crown Bowls
Located in Woodbury, CT
Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...
Category
Early 1900s Victorian Handmade Paper Prints and Multiples
Materials
Lithograph, Handmade Paper
$1,000 Sale Price
20% Off
Cavendish Church
Located in Middletown, NY
Etching on bluish-grey, thin laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm), full margins. Signed, dated and numbered "II." In very good condition with three pin-point sized dots of...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Delicate Abstract Lithograph in Pale Blues and Greys
Located in Soquel, CA
Delicate Abstract Lithograph in Pale Blues and Greys by American Beat artist Will Peterson (1928-1994.)
This lithograph features a soft warm grey background overlayed with light blue shading and line work. In the bottom center of the piece is a spiky white shape. The colors and shapes are subtle and feel reminiscent of ice.
Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece.
Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers.
Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...
Category
1960s Post-Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
silver graphite double V suit
Located in Columbia, MO
Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...
Category
21st Century and Contemporary Contemporary Handmade Paper Prints and Multiples
Materials
Thread, Archival Ink, Handmade Paper, Monotype
Corbel on Gate House, Stokesay Castle, Shropshire Corbel
Located in Middletown, NY
Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in t...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
“Shore Sentry”
By Syd Solomon
Located in Southampton, NY
Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector
Signed: Artist signed lower left with edition size
Image size: 22 by 30 inches
Sheet size: 30 by 38 inches
Edition 38/100
Condition: Excellent
Overall framed size: 30.25 by 38.25 inches
Framed under plexiglass in chrome colored metal gallery frame
SYD SOLOMON BIOGRAPHY
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall).
In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau.
In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961.
Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...
Category
1970s Post-Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
Clock - Print by Vagaram Choudhary - 2024
Located in Roma, IT
"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024.
Painting Medium : Natural pigment on wasli paper
Painting backside Hand sign with years
Painting style ...
Category
2010s Abstract Handmade Paper Prints and Multiples
Materials
Washi Paper, Pigment
Une bourrasque
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...
Category
Mid-19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Reapers at Rest
Located in Middletown, NY
Etching on light gray Chine collant, laid down to ivory wove paper, 4 3/8 x 7 3/4 inches (110 x 195 mm) (Chine matrix), full margins. In very good condition with light mat tone and o...
Category
Mid-19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
François Viète
Located in Middletown, NY
François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”.
Paris: 1861.
Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...
Category
Mid-19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Precious Stones; Église Notre Dame - Les Andelys
Located in Middletown, NY
A signed impression from the artist's own collection.
Kansas City: Miniature Print Society, 1946.
Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Shepherd talking to a young shepherd on a donkey
Located in Middletown, NY
Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....
Category
Mid-17th Century Old Masters Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Eglise Notre Dame, Les Andelys
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
The Ferry Inn, Bodinick, Fowey
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...
Category
Early 20th Century English School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Stranger in England, St. Lawrence, West Wycombe, Buckinghamshire
Located in Middletown, NY
Etching on cream wove paper, 5 9/16 x 2 3/4 inches (142 x 70 mm), full margins. Signed, titled, numbered "III," and inscribed in pencil by the artist in the lower margin, recto. In v...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
Mid-18th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving, Laid Paper
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
1830s English School Handmade Paper Prints and Multiples
Materials
Oil, Handmade Paper, Aquatint
La Parade
Located in Middletown, NY
Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...
Category
Early 20th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category
Early 20th Century Post-Impressionist Handmade Paper Prints and Multiples
Materials
Handmade Paper, Rag Paper, Drypoint, Etching
Stokesay Castle
Located in Middletown, NY
The Minature Print Society of Kansas City, Mo. , 1942.
Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Three Grotesque Figures by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Precious Stones – South Transeptal Portal, Church of Notre Dame des Andelys
Located in Middletown, NY
Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
North View of St. Paul's Cathedral, London / English School
Located in Middletown, NY
London: Tallis & Co., 1851.
Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear...
Category
Mid-19th Century English School Handmade Paper Prints and Multiples
Materials
Lithograph, Handmade Paper
English School, 19th Cent. –An Interior View of the Porch ... Church St. Alphage
Located in Middletown, NY
An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...
Category
Early 19th Century English School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving
Hall of Bermondsey Abbey, English School, 19th Century (attributed to Dale)
Located in Middletown, NY
London: Robert Wilkinson, 1820
Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x 247 mm) full margins. In good condition with some minor toning and surface soiling ...
Category
Early 19th Century English School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving
Deck of a Man o' War / Le Vauban (cuirassé)
By Paul Leon Jazet
Located in Middletown, NY
Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in penci...
Category
Late 19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
Portait of a Romanesque Capital
Located in Middletown, NY
Etching on light cream wove paper, 2 5/8 x 2 11/16 inches (68 x 69 mm), full margins. Signed, titled, and inscribed "IV" in pencil, lower margin. Likely a proof impression of the t...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Bois de la Haye
By Paul Huet
Located in Middletown, NY
Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image ...
Category
Mid-19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching, Lithograph
Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category
Late 19th Century French School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving
"Potiphar's Wife", Stylized Figurative Abstract Woodcut on Handmade Paper
By Paula Walzer
Located in Soquel, CA
Delicate woodcut print on handmade paper of a stylized figure and hieroglyphic-like symbols by Monterey Bay artist Paula Walzer (British,/American 1926-20...
Category
Late 20th Century Modern Handmade Paper Prints and Multiples
Materials
Paper, Handmade Paper, Woodcut, Raw Linen
Bords d'une rivière avec deux bateaux (River banks with two boats)
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 11/16 x 5 (92 x 125 mm), full margins. In good condition with minor mat tone. Printed by Delâtre, Paris.
[Guiffrey 34]
Category
Mid-19th Century French School Handmade Paper Prints and Multiples
Materials
Etching, Handmade Paper
Venetian School: Neoclassical banquet scene with angels and putti.
Located in Middletown, NY
Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...
Category
18th Century Old Masters Handmade Paper Prints and Multiples
Materials
Handmade Paper, Ink, Laid Paper
III-8, Hand painted, signed Monoprint composition of two separate sheets, Framed
By Michael Heizer
Located in New York, NY
Michael Heizer
III-8 (two pages), 1983
Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...
Category
1980s Abstract Expressionist Handmade Paper Prints and Multiples
Materials
Paint, Mixed Media, Acrylic, Handmade Paper, Color Pencil, Monoprint, Mo...
Corbel on Gate House, Stokesay Castle, Shropshire
Located in Middletown, NY
Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Notre Dame du Val, Provins / Thibaut
Located in Middletown, NY
Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
La Rue de Change, Tours
Located in Middletown, NY
Etching on antique cream laid paper, 5 x 2 inches (127 x 52 mm), full margins. Signed and dated in pencil lower margin. From the editoin of 156, printed by Frederick Reynolds. In s...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
Fiesole: An Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
The Hospital, Santa Cruz, Toledo
Located in Middletown, NY
Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/...
Category
Mid-20th Century American Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching, Aquatint
Christus bij de bedelaars , 1895, etching, plate-signed, James Ensor
By James Ensor
Located in Sint-Truiden, BE
Taevernier No. 102 - Etching is in very good condition and of very good quality. Although the plate was deleted in the presence of a bailiff in 1950 or 1951, this print was made afte...
Category
Late 19th Century Handmade Paper Prints and Multiples
Materials
Handmade Paper
'Tea Stall at Fukuroi', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a samurai and his porter enjoying the shade of a Japanese pine tree while waiting for tea, circa 1850. Signed in Kan...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Jan Cornelis Sylvius
Located in Middletown, NY
Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...
Category
19th Century Old Masters Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
PARIS: Porte Rouge Notre Dame & Rue des Marmousets
Located in Middletown, NY
Lithograph in colors with engraving on buff wove paper. Each of the two images measures 10 3/4 x 6 5/8 inches (271 x 167 mm), with the sheet measuring 14 1/4 x 20 1/2 inches (360 x 5...
Category
Mid-19th Century English School Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
Two Fine Prints from the David Suite by Edna Hibel, 1978
By Edna Hibel
Located in New York, NY
Edna Hibel (American, 1917-2015)
Two Lithographs from the David Suite, 1978
Hand pulled original lithograph on Japanese rice paper
Sheet: 26 x 20 in.
Signed lower right: Hibel
Number...
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Rice Paper, Lithograph
'View of Nissaka', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers moving through Sayo Mountain Pass. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Ten Milkweed Pods
Located in Philadelphia, PA
This piece titled "Ten Milkweed Pods" is an original artwork made from Plaster, acrylic paint pens, milk, relief on mulberry paper, and silverpoint, moun...
Category
21st Century and Contemporary Contemporary Handmade Paper Prints and Multiples
Materials
Plaster, Found Objects, Acrylic, Mulberry Paper
Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category
1830s English School Handmade Paper Prints and Multiples
Materials
Oil, Handmade Paper, Aquatint
Portrait of Marquard Freher, aged forty-nine
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category
Early 17th Century Old Masters Handmade Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Located in Soquel, CA
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869-1927...
Category
1920s Edo Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Union - Whom --- Has Join'd, Let No Man put Asunder!
Located in Middletown, NY
Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art.
Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum.
_____
The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...
Category
Late 18th Century English School Handmade Paper Prints and Multiples
Materials
Watercolor, Handmade Paper, Laid Paper, Etching
Cell with Explosions I, Line Engraving on Japanese Kozo paper, signed/N, Framed
By Peter Halley
Located in New York, NY
Peter Halley
Cell with Explosions I, 1993
Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface
Hand signed and numbered 49/50 by the artist on lower front
Original frame included: matted and framed in a wood frame
Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process.
Measurements:
Frame: 19 x 19 x 1 inches
Visible: 12 1/4 x 12 1/4 inches
Sheet: 15 7/8 x 15 1/4 inches
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Handmade Paper Prints and Multiples
Materials
Rice Paper, Etching
Still life with Stefanie - Nude
By Peter Handel
Located in Winterswijk, NL
Giclee on heavy
Handmade cotton paper
Signed and inscribed with archive
In great condition
Category
21st Century and Contemporary Realist Handmade Paper Prints and Multiples
Materials
Handmade Paper, Giclée
$379 Sale Price
20% Off
Thebes, Abstract Expressionist Paper Pulp Print by Francisca Sutil
Located in Long Island City, NY
Artist: Francisca Sutil, Chilean (1952 - )
Title: Thebes
Year: 1986
Medium: Paper Pulp and Pigment Multiple, signed and numbered in pencil
Edition: 75
Image Size: 22.5 x 14.5 inches
...
Category
1980s Abstract Handmade Paper Prints and Multiples
Materials
Handmade Paper, Pigment
'View of Fujikawa', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers kneeling along a coastal path as the Daimyo's procession passes. Signed in Kanji lower left, "Hiroshige Ga...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Counterpoint Gothic VI
Located in San Francisco, CA
This work on paper is by Donald Farnsworth (1952-). It is titled Counterpoint Gothic VI. It measures 29.5 x 21 inches the sheet, 38.5 x 29.75 inches ...
Category
1980s Modern Handmade Paper Prints and Multiples
Materials
Paper, Handmade Paper, Lithograph, Monotype
Motus Vivendi - Etching - Pierre Alechinksy - 2008 - numbered - edition 90- 2008
Located in Sint-Truiden, BE
Etching by Pierre Alechinsky. The piece is called "Motus Vivendi" from 2008. It is hand signed in pencil and numbered 62/90. dimensions of the paper : 225mm x 155mm. Dimension of the...
Category
Early 2000s Post-War Handmade Paper Prints and Multiples
Materials
Handmade Paper
Zurück - Giclee - 2016 - Armando - hand-signed - Edition: 30 - 2016
Located in Sint-Truiden, BE
Armando
18.09.1929 Amsterdam
Zurück
Giclee on heavy, hand-made cotton paper
Year: 2016
Hand-signed and labelled
Edition: e.a.
Condition: In good condition
Dimensions: 50.0 x 50.0 on 63.0 x 61.0 cm
ARMANDO (Amsterdam 1929 - Potsdam 2018)
Sculptor, Writer, Film and documentary maker, Violinist
Education:
Armando studied art history in Amsterdam for a number of years.
He lived in Amstelveen and worked in Amsterdam.
Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy.
Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme.
Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music.
Exhibitions and prices:
1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...
Category
21st Century and Contemporary Abstract Handmade Paper Prints and Multiples
Materials
Handmade Paper
$332 Sale Price
37% Off
Kimono Applique with Mulberry Paper
Located in Soquel, CA
Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948).
Unsigned but acquired in a portfolio of artist's work.
Presented in a new white mat.
Mat size: 3...
Category
1980s Contemporary Handmade Paper Prints and Multiples
Materials
Paper, Ink, Mulberry Paper, Lithograph
No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock
Located in Soquel, CA
No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock
Whimsical woodblock print by Utagawa Hirokage (Japanese, active 1855–1865). Four people are sitting on...
Category
1860s Edo Handmade Paper Prints and Multiples
Materials
Rice Paper, Woodcut
Landschaft - Giclee - 2018 - Armando - hand-signed - Edition: 25 - 2018
Located in Sint-Truiden, BE
Armando
18.09.1929 Amsterdam
Landschaft
Giclee on heavy, hand-made cotton paper
Year: 2018
Hand-signed and numbered
Edition: 25
Condition: In good condition
Dimensions: 48.0 x 47.7 on 61.0 x 58.7 cm
ARMANDO (Amsterdam 1929 - Potsdam 2018)
Sculptor, Writer, Film and documentary maker, Violinist
Education:
Armando studied art history in Amsterdam for a number of years.
He lived in Amstelveen and worked in Amsterdam.
Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy.
Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme.
Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music.
Exhibitions and prices:
1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van...
Category
21st Century and Contemporary Abstract Handmade Paper Prints and Multiples
Materials
Handmade Paper
$332 Sale Price
37% Off
Tropical Palm Block Print
Located in Soquel, CA
Wonderful tropical Woodcut print of Palm Tree on island. Signed "Wessels" with a KW chop in a box above and 2012 lower edge. Presented in speckled pain...
Category
2010s American Impressionist Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Handmade Paper prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Handmade Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Robert Motherwell, FEOLI, Vincenzo., and Mari Ito. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Handmade Paper prints and multiples, so small editions measuring 0.01 inches across are also available
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