Linocut Prints and Multiples

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°4, 1938. Published and printed under the direction of Gualtieri di San Lazzaro, éditeur, Paris, by Société Internationale d'Art XXe siècle, Paris. Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in PRINT QUARTERLY, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. MAX BILL (1908-1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions. Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College Chapel, Cambridge (Cambridge Series 1956 - 66) Linocut 72 x 41 cm Signed and inscribed A/P in pencil. Hoyle depicts King's College Chapel as both indomitable and delicate. The bold composition sees the chapel's spires surrounded by a fiery orange light against the black night of the background; at the same time, the western facade looks like it could have been cut from paper, or crafted from lace. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

CLAUDE FLIGHT (1881 -1955) SWING BOATS 1921 (Coppel CF5) Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Life is a never-ending stream of what you wish and work for, we wished and we’ve got you as our running stream of love, no matter what stages, it's continuous, it doesn't stop. Ship...

Colin Moore Hampstead Pond Limited Edition 3 Block Linocut Edition of 100 Image Size: H 42cm x W 59.5cm Sheet Size: H 51cm x W 67cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Hampsted Pond is a limited edition print by Colin Moore. It depicts the pond at Hampsted park with a woman walking her dog, this mainly natural green coloured landscape print is brought to life by the matching pops of red in the walkers clothing, the kite, and flowers in the foreground. Colin Moore artist has many landscape and seascape lino cut prints...

Colour linocut, limited edition, Artists Proof, titled, signed and dated in pencil. 2019. Aileen Brown is a Melbournian printmaker. Since 1983 she has w...

Fernando Castro Pacheco was a Mexican muralist, painter, and printmaker. This linocut is titled to refer to the indigenous population. It is si...

Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...

Composition is an original linograph realized by Luigi Veronesi in 1975. Hand-signed and numbered. Edition of 20 prints. Good conditions. Image Dimensions: 39 x 31 cm.

Linocut, signed by the author, from the series " Where we are Heading?"

Bold linocut abstract in black and blue, artist proof by French artist Joseph Brisot, circa 1985. Signed lower right. Original artwork on paper displ...

Elegant abstract linocut by French artist Joseph Brisot, 1988. Artist proof, signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a ...

Wells Sunset is a lino print by Colin Moore. The sunset scene shows the coastline of Wells in Somerset, complete with boats on the horizon and drifting clouds above the setting sun. ...

For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

The Horse Trainer is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was a...

Signed and numbered

Leon Underwood was a British sculptor, wood engraver, painter and writer of the twentieth century. Underwood was born 25 December 1890 in London, and studied at the Regent Street Pol...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Wall 1968, paper, linocut, 20.5x28 cm The linocut print depicts a boy standing in what appears to be a dark or shadowy environment. The artist uses the linocut technique to create ...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...

Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...

C like Cristina is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Good condition.

Labyrint I. linocut, edition 2/6 signed by the author from series " Where we are Heading?"

Crocodile Surprise is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, painter, engraver...

Medium: linocut Year: 2022 Image Size: 18 x 12 inches Edition size: 10 Image of a young native girl working in the poppy fields. As a cultural activist/artist/printmaker, Juan Fuen...

G like Giulietta is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Good condition.

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

Summer Woodland Glow by Alexandra Buckle. Limited edition and hand signed by the artist Linocut on paper Sold unframed Complete size of unframed work: H:70cm x W:49cm x D:0.1cm P...

Jacqueline is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. A passep...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W...

Kerry Day Swiss Cheese Limited Edition 7 Layered Linocut Print Edition of 10 Image Size: H 30.4cm x W 30.5cm Sheet Size: H 43cm x W 42cm x D 0.1cm Sold Un...

Kiki Smith Toxicology, 2009 Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses. Hand signed by ...

The Dreaming Cowboy is an Original Linocut Print realized by Mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engrave...

Picador et Taureau is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. ...

Medium: linocut Year: 2025 Image Size: 12 x 12 inches Edition of 20 Native indian with indian blanket, with abstracte background and clouds. As a cultural activist/artist/printmake...

Artist: Hume, Gary Title: Young Turk Series: A Series of Linocuts Date: 2012 Medium: Linocut Unframed Dimensions: 52.6875" x 36.375" Framed Dimensions: 60.50" x 44" Si...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 – 2000) Jesus College Cambridge...

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Object...

Human Shapes is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Linocut on paper. Hand-signed on the lower. Good conditions with slight foxing. Mino Macc...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

"Kiosk in Paris" British Linocut 1/50 European Modernism Swiss Vorticism Deco Lill Tschudi (Swiss, 1911-2004) Kiosk in Paris (Coppel LT 29) Linocut...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black&white with addition of blue and red. Title of this artwork is 'Asy...

Linocut block print on archival paper. Dark red ink. Female figure with sun, palm plant, palm leaf. Framing available. Hand signed by artist.

Andrews, Sybil (English/Canadian, 1898-1992), C. SA26. "SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs, Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...

Contemporary figurative limited edition linocut print on paper by Polish artist Marta Garbaczewska. Artwork depicts female nude in an abstract manner. Composition is beige and yellow...

PABLO PICASSO, Malaga 1881 - Mougins 1973 Femme couchée et homme au grand chapeau, 1962 Linoleoumography d'après in color. (mm270x325) Perfect specimen published by the Cercle d'Art ...

Lino-cut, edition 50, homage to the grand-father of the author, could be delivered in different colors, signed by the author.

Pleasure is a beautiful black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed "Jean Barbe" and numbered in pencil on lower margin. Edition of...

Contemporary minimalistic black & white linocut print on paper by Polish artist Jolanta Babicz. Edition is limited to 5 copies. Artwork is not framed. Photos with frame are only visualizations. JOLANTA BABICZ (born in 1967) In 2009 she graduated from the Artistic Department of the University of Humanities and Economics in Łódź. The subject of her B.A. thesis was computer graphic...

Mark A Pearce Summer Wasdale Limited Edition Linoprint Edition of 46 Image Size: H 44cm x W 71cm Sheet Size: H 54cm x W 81cm Signed Sold Unframed Summer Wasdale is a limited edition print by Mark Pearce. At school I spent most of my time in the art department. I then went on to do a one year foundation course at Carlisle College of Art. It was here that I learnt the art of printmaking and then continued my studies at the Norwich School of Art doing a degree in graphic design. Keen to move to London I found my first job as a graphic designer with John Nash and Friends and my second with Michael Peters and Partners. I went on to win a D&AD (Design and Art Directors Club of Great Britain) silver award for the very first greeting stamps issued by the Royal Mail. These featured smiles from the likes of Dennis the Menace...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...