A Columbian Necklace
View Similar Items
Ed RuschaA Columbian Necklace2007
2007
About the Item
- Creator:Ed Ruscha (1937, American)
- Creation Year:2007
- Dimensions:Height: 19.5 in (49.53 cm)Width: 15.5 in (39.37 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:Seller: ER06-15371stDibs: LU14921435993
Ed Ruscha
Indisputably one of the most iconic American artists of the 20th century, Ed Ruscha has built a formidable body of work by staking a claim on the deceptively simple intersection of text and image, superimposing elliptical phrases (or, often, single words) over West Coast landscapes to create prints and paintings that can be read instantaneously yet evade easy understanding.
Alongside artists like Robert Irwin and Billy Al Bengston, Ruscha was a pioneer of the 1960s Los Angeles art scene as part of the famed Ferus Gallery. His embrace of Hollywood vernacular and the open Western road have tied him as closely to the identity of L.A. art as Jackson Pollock is to that of New York.
Coming to California in 1956 at the age of 18, Ruscha intended to become a commercial painter but found himself drawn to fine art, over time being shaped by three galvanizing influences: Marcel Duchamp, Pop art and the movies.
Meeting Duchamp when the Pasadena Art Museum (now the Norton Simon Museum) hosted the French Conceptual artist's first U.S. show, Ruscha was especially affected by his use of "readymade" objects and imagery, rendered unfamiliar through unexpected titles or text. Andy Warhol's Campbell's Soup can paintings, meanwhile, were shown for the first time at the Ferus Gallery in 1962, opening up new vistas for Ruscha. Movies, then, provided another inspiration through their use of title cards, placing graphic text over filmic shots — The End, for instance — for maximum impact.
Ruscha began his famous series of word paintings in the 1960s, depicting various views of the Hollywood sign and the logos of studios like 20th Century Fox, but also roadside views like the Standard Oil stations dotting L.A.'s freeways. Over time these became more abstracted, pinning ambiguous, free-floating phrases (Wall Rockets is a famous example) to natural vistas, scenes of highways, or monochrome backgrounds. Beginning in about 1980, the artist began using a sharp font he designed himself, called Boy Scout Utility Modern.
A master printmaker who also works across the mediums of books, drawing, photography and even film — in 2009 he starred in a movie directed by the artist Doug Aitken — Ruscha has been an influence on a staggering array of artists, including Stephen Shore, Christopher Wool and Anselm Kiefer.
Ruscha's work has been featured in dozens of exhibitions around the world, including "Ed Ruscha: 50 Years of Painting" at London's Hayward Gallery (2009), "Ed Ruscha: Made in Los Angeles" at Madrid's Reina Sofia in 2002, a 2000 retrospective at the Hirshhorn Museum and Sculpture Garden, a survey of his works-on-paper at the J. Paul Getty Museum in 1998, and a 1982 retrospective that traveled to the Whitney Museum. In 2005 he represented the United States at the 51st Venice Biennale, and in 2009 he received a National Arts Award.
Find a collection of original Ed Ruscha lithographs and other art for sale on 1stDibs.
- Tiberias from the Walls: David Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century. This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...Category
1840s Realist Interior Prints
MaterialsLithograph
- View of Cairo, Egypt: A 19th C. Framed Hand-colored Lithograph by David RobertsBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...Category
1840s Realist Interior Prints
MaterialsLithograph
- Karnac, Egypt, Nov. 29, 1838: David Roberts' 19th C. Duotone LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Karnac, Nov. 29, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...Category
1840s Realist Interior Prints
MaterialsLithograph
- A Rare 19th Century Honore Daumier Caricature from the "Types Parisiens" SeriesBy Honoré DaumierLocated in Alamo, CAThis is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background. This rare Daumier lithograph...Category
Mid-19th Century Other Art Style Interior Prints
MaterialsLithograph
- Billy Bowlegs, Seminole Chief: Original McKenney & Hall Hand-colored LithographBy McKenney & HallLocated in Alamo, CAThis an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Billy Bowlegs, A Seminole Chief", publi...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- "Une Partie de Campagne": 19th Century Honore Daumier CaricatureBy Honoré DaumierLocated in Alamo, CAThis is a 19th century Honore Daumier lithographic caricature/satire entitled "Une Partie de Campagne" (Part of the Campaign), plate 59 from the ser...Category
Mid-19th Century Other Art Style Landscape Prints
MaterialsLithograph