Max Arthur Cohn

"Harlem River" original silkscreen

1942

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Medium: serigraph (after Magnelli). Printed in Paris in 1952 and published by Editions d'Art d'Aujourd'hui, of Boulogne. Image size: 8 1/2 x 7 inches (216 x 177 mm). Sheet size: 12 x...

Medium: screenprint in black on a transparent plastic sheet (after the drawing). Printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x ...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

"I would look up at the ceiling, imagine myself as the character in her dilemma and draw – on napkins, scrap paper, the backs of paper menus. The rule was, I had to write the subject down first, and when I looked down, I was finished. Not all the drawings work, of course. At times I go right off the page. At times they are incoherent or emotionally flat. The truth is, the drawings only work when I succeed in becoming the woman in the drawing in my own head – I need to get under her skin, feel what she feels. " - Rebecca Miller A SUITE OF EIGHT HAND-PRINTED SILKSCREENS WITH HAND-PAINTING SIGNED, NUMBERED AND TITLED BY THE ARTIST IN PENCIL IMAGE SIZE: 14 X 14 INCHES PAPER SIZE OF 19 X 19 ½ INCHES PRINTED ON 290 GRAM ARCHIVAL COVENTRY RAG PAPER EDITION OF TEN NUMBERED 1/10-10/10 3 ARTIST’S PROOFS AND 2 PRINTER’S PROOFS ALL SCREENS USED IN THE MAKING OF THE EDITION HAVE BEEN CANCELLED PUBLISHED AND PRINTED BY GARY LICHTENSTEIN Rebecca Miller has written and directed six feature films: "Angela" (1995), winner of the Sundance Film Festival Filmmakers Trophy and Cinematography Award; "Personal Velocity" (2002), starring Parker Posey, Kyra Sedgwick and Fairuza Balk, winner of the Sundance Grand Jury Prize and Cinematography Award, as well as the Independent Spirit John Cassavetes Award; "The Ballad of Jack...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...