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Surrealist Composition is an original collotype print realized after a drawing by André Masson. The artwork is in good conditions, no signature on a yellowed paper. André Masson (1...

Marc Chagall (1887-1985) - L'Opéra de Paris Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Maeght Éditeur, Paris. Printer: ...

Marc Chagall (1887-1985) - Le Carrousel du Louvre Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Maeght Éditeur, Paris. Pri...

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Henri Matisse (1869-1954) - Poissons Chinois Lithograph from 1958. Dimensions of work: 35.5 x 26 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work ...

Ruth Zachary (American/Michigan) Signed: Ruth Zachary (Lower, Right) " Earth Woman ", circa 1970s Etching in Colors Numbered: 28/30 Plate Size: 11 1/2" x 8 3/4" Overall Size: 2...

Roberto Matta, Chilean (1911 - 2002) - Max Clarac-Serou vous presente ses meilleurs voeux, Year: 1960, Medium: Etching on laid paper, signed and numbered in pencil, Edition: 7/50, ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche V Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed edition ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XVI Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed editio...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche V Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche II Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Marc Chagall (1887-1985) - Bouquet and Bird (trial proof) Woodcut print from 1960. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 73.2 x 53.3 cm ...

Marc Chagall (1887-1985) - Poèmes, Planche XXI (collage enhanced) Collage, woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Marc Chagall (1887-1985) - Poèmes, Planche IX (trial proof) Woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43.2...

Marc Chagall (1887-1985) - Poèmes, Planche IV Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Marc Chagall (1887-1985) - Poèmes, Planche XXII (trial proof) Woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43...

Marc Chagall (1887-1985) - Poèmes, Planche XIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Marc Chagall (1887-1985) - La nuit des amoureux à Saint-Paul Etching and watercolour from 1969. Unqiue work, project for the etching. On Japan paper. Dimensions of work: 49 x 37....

Image dimensions: 33x22.5 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

Henri Matisse (1869-1954) - Rosace Lithograph from 1958. Dimensions of work: 35.5 x 26 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work is in Exce...

This is an hand signed lithograph by André Masson, with dedication. André Masson was a French artist, well-known as part of the Surrealism. He was a painter but also a sculptor and ...

Untitled is a beautiful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, and published by La Nuova Foglio, a publishing house of Macerata. Hand-signed and numbered in pencil on lower margin. Edition of 100 prints. This contemporary artwork representing a surreal composition in a futuristic world to decipher as a rebus game, is in excellent conditions. Maurice Henry...

Image dimensions: 30x24 cm. Edition of 50 prints, numbered and hand signed by the Artist. Excellent conditions. Insurance may be requested by customers as additional service, contac...

Surrealist Composition 5 is an original collotype print realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) ...

Surrealist Composition 6 is a vintage collotype realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) was a Fr...

Visit our other items to see a large selection of views of Oxford and Cambridge. Michael Drayton (1563-1631) Map of Cambridge and the Isle of Ely (1...

Joan Miro (1893-1983) - Litografía original X Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche I Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed edition ...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Signed in pencil on lower right margin...

Image dimensions: 23x28 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

Joan Miro (1893-1983) - Litografía original IV Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 24 x 21 inches Size: 31 x 27 ...

An ex libris print with themes of ancient Greece and surrealist fantasy, showing elements from the Acropolis against a backdrop of the universe. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 37.5 x 27.5 inches Size: 41 x 32 in. (104.14 x 81.28 cm)"

The reflection of reality on a metallic sphere is one of Sietins' most frequently used motifs. He is fascinated by the possibility of opening an extra dimension in the dialogue ...

ARTIST: Salvador Dali TITLE: Fantastic Voyage MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 139/300 MEASUREMENTS: 22" x 30" YEAR: 1965 FRAMED: No CONDITION: Excell...

Salvador Dali (1904-1989) - The Paradise, Canto 24 - The Joy of the Blessed Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The wo...

Salvador Dali (1904-1989) - The Purgatory, Canto 27 - The Last Words of Virgil Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The...

Salvador Dali (1904-1989) - The Purgatory, Canto 12 - The Beauty of Sculptures Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The...

Salvador Dali (1904-1989) - The Purgatory, Canto 17 - Leaving the Terrace of Anger Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. ...

Salvador Dali (1904-1989) - The Inferno, Canto 20 - Devins et sorciers Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is...

Salvador Dali (1904-1989) - The Inferno, Canto 15 - The Hard Margins Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is i...

Salvador Dali (1904-1989) - The Inferno, Canto 2 - Virigil comforts Dante Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work...

Bengt Lindström (1925-2008) - Le Visage Lithograph from 1970. On Arches Paper. Dimensions of work: 74 x 54 cm. Hand signed. The work is in Excellent condition.

Bengt Lindström (1925-2008) - L'homme et son chien Lithograph from 1990. Edition of 100. Dimensions of work: 56 x 76 cm. Hand signed. The work is in Excellent condition.

Abraham Rattner (1895 - 1978) - Autumn Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Francisco Bores (1898 - 1972) - Earth Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Georges Braque (1882-1963) - Cubist Portrait Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure ...

Fernand Léger (1881-1955) - La Partie de Campagne Lithograph from 1952. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. On the verso another Lithographs in black. The ...

Salvador Dali (1904-1989) - Le cheval marin Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G Th...

Salvador Dali (1904-1989) - La licorne Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wor...

Salvador Dali (1904-1989) - Le cheval de labeur Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G...

Salvador Dali (1904-1989) - Clavilegnio Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wo...

Salvador Dali (1904-1989) - Le chavelier Moyenâgeux Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 7...

Georges Braque (1882-1963) - Carnets intimes de Braque X Lithograph from 1955. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast...

"Georges Braque (1882-1963) - Carnets intimes de Braque XII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...