Large More Prints

Claes Oldenburg and Coosje van Bruggen "Claes Oldenburg Coosje Van Bruggen" Venezia Museo Correr, Musei Civici, 1999 Exhibition Poster 39 x 27 inche...

67.3 x 88.9 cms (26.5 x 35 ins) Edition of 50 Signed lower right, numbered lower left. Published by Nantenshi Gallery, Tokyo. Printed by Harumi Sonoyama at Gendai hanga Kobo Co...

'Superman: Truth, Justice, and the American Way' by DJ Leon, 2013. The piece measures 32 x 40 inches. This Lenticular print incorporates, appropriates, and combines images and text f...

'Dodgers the Brooklyn Bums' by DJ Leon, 2014. The lenticular print measures 36 x 24 inches and incorporates, appropriates, and combines images and text on the Brooklyn Dodgers...

'Who Knows' by DJ Leon, 2013. The piece measures 36 x 24 inches. This Lenticular print incorporates disjointed words and phrases placed within an orange/red background while encourag...

Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...

Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...

Claes Oldenburg and Coosje van Bruggen "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen", 1982 Poster 33 x 23 inches Signed Poster by Cla...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

Villa Medici - Da Braque a Tàpies. Mostra di opere incise originali edite da Maeght. Dicembre 1968 Lithographic poster Includes a Certificate of Authenticity

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

66 x 94 cms (26 x 37 ins) Edition of 20 Rives BFK paper Proofs: I BAT, 4 AP, 7 CTP, 9 XP Signed lower left; numbered lower left; publisher's chop lower left. Published by Tama...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

91.4 x 81.6 cms (36 x 32 1/8 ins) Edition of 20

'Superman' by DJ Leon, 2020. 40 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Lithograph on Arches 88 paper

Sam Francis ( 1923 - 1994 ) - Mehrfarbige spirale - hand-signed etching and aquatint - 40/40, 1970 Additional informaion: Material: Etching and aquatint on paper Edited in 1970 Limi...

Donald Sultan "Black and Blues", 2011 Silkscreen with hand applied Silica on Saunders Waterford paper 38 x 38 inches Edition of 75, signed Unframed The Silica comes "alive" when well...

Aquatint, monoprint with chine collé 84.5 x 68.6 cms (33 1/4 x 27 ins) Edition of 22 variants

Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)

97.5 x 66 cms (38 3/8 x 26 ins) Edition of 20

64.8 x 85.7 cms (25.5 x 33.75 ins) Edition of 30 Paper: Rives BFK Proofs: 1 BAT, 6 AP (I on Japanese paper), I CTP Signed lower right; numbered lower left; publisher's cho...

Lithograph on Rives BFK paper, torn and deckle edges

Hand-Embellished Print on Archival Bamboo Paper with Unique Painted Stencil Signed and Numbered Edition of 25 with 5 APs The Rolling Stones, The Rolling Stones Tongue...

Donald Sultan "Orange and Black" Silkscreen with hand applied Silica on Saunders Waterford paper 38 x 38 inches Edition of 75, signed Unframed Donald Sultan's artwork is simultaneous...

100.7 x 46.3 cms (40 x 18 1/4 ins) Edition of 90

Ink, card and painted collage on paper Edition of 10 101.6 x 80 cms (40 x 31 1/2 ins)

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

Aquatint, monoprint with chine collé 85.7 x 68.6 cms (33 3/4 x 27 ins) Edition of 19 variants

100.7 x 46.3 cms (40 x 18 1/4 ins) Edition of 90

Artist: Andy Warhol Title: Bald Eagle Portfolio: Endangered Species Medium: Screenprint on Lenox Museum Board Date: 1983 Edition: AP 6/30 Sheet Size: 38" x 38" Signature: Hand signed...

Created by Donald Judd as an aquatint on wove paper in 1978-79, Untitled, 1978/79 is hand-signed and numbered in pencil, measuring 40 x 29 ½ (101.6 x 74.9 cm.), unframed, and is from...

Published by the 1983 Brooklyn Bridge Centennial Commission, NY, Andy Warhol’s, Brooklyn Bridge is a beautiful image of this iconic New York landmark. An original color screenprint ...

Created by Andy Warhol in 1982, $ (Quadrant) is a unique screenprint on Lenox Museum Board. Hand-signed and numbered in pencil from the edition of 60, the artwork measures 40 x 32 i...

Image. jpg, 2015 ; from the series Bad Display (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 30 x 40 in. Edition of 3 + 2 AP Penelope Umbrico ...

From "Mountains, Moving: Light Leaks, and Chemical Burns," 2014 Additional information: Medium: Digital c-print Dimensions: 33 x 40 inches Yoram Wolberger uses childhood toys and e...

$(KGrHqJHJBYFHydeggWtBSB!wreznw~~60_57. jpg, 2014 Additional information: Medium: Chromogenic Print Dimensions: 26 × 36 in Penelope Umbrico offers a radical reinterpretation of eve...

$_57-33-2. jpg, 2014 Additional information: Medium: Chromogenic Print Dimensions: 30 × 40 in Penelope Umbrico offers a radical reinterpretation of everyday consumer and vernacular...

5m0fad-1. jpg, 2013 Additional information: Medium: Chromogenic Print Dimensions: 30 x 40 in Edition of 3 with 2 AP Penelope Umbrico offers a radical reinterpretation of everyday c...

IMG_2316-1024x768. jpg, 2015 ; from the series Broken Sets (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 30 x 40 in. Edition of 3 + 2 AP Penelo...

Mountains Moving of Aperture's Masters of Photography, Group #10, 2014 Additional information: Medium: C-prints Dimensions: 16 x 36.5 inches overall Penelope Umbrico offers a radic...

20131226_102114. jpg, 2016 ; from the series Broken Sets (eBay), 2009-ongoing Additional information: Medium: Chromogenic print Dimensions: 30 x 40 in. Edition 2 of 3 + 2 AP Penelo...

Vintage original Keith Haring Lucky Strike Screen-prints 1987: complete set of 3. "The advertising posters for Lucky Strike cigarettes reflect the popular Montreux posters from 1983...

Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This work of art is a serigraph of four black horses riding by the water, layered in front of abstract waves.

BRIDGET RILEY Rose Horizontal, 2018 Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

Spectrum By. Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 158/180 Lower Left Unframed: 27" x 33.5" Framed: 36.5" x 43" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Abstract Purple, Blue, Greens (Serigraph) By Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 4/30 Lower Left Unframed: 14" x 33" Framed: 21" x 41" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

This Andy Warhol print consists of an array of yellow, purple and orange flowers in a bed of green grass. This pop art floral original silkscreen print on paper is guaranteed authen...

A very good impression of this scarce color screenprint on Arches with strong colors. Signed and numbered 9/75 in pencil. Printed by Ives-Sillman, New Haven, with the blind stamp low...

Agent X Ionnazol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31 inch - 96 x 78 CM Signed COA provided Ref.: 924802...

This beautiful original six-color lithograph, printed on Arches Cover White paper in 1982, was created by Richard Diebenkorn and is monogrammed by the artist in pencil, dated and num...

Created as a matching pair of images by Damien Hirst in 2016, Mickey and Minnie are two very fun and highly collectible screenprints, each measuring 34 ½ x 27 ...