More Prints

Elektronik Blue, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

'Superman and Batman' by DJ Leon, 2020. The piece measures 44.5 x 30.5 inches. This digital C print on aluminum with resin incorporates, appropriat...

Cash Register, detail photograph from Richard Heeps' commission to document the Preston Hall Museum in Stockton-on-Tees. This artwork is a limited edition of 25 gloss photographic ...

"Marlowe and the s. o. raincloud" etching and aquatint is a complicated mixture of Native American head dress, notes by the artist, comic super he...

The Cook Bank Building, in Rhyolite, Nevada, is a metaphor for the ghost town in which it sits. Once booming in the gold rush, these historic relics are ...

Original Toyota Great Teammates Toyota and NFL. Oh, what a feeling! This linen-backed NFL promotional poster was created in 1981 by Toyota. It is in excellent condition, with pinholes in the corners repaired. This is a very difficult original vintage NFL poster to locate and one of the last ones we have been able to document. The poster features a silhouette of a football player composed entirely of football helmets, each adorned with the logo of a different NFL team. This creative design showcases all the teams in the league at the time, making it both a celebration of the sport and a clever piece of advertising. The silhouette of the football player is meticulously crafted using helmets...

Milkshake, a cold drink on a hot day, captured at the seaside in the year of the great British staycation. This enticing pink milkshake in a glistening glass was photographed by Rich...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a 1980's vintage interior view from the kitchen sink looking out to the garden. It was Richard's first colour co...

Heidler & Heeps Vinyl Collection Twenty-Five Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha H...

The Book of Love Poem - LOVE: Enflame. Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, Signed and numbered in pencil Edition of 200, PP 10 Size: 24 in....

The iconic architecture of the La Concha Motel in Las Vegas, was captured by Richard Heeps for his 'Dream in Colour' series, before its closure in 2004. Designed by Paul Williams...

The Silver State, a classic yellow Cadillac, captured by Richard Heeps while at Viva Las Vegas 2001, where he was photographing for Classic American maga...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

Heidler & Heeps Vinyl Collection Eight Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

Captured when documenting the Preston Hall Museum, this atmospheric piece beautifully captures the nostalgic feeling of a record collection, the added detail of 'His Master's Voice' ...

This detailed artwork showing slightly distressed piano keys has a beautiful painterly effect. It was photographed by Richard Heeps in Preston Hall Museum, ...

Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this bea...

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

Martini Corner, with the Kodak film rebate, vintage interior photograph from Richard Heeps Dream in Colour series. An interior vignette from Bisbee, Arizona, the saturated colours an...

'A Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Robert Rauschenberg is revered as one of the most innovative American pop artists - more avant-garde than Warhol, more audacious than Jasper Johns. In addition to his artistic achie...

Richard Heeps Dream in Color 'Pool Installation'. A set of nine individual artworks, vibrant yet serene they take you on a journey through California & Nevada through the eyes of the...

Heidler & Heeps B Side Vinyl Collection Fifteen Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler ha...

Screenprint and collage Edition of 100

This edition was printed in approximately 40 colors on Lanaquarelle paper with a deckled edge. The print is signed, numbered and dated, 2011 by the artist. The print comes directly f...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The sherbet yell...

Made in France from the Heidler and Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collab...

Heidler & Heeps Vinyl Collection 'Made in France Blue'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerisin...

Roy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...

Elektronik Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

Elektronik, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and...

Cyclops, Natasha Heidler brings childhood favourite toys to life in her conceptual photography. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to alu...

NOMAD, New York, set of four framed American architecture color photographs by Richard Heeps. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD s...

"She fled along the avenue" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems....

The Book of Love Poem - Tiger Music Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, 10 PP Size: 24 in. x ...

LTD. ED. Vinyl (Summer) from the Heidler and Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler ha...

Pictured in this monochromatic Jim Dine lithograph is Basil Hallward, the artist companion of Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray...

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Heidler & Heeps Vinyl Collection Nine Piece 'Blues' Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully ...

ICES Mustard Yellow, Purple, Green and Baby Blue, bold colour blocking pop art street photography from Richard Heeps series, On-Sea. Created as an ode to childhood visits to grandpar...

The Book of Love Poem - From the Umbrage of a Master Poet Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200,...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man...

'I have made two separate versions of this edition – not because it’s worth saying twice – although it is, but more evidently to do with the colours of two paintings I made on the sa...

Edition Details Year: 2015 Class: Art Print Status: Official Run: 195/200 Technique: Screen Print Paper: Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered Shepard Fairey, the artist behind the iconic Obama Hope poster...

Original vintage Badajoz Fiesta de San Juan linen backed poster. Very good condition, ready to frame. Printed: Lit. Ortega, Valencia. Archival linen backed. No tears, no stain...

Iconic neon from London's North Circular landmark, the Walthamstow Stadium. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, presented in...

Seventies Blue, a bold blue artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make ...

Reggae, a blue artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifu...

Halo Freedom - Rick Griffin original 1966 poster. Benefit for Haight Ashbury Legal Organization, an On-scene summer long guarantee of your Freedom. Indian Agent Excellent / mint condition. The image is to resemble a distressed old photograph, but this poster is meint as stated. No damage, no pinholes, no bent corners… just very fine indeed! PERFORMERS: Grateful Dead, Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, Charlatans Haight Ashbury Legal Organization. Winterland Concert HALO (Haight Ashbury Legal Organization) Original First Printing, not a reproduction. Concert featuring: The Jefferson Airplane, Janis Joplin with Big Brother & The Holding Company, Quicksilver Messenger Service, The Charlatans...

Original WATERFALL by the IF Band on Metromedia Records vintage record poster. Note that this is a vintage poster and not an album cover. Unlike th...

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

This artwork is one of Richard's many iconic Coca-Cola signs; this one captured in the So-Cal Speed Shop in Phoenix, Arizona has an interesting raw distressed quality. The typical Co...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Celebrating the one and only Marilyn Monroe by Mauro Ol...

1-2-3 Outside reproduces James Rosenquist’s 1963 oil painting of the same name, collected in the Spencer Museum of Art, The University of Kansas, Lawrence. Rosenquist sourced the ima...

Set of three ready to hang framed artworks in joyful shades of yellow, featuring Richard Heeps 'ICES' in Mustard Yellow, Sherbet Yellow and Sunshine Yellow....