More Prints

This striking vintage poster from the early 1970s—possibly around 1971—promotes the "Écran Plein Format" (Full-Screen Format) television by Pathé Marconi, a major name in postwar Fre...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...

This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

Title : 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20th and following day between the Earl's of Winchelsea and darnley for 1000 Guineas.' Publication line ...

Leonor Fini The Art lover, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

Original WATERFALL by the IF Band on Metromedia Records vintage record poster. Note that this is a vintage poster and not an album cover. Unlike th...

Max Bill (1908-1994) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this lit...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Step into the dreamlike elegance of Viennese operetta with this original 1976 poster by artist Okley, designed for the Mogador Theatre’s production of Rêve de Valse (A Waltz Dream), ...

Exploding with rhythm, color, and Latin flair, this 1975 original poster by artist Okley captures all the spirit and spectacle of Fiesta!, a musical by legendary French-Spanish compo...

This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. The map depicts a side view and bird's-eye view, looking across the Elbe River (labelled Albis Fluvius on the map; White River in Latin) from the northeast. In the foreground are three women in conversation on a hill above the city, along with a man and a woman in conversation by a road, all dressed in contemporary costumes of the upper class. A coat-of-arms is present in each upper corner. A great castle sits atop a hill in the background on the left. Meissen grew up around Albrechtsburg castle, built by Emperor Henry I around AD 929, and was granted a municipal charter at the end of the 12th century. From 1471 onwards, the castle complex was reconstructed as the residence of the Saxon electors on the northeast corner of the Domberg (Cathedral Hill). Meissen cathedral is a Gothic hall church begun c. 1270; in 1413 a bolt of lightning destroyed its west towers, which were replaced only in the 20th century. Meissen lies to the northwest of Dresden, Germany in Saxony. Meissen is famous for its Meissen porcelain and the Albrechtsburg castle The following is an English translation of an excerpt from Braun's description of the city:  "This city is surrounded by very many rivers, to the east flows the Elbe, to the south the Triebisch, to the west are the mountains, to the north the Meisse, after which the city is said to be named. The city is well-situated in its surroundings, the navigable rivers, the mountains and the healthy air. Around the city there is a good land to grow grain, fertile vineyards on the hillsides and without doubt the mountains are not without ore, for one mile away, up the Elbe, is Scharfenberg, where silver and lead ore are mined.." 
  References: Van der Krogt 4, 2684; Taschen, Braun and Hogenberg...

This breathtaking original Soviet Intourist travel poster showcases one of Crimea’s most iconic landmarks—the Swallow’s Nest (Nid de l’Hirondelle)—perched dramatically on the edge of...

Jack Bush (1909-1977) is best known as one of Canada’s most successful abstract artists of the 20th century. Beginning in the 1960's he achieved international recognition for his wor...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Act IV, Scene III - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the left right  margin. Perfect conditions. Th...

Dali's Presentation is the title page for Dali's interpretation of the Currier & Ives series which reproduces the original ornate border used for the Currier & Ives logo with a Dalian touch by turning it upside down and putting his own crown on the top and adding calligraphic flourishes. It reads.... Colored Lithographs For the People... The World of Currier & Ives as interpreted by Salvador Dali Les Fleurs et Fruit, Fire, Fire, Fire, American Yacht Race, Central Park Winter New York, American Trotting...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Adolph Gottlieb Guild Hall is for Everyone, 1970 Rare Abstract Expressionist Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph ...

This evocative original Soviet travel poster by Aeroflot, the USSR’s national airline, captures the serene grandeur of Baku, capital of Soviet Azerbaijan, as night falls over the Cas...

Artist: Jack Levine, American (1915-2010) Title: Unknown Year: 1970 Medium: Etching Paper: Arches Image size: 10 x 7.75 inches Paper size: 15 x 11.25 inches Signature: Signed and dat...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1979 54 x 37 cm, 11 (of 12) posters loosely inserted in a printed pape...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...

Original engraving #5 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

A map of Messina, a harbour city in northeast Sicily. Inscribed with the title in plate to the lower edge, 'Plan of the Works of the City of Messina, one of the strongest and most co...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

GIOVANNI BATTISTA PIRANESI (1710-1778) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756 Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970 Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm Intaglio printing (halftone block) in black ...

Original vintage poster: Half sheet original movie poster "POCKET MONEY" with Paul Newman and Lee Marvin. Two of the most memorable characters the west can never forget!. Lower left the GP notice was changed with a 'snipe' covering the previous rating of this movie. Cast: Paul Newman, Lee Marvin, Strother Martin, Christine Belford, Wayne Rogers...

ARTIST: Salvador Dali TITLE: Masque de la Mort MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 153/200 MEASUREMENTS: 29.9" x 22" YEAR: 1975 ...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

An original hand colored copperplate engraved map entitled in Latin "Archiepiscopatus Maghdeburgensis et Anhaltinus Ducatus cum terris adjacentibus", published in Amsterdam in 1640 i...

This evocative original Soviet travel poster celebrates one of Russia’s most breathtaking cultural treasures: the wooden Church of the Transfiguration on Kizhi Island, a UNESCO World...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...

Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Original Italian movie poster: American Graffiti - Italian style. Anche Tu negli anne '60's Linen-backed offset lithograph. A great George Lucas film. American Graffiti, voted in 1998 to the American Film Institute's list of 100 superlative films. This one should be in your collection. This original Italian size (39.5" x 54.75') is ready to frame. Original movie poster theatrical issued fold marks restored during linen backing. Overall condition is very good with very minor printing flaws. The vintage poster features a silhouette of a football jersey with a big glass of Coca-Cola balanced as the head of the image. This was a George Lucas film with Richard Dreyfuss and Ron Howard. A Francis Ford Coppola production. This is a genuine Italian one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. (Italian posters of this size may also be referred to as a 2-sheet because of their size; it is, however, printed on a single sheet.) a.k.a. (an Italian duo foglio.) This is an Original Lithograph Vintage Italian Poster...

New Mexico Landscape by John Hogan, serigraph screen print limited edition #6/20 limited edition hand pulled screen print/serigraph © 1977 John Hogan A graduate of Northeast Louisia...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

This work is a study for Inverted Q, a large sculpture that Oldenburg created after producing many sketches and small models. At the time he was experimenting with concepts of monume...

The Builders is an extraordinary lithograph realized by the artist Ivo Pannaggi. Edition of 100 copies around 1975 from an original drawing of the 1920s. ...

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...