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Medium: Rubber
Lorna Simpson, III (Wish #1, Wish #2, Wish #3), Set of 3 Wishbones
Located in Hamburg, DE
Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...
Category

20th Century Rubber Prints and Multiples

Materials

Bronze

Hair Box
Located in New York, NY
"Hair Box," 1990 (for Parkett 23) Paint on rubberized hair, wood backing, 10 x 15 x 5” (25,4 x 38 x 13 cm), Ed. 100/XX, signed and numbered A material common...
Category

1990s Rubber Prints and Multiples

Materials

Rubber, Paint

Hockey Stick Blades
Located in Toronto, Ontario
Greg Curnoe (1936-1992) was a highly revered artist, bookmaker and competitive cyclist. He was based in London, Ontario but beloved across the country. He would represent Canada at the Venice Biennale in 1976. Unwavering in his allegiance to the Canadian/local art scene, Curnoe led the London Regionalism movement alongside fellow artists such as Jack Chambers, Tony Urquhart...
Category

1960s Conceptual Rubber Prints and Multiples

Materials

Ink, Rubber

Related Items
YES - large format photograph of conceptual motivational message sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
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21st Century and Contemporary Conceptual Rubber Prints and Multiples

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Back in 10 - large format photograph of conceptual message sign in landscape
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large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...
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Marshall - large format photograph of iconic cherry red Cadillac automobile
Located in San Francisco, CA
large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...
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Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

YES - large format photograph of conceptual motivational sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...
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Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

TODAY - large format photograph of conceptual motivational billboard at night
Located in San Francisco, CA
large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...
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HOPE ( framed ) - 4 individual conceptual photographs spelling motivational word
Located in San Francisco, CA
large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically, horizontally, square or across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork composition 24 x 96 inches (61 x 244cm) vertical artwork...
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21st Century and Contemporary Conceptual Rubber Prints and Multiples

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Brooch Oiseau (Bird) Zamak, gold tone finished, nickel free (Incised Signature)
Located in New York, NY
Niki de Saint Phalle Brooch (Oiseau), ca. 2005 Zamak, gold tone finished, nickel free (Incised Signature) Incised signature on the back of the jewelry (Niki De Saint Phalle) and the clasp (Niki). 2 3/10 × 1 3/5 inches Authorized by the Estate of Niki de Saint Phalle! This colorful, whimsical piece - "Oiseau" (Bird) can be worn both as a brooch and as a necklace. Bears the Niki de Saint Phalle's incised signature. Collectible work. Makes a terrific gift. Biography of Niki de Saint Phalle Childhood Niki de Saint Phalle was born in France in 1930 to an aristocratic Catholic family. She had an American mother, a French banker father, four siblings, and grew up bilingual in French and English. Her father lost his wealth during the Great Depression and the family moved to the US in 1933, where Saint Phalle attended Brearley School, a girls' school in New York City. Saint Phalle reported later in her life, in an autobiography titled Mon Secret (1994), that her father had sexually abused her from age 11. From an early age, Saint Phalle pushed boundaries in her artistic and personal life. Though she found Brearley School to be a formative experience, later claiming that it was there she became a feminist, she was expelled for painting the fig leaves covering the genitals of statues on the school's campus red. She then attended Oldfields School in Maryland, graduating in 1947. As a young woman, Saint Phalle also worked as a model, appearing on the front covers of Life Magazine and Vogue. When she was 18, Saint Phalle eloped with Henry Matthews, an author and childhood friend. While Matthews studied music at Harvard University, Saint Phalle began to explore painting, and gave birth to her daughter Laura in 1951, when she was 20 years old. Early Training and work In 1952, the Matthews and Saint Phalle moved to Paris, where he continued to study music and Saint Phalle studied theater. The couple traveled extensively in Europe, gaining exposure to art by the Old Masters. The following year, Saint Phalle was diagnosed with a "nervous breakdown" and hospitalized in a psychiatric facility. She was encouraged to paint as a form of therapy, and consequently gave up her theater studies in favor of becoming an artist. The couple moved to Mallorca off the coast of Spain, where their son Philip was born in 1955. During this time, Saint Phalle developed her imaginative, self-taught style of painting, experimenting with a variety of forms and materials. She also discovered the architecture of Antonio Gaudi, which had a strong influence on her work. Gaudi's Park Guell in Barcelona was instrumental in Saint Phalle's early conceptualization of the elaborate sculpture garden she would fulfill much later in her career. Mature Period At the end of the 1950s, Saint Phalle and her husband moved back to Paris. In 1960, however, the couple separated and Saint Phalle moved to a new apartment, established a studio, and met artist Jean Tinguely, with whom she would collaborate artistically. Within a year, they had moved in together and begun a romantic relationship. Saint Phalle became part of the Nouveau Réalisme movement along with Tinguely, Yves Klein, Arman and others. She was the only woman in the group. Her first solo exhibition in 1961 punctuated a dynamic period of Saint Phalle's early career, and she met a number of influential artists living in Paris at the time, such as Robert Rauschenberg and Jasper Johns, whose use of found objects was to have a strong influence on Saint Phalle's work. She was also friendly with Marcel Duchamp, who first introduced her and Tinguely to Salvador Dalí. The three artists traveled to Spain together to an event celebrating Dali's work, in which a life-sized bull sculpture was detonated with fireworks. In 1963, Tinguely and Saint Phalle moved to an old house just outside Paris, where she began to work on architectural projects as well as her renowned shooting...
Category

Early 2000s Contemporary Rubber Prints and Multiples

Materials

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Located in Philadelphia, PA
This piece titled "Portal I" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w. Born in Mexico City, A...
Category

21st Century and Contemporary Contemporary Rubber Prints and Multiples

Materials

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Next Sign - large format landscape photograph with conceptual road sign
Located in San Francisco, CA
Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...
Category

21st Century and Contemporary Conceptual Rubber Prints and Multiples

Materials

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HOPE (framed) - 4 conceptual still life photographs spelling motivational word
Located in San Francisco, CA
large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...
Category

21st Century and Contemporary Conceptual Rubber Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Plexiglass

Physichromie No. 1354”
Located in Miami, FL
Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...
Category

Early 2000s Kinetic Rubber Prints and Multiples

Materials

Plastic, Cardboard, Digital

TODAY - large format (framed) photograph of conceptual billboard sign at night
Located in San Francisco, CA
billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...
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Previously Available Items
Hockey Stick Blades
Located in Toronto, Ontario
Greg Curnoe (1936-1992) was a highly revered artist, bookmaker and competitive cyclist. He was based in London, Ontario but beloved across the country. He would represent Canada at the Venice Biennale in 1976. Unwavering in his allegiance to the Canadian/local art scene, Curnoe led the London Regionalism movement alongside fellow artists such as Jack Chambers, Tony Urquhart, and Murray Favro. Together, they championed their hometown of London, Ontario by focusing on local life in their art, activism, and loyalty. In an act of cruel irony, Curnoe died in a tragic cycling accident while riding the same yellow Mariposa bike that was a frequent subject in his work. Curnoe’s lifetime passion for sport had a large presence in his practice and iconography. Capturing subject matter from the local social and cultural milieu, Curnoe was devoted to depicting personal objects and experiences from his day-to-day life, inspiring a generation of artists to do the same. While Curnoe could be considered a second-generation Pop artist, there was something more personal and intimate in both his approach and artwork. Although Curnoe created many works on paper, he curiously did very little printmaking. Here we find an unusual application of ink to lithograph using several hockey stick...
Category

1960s Conceptual Rubber Prints and Multiples

Materials

Rubber, Ink

Record
Located in New York, NY
Cast Beracryl rubber, diameter 11 4/5” (30 cm), Ed. 120, signed and numbered “In appearance, the work of Fischli/Weiss is ironic and humorous; oscillating between game and joke, ...
Category

1980s Rubber Prints and Multiples

Materials

Rubber

Record
H 19 in W 22.75 in D 1.5 in
Bitch, I Made This Pot
Located in Kansas City, MO
Theaster Gates Bitch, I Made This Pot Title: Bitch, I Made This Pot Medium: Lithograph, screen print and rubber stamp on Somerset Year: 2013 Dimensions: 23.6 x 31.5 inches Edition o...
Category

2010s Contemporary Rubber Prints and Multiples

Materials

Rubber, Lithograph, Screen

Rubber prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Rubber prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 20th Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Peter Fischli & David Weiss, Richard Artschwager, and Lorna Simpson. Not every interior allows for large Rubber prints and multiples, so small editions measuring 0.01 inches across are also available

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