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Frank BensonStudy of Turnstones.1928.
1928.
About the Item
Frank Benson made this drypoint in 1928. The second state of two.
A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching revival inspired Benson. He purchased a copy of Maxime Lalanne’s Treatise on Etching using this book as a guide into the nuances of the craft. Benson's first etching was done in 1882. Entitled “Salem Harbor” it was published in The Art Student, the school magazine at the Museum of Fine Arts. Almost three decades would pass before Benson’s busy schedule allowed his fascination with etching and dry-point to weave its way into the daily structure of his life. He produced over 350 different prints before his death in 1951.
In a letter to his grandson, Frank Benson noted, “I have been happy because my hobby and my work are one and the same, and if you can arrange the same thing in your life, you will be equally happy.”
- Creator:Frank Benson (1976, American)
- Creation Year:1928.
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: #656101stDibs: LU33121731123
Frank Benson
Born in Salem, Massachusetts, American Impressionist Frank Benson studied at the Museum of Fine Arts in Boston under Otto Grundmann and at the Academie Julian with Gustave Boulanger and Jules Lefebvre. Benson was a founding member of the American Academy of Arts and Letters, Guild of Boston Artists and the ‘Ten American Painters,’ a prestigious group of early impressionists. In 1900, Benson purchased a farm and studio on North Haven Island off the coast of Maine. It was there that his style became increasingly impressionistic. Benson is credited with being known as one of the outstanding 20th-century wildlife printmakers. Benson was a member of the Boston Art Club, National Academy of Design, Society of American Artists and Guild of Boston Artists. He exhibited at the World’s Columbian Exposition in Chicago, Exposition Universelle in Paris, Lousiana Purchase Exposition in St. Louis and the Panama Pacific Exhibition in San Francisco, as well as at the Art Institute of Chicago, Corcoran Gallery, Carnegie Institute, International and Pennsylvania Academy of Fine Arts. Benson’s works are held in numerous public and private collections, including the National Gallery of Art, Smithsonian American Art Museum, Museum of Fine Arts, Worcester Art Museum and Metropolitan Museum of Art.
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The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150.
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His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
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His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
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