Screen More Prints

Terminator: The Terminator is a 1984 American science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time f...

Rare Limited Edition Serigraph of John Lennon's most famous self portrait. originally drawn in 1968, this limited edition was released by Bag One Arts (The Lennon Estate) in 1990, a...

John Doe - In The Wings - Urban Graffiti Street Art Artists Doe, John Edition Details Year: 2021 Class: Art Print Status: Official Rel...

Artist: Robert Cottingham Title: Rialto, from American Signs Medium: Screenprint in colors Year: 2009 Edition: HC 5/10 Sheet Size: 40" x 39" Signed: Hand signed and numbered

Limited Edition Serigraph of John Lennon's portrait. The original photograph was taken by the Lennon's personal photographer in Japan in 1977. The silkscreens were added by Yoko O...

Mark Drew Mark Drew Screen print Jay-Z The Takeover “The Sun Don’t Shine, If Son Don’t Shine” Contemporary Street Art, 2023 Screen Print on fine art paper 16 1/2 × 11 7/10 in 41.9 ×...

rtist: John Baeder Title: Vista Mar Inn Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 30" Note: This piece is sold UNFRAMED Condi...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 26.5 x 32.5 inches Size: 31 x 41 in. (78.74 x 104.14 cm)"

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Mark Sabin Title: The Unicorn Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 32" x 26" Note: This piece is sold ...

The inspiration for this print is to capture the momentary spectacle when shafts of light cast themselves through a densely packed woodland canopy. The print boasts a vibrant array of four stunning colours, featuring an under-layer of metallic Gold ink and finished off with a subtle lush green overprint. Artwork printed...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 88 Year: 1969 Medium: Screenprint, signed in pencil Edition: AP Size: 25 x 18.75 in. (63.5 x 47.63 cm)

God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'. Harry Bunce artist wit...

This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...

Cryptik - RUMI - Gold & Black - Urban Graffiti Street Art Screen Print Inscription: “We came whirling out of nothingness, scattering stars like d...

"Couleur Additive Perseus" has a stunning appearance and an optical effect, which catches the beholder's attention from the very first time. Carlos Cruz-Diez from Venezuela was one o...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Jayson Lilley Please note that insitu images are purely an indication of how a piece may look. From Primrose Hill is a limited edition hand pulled screen print with gold leaf & ink printed on archival board by Jayson Lilley. Contemporary artist, Jayson Lilley, is available at Wychwood Art. Jayson Lilley has worked at the forefront of printmaking for many years. His approach to the modern landscape isunique and fresh, in both technique and materials. Lilley’s work is knownfor its urban and architectural focus, zooming in on familiar landmarks andreproducing iconic vistas and structures from the metropolis. Hisinnovative printmaking practice combines silkscreen, painting and collagetechniques to construct vibrant scenes that are always accompanied byexpansive skies and which play on salience and colour.Lilley’s most recentcollection explores some of London’s more natural vistas, as hecontemplates the relationship between nature and the urban landscape. Inthese pieces, he combines silkscreen print with copper leaf and handdrawing to dramatic effect.Lilley graduated from the University for the Creative Arts in 2000 with aFirst Class honours degree in Visual Communication. He had an award-winning career in design before focussing on his artwork, and hisbackground in design is ever apparent in his visual style and methodology.He has exhibited widely across the UK and internationally. Recentaccolades include being shortlisted for the Westmorland Landscape Prize2019 and inclusion in the Royal Academy’s Summer Exhibition 2019. Lilley’s works are held in collections across the world including London,New York, Japan, Hong Kong and Moscow. From Primrose Hill Limited Edition Print Edition of 39...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

"Expectation" Edition of only 100 prints. Signed and Numbered by the artist in pencil 13/100. Born in 1982, Jing Zhiyong's creative work was predominantly inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas...

Rupprecht Geiger (German, 1908-2009) Zurückgehen, Weitergehen, Fortgehen, 1966 Medium: Portfolio of 20 screen prints on paper Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...

Anne Storno Water Baby A limited edition of 30. Image Size: H:50 cm x W:50 cm Paper Size: H60cm x W60cm Sold Unframed Please note that in situ images are purely an indication of how ...

6 colour screen print on 300 gsm Somerset Satin, with hand-deckle edges Edition of 50 50 x 70 cm hand-signed and numbered by the artist Ben Eine is a prominent British street artist...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

Get ready to elevate your movie poster collection with the Halloween Regular Edition by Tyler Stout, a stunning 24” x 36” screen print published by Grey Ma...

Clare Halifax Y is for Yellow Billed Stork Limited Edition 4 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please n...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Concatination Year: 1970 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 150 Image Size: 18 x 18 inches Size: 2...

80 x 94 cms (31.5 x 37 ins) Edition of 100

White Flowers on Pink Sky - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A giant white flower ri...

Born in Ireland and now based between Dublin and London, Fin DAC spends much of the time on the road, actively working throughout the world. Through his work, which he describes as “...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Artist: Robert Indiana, American (1928 - 2018) Title: Red Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inches Size: ...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Screenprint (unsigned) Edition Size : 395 Image Size: 18 x ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Kate Brinkworth. Coke and Stripey Straw- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist Limited edition of 50...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

On the Road Again (Road to Nowhere) [2020] Limited Edition Transport Screen Print on Paper Edition number 24 Image size: H:79 cm x W:49 cm Complete Size of Unframed Work: H:93 cm x W...

Signed and titled and numbered by the artist, (23/69). Silkscreen print on handmade paper (from Bhutan). Rec Chair is a vibrant color print by Frank Romero, a central figure of the ...

Clare Halifax Switch Views, London Limited Edition Silkscreen Print Edition of 50 Size: H 38cm x W 37cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicatio...

“Vegetable Made With Beef Stock” is an AP screenprint by American Pop artist, Andy Warhol. The work is AP Q/Z and is signed verso, "Andy Warhol Q" Andy Warhol's Campbell's Soup I: Vegetable Soup (1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist's proofs. The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two Campbell's Soup Cans paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects. Vegetable Soup was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards...

Peter Blake, Homage to Schwitters Deon (Framed), 2021 Silkscreen on Paper 80 x 70 cm (31.5 x 27.5 in) Edition 167 of 175 Hand-signed and numbered by the artist Artist Peter Blak...

Artist: Bruce Nauman Title: Fingers and Holes (Black and White) Size: 30 x 40 Inches Medium: Lithograph and Screenprint Edition: Edition of 50. AP #7/10 Year: 1994 Notes: Hand Signed, Dated and Numbered by the Artist in Pencil. Printed by Gemini Gel #36.34. From the collection of Brook Alexander Gallery, NYC. Fingers and Holes, a captivating artistic exploration initiated by Bruce Nauman (American, born 1941), originated from a unique challenge he set for himself. Using his non-dominant hand, he drew his right hand, and vice versa, meticulously annotating each sketch with the count of holes formed between the fingers. This seemingly simple endeavor evolved into a profound study of algebraic topology, a mathematical field investigating fundamental properties of distorted objects, such as solids and voids. Nauman ingeniously translated his anatomical sketches into this abstract language. In this realm of mathematical inquiry, seemingly dissimilar objects transform into one another. A coffee cup and a doughnut, for instance, are considered equivalents due to their shared characteristic of having an unbroken surface surrounding a single "hole," a concept known as homeomorphisms. Nauman's deep dive into topology revealed connections between disparate elements, encapsulated in his statement, “Things that don’t look alike morphose one into another.” However, Fingers and Holes goes beyond mathematical intricacies. It delves into the realm of transformation—topological, visual, and linguistic. The iconic "three fingers, one hole" gesture, a symbol of sexual intercourse in what Nauman referred to as "kids’ sign language," served as a pivotal motif. This gesture reappeared in various forms within the series, including daisy chain formations and overlays on clowns' handshakes, which Nauman identified through his exploration. The clowns in Nauman’s work epitomize ambiguity, embodying a spectrum from humor to threat. Their double handshakes, simultaneously obsequious and aggressive, mirror the complexities of human interactions. Nauman found inspiration in this ambiguity, appreciating the clowns for their enigmatic nature. By integrating the "three fingers, one hole" motif into the handshake of his clown prints...

Corita Kent Lovers Serigraph Print Image: 4.88 x 9" Frame:11.75 x 15.75 x .75" 1983 Signed in pencil and numbered to lower edge ‘ed 200 Corita’

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Elegantly framed and ready to hang! Frank Stella Luis Miguel Dominguin, from the Aluminum Series Lithograph and silkscreen in gray and silver on Special Arjomari paper Signed, dated...

Artist: Robert Indiana Title: The New Glory Penny Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 9 3/4" Signature: Un...

Adam Mars(b. 1981, American) Life (Ass-Backwards and Upside Down) 2020 Screenprint 11 x 14 in. Edition of 20 Pencil signed and numbered Adam Mars (born 1981...

Adored by collectors and art lovers around the globe, Alex Katz is a renowned for his elegant and distinctive version of figuration and portraiture. Born in 1927, Katz worked as an...

Spring Landscape with Round Clouds - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A grove of tre...

Signed, titled and numbered by the artist. Created as a fundraiser for the Sidestreet Project in Pasadena, CA. Cars are a frequent subject in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This is a signed and numbered print from the edition of 64. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches...

Victor Vasarely (Hungarian-French, 1906–1997) Untitled (Spiegel 70), 1970 Medium: Screenprint on paper Dimensions: 83 x 62 cm Edition of 150: Hand-signed and numbered in pencil

9" x 9" Unframed Limited Edition Giclee of 500 Hand Signed by Adam Barsby

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...

Richard Anuszkiewicz New York City Opera, 1968 Silkscreen poster 35 x 25 inches Unsigned Anuszkiewicz created this poster, which was part of "Seve...

Artist: Johns Baldessari Title: Best Men Year: 2017 Medium: Screenprint on Arches 88 paper Edition: 50; signed, dated and numbered in pencil Sheet: 32 1/2 x 28 inches (82.5 x 71.1 cm...

Manufacturer: Obey Giant Edition Details Year: 2024 Class: Art Print Status: Official Released: 11/15/24 Run: 26/175 Technique: Letterpress on fine cream cotton paper. Size: 11 X 14 ...

Rare Limited Edition Serigraph of John Lennon's "Double Fantasy" drawing, which is peaceful image of John and; Yoko at a traditional restaurant in Japan. Originally drawn in 1977, t...