Paper More Prints

Signed by artist, Artist's Proof, stamped Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions o...

Digital print on cotton paper

Digital print on cotton paper

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

Original recipe for The Captain Macedoine Cocktail as written down by William McFee (1881-1966) published 1921 at the Sign of the Chorobates, New Haven Sheet Sz: 11 1/2"H x 8 1/4"W ...

Addisonjones photography, Fawn Buttons black and white photography Custom Sizing available. ABOUT THIS PIECE: This piece of black white photography titled "Fawn Buttons" features ...

Complete Portfolio "Embossed linear constructions (ELC)" of eight embossings by Josef Albers from 1969 on 300g Arches paper. The total edition comprises 116 copies. Sheet size eac...

Addisonjones artwork, Rise Up contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia washed over me. Memories of my childhood flooded back, reminding me of the simpler times when I would visit Grandpa in his cabinet wood shop or swing on the porch with Grandma, watching the hummingbirds feed. Life was all about the simple moments, and while I often got bored, it forced me to contrast constant stimulation with a state of peace and freedom. This boredom expanded my creativity in different ways.” This stunning print printed on acrylic is a piece that captures the essence of the beauty of used material. These pieces have hardware on the back and ready to be hung.With only 25 prints available, this is an opportunity to add a truly unique piece to your collection. You can purchase individually or as a collection. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

"Who Is Clarence Rich" (2017) by Clarence Rich Silkscreen, acrylic and ink on paper Clarence Rich is a 25 year graffiti veteran and street artist who is also a formally trained paint...

Addisonjones artwork, Earth's Edge contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia ...

Addisonjones artwork, Midnight Emotions contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nosta...

PLEXI PRINT Addisonjones artwork, Obsidian Drizzle contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sen...

Addisonjones artwork, Etched Ash contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia wa...

Addisonjones artwork, Etched Ash contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia wa...

Addisonjones artwork, Mystic Motley contemporary artwork customs available A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a ...

Addisonjones artwork, Smelting Serif contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalg...

Colossal Flashlight in Place of Hoover Dam, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Signed Lower Right Dated Middle Right Unframed: 23" x 22" Framed: 36.5" x 27.5" Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Wall Art Photography, Butterfly Photos, Black and White Prints-Intimate Exposure ABOUT THIS PIECE: This piece of wall art photography titled "Intimate Exposure" features butterflied shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Butterfly Photography, Black and White Prints, Wall Art Prints-Winged Glory ABOUT THIS PIECE: This wall art print titled "Winged Glory" features butte...

Black White Photograph, Butterfly Prints, Butterfly Photos-Shadowy Procession ABOUT THIS PIECE: This black white photograph titled "Shadowy Procession" features butterflies shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Large Wall Art, Black and White Prints, Butterfly Prints-Into the Abyss ABOUT THIS PIECE: This piece of large wall art titled "Into the Abyss" features butterflies shot in Delaware...

Night Opening 2022 Signed, dated, and numbered in pencil, recto Drypoint etching on BFK Rives paper (Edition of 100) 11.811 x 9.45 inches, sheet 5.71 x 4.92 inches, image Contact...

Agent X Ionnazol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31 inch - 96 x 78 CM Signed COA provided Ref.: 924802...

Surf Lightbox BookScape by Max Steven Grossman Individually photographed books and bookshelves. LED lights and standard plug in; no hardware needed. Illuminated bookshelves featuri...

Sports / Hockey BookScape by Max Steven Grossman Individually photographed books and bookshelves. Hockey and Sports themed, including NHL, Canada, Hockey's Greatest Stars, Hockey B...

Nantucket BookScape Edition 1/5 by Max Steven Grossman Individually photographed books and bookshelves. Books on Nantucket gardens, houses, light houses, sharks, and beaches. Incl...

Nantucket SQ 2/5 BookScape by Max Steven Grossman Individually photographed books and bookshelves. Books on Nantucket gardens, houses, and light houses. Featuring "Moby Dick" by Herman Melville, "Nantucket Wedding" by Nancy Thayer...

Hip Hop Music BookScape by Max Steven Grossman Individually photographed books and bookshelves. Featuring Kanye West, Gambino, Drake, Rihanna, 2Pac vs. Biggie, Gucci Mane...

Erotica BookScape by Max Steven Grossman Individually photographed books and bookshelves. In his photographic series of "Bookscapes" the assembled libraries only exist in his pho...