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Period: Early 19th Century
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
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Naturalistic Early 19th Century More Prints

Materials

Engraving

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving

Ancient Etruscan Greek vase painting. Early 19th century engraving, 1808
Located in Melbourne, Victoria
Etruscan Vase-painting Copper-line engraving with later hand-colouring. 1808. From Millin's 'Peintures de Vases Antiques' published in Paris in 1808. Depicts scene from an ancient ...
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Other Art Style Early 19th Century More Prints

Materials

Engraving

Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving, Aquatint

62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

Island of Philae, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments' (Island of Philae : View of the east building and other monuments) Elephant folio engraving, by Baltard after...
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Other Art Style Early 19th Century More Prints

Materials

Engraving

Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss' Native of Cape of Good Hope, South Africa. Original copper-line engraving with original hand-colouring from Henry Andrews...
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Naturalistic Early 19th Century More Prints

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Engraving

Four 19th Century Hand Colored Engravings Depicting English Royal Residences
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
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Academic Early 19th Century More Prints

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Engraving

Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
Located in Melbourne, Victoria
'Primula Cortusoides - Siberian Primrose' Native of Siberia. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
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Naturalistic Early 19th Century More Prints

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Engraving

Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
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Naturalistic Early 19th Century More Prints

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Engraving

Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria' Native of the Canary Islands. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
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Naturalistic Early 19th Century More Prints

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Engraving

Purslane-leaved Aizoon. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Aizoon Canariense - Purslane-leaved Aizoon' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...
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Naturalistic Early 19th Century More Prints

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Engraving

Capture of the La Vengeance, 1800. English Regency naval colour aquatint, 1816
By Thomas Whitcombe
Located in Melbourne, Victoria
Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824) 'Capture of the La Vengeance, Aug 21st, 1800' Colour aquatint engraving from 'The N...
Category

Victorian Early 19th Century More Prints

Materials

Aquatint

Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
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Naturalistic Early 19th Century More Prints

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Engraving

Tamarin (Tamarind), French botanical herbal medicinal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
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Victorian Early 19th Century More Prints

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Engraving

Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
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Victorian Early 19th Century More Prints

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Engraving

The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833) " The Dentist ", 1806 Hand Colored Engraving Published by Bowles & Carver Sight Size: 6 3/4" x 8 5/8" Overall Size: 14 3/4" x 15 3/4" Light foxing to the print as well as the matt, losses to the frame. A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’. **Please check my other listings for MORE SATIRICAL DENTAL prints...
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Early 19th Century More Prints

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Engraving

John Thomson (1777-1840) - 1830 Map Engraving, Chart of the World
Located in Corsham, GB
A fine engraved map of the world on Mercator's projection, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
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Early 19th Century More Prints

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Engraving

Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving

10: Cyclopterus lumpus, Lump Sucker
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
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Early 19th Century More Prints

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Color, Etching

01: Prussian Snow
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Early 19th Century More Prints

Materials

Etching

Renoncule des marais (Buttercup), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Victorian Early 19th Century More Prints

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Engraving

Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
Category

Realist Early 19th Century More Prints

Materials

Engraving, Aquatint

40: Cyprinus erythropthalmus, Red Eye Abdominales
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 19th Century More Prints

Materials

Color, Etching

54: Petromyzon fluviatilis, Lampern, or Lesser Lamprey
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Naturalistic Early 19th Century More Prints

Materials

Color, Etching

17: Squalus squatina, Angel Shark
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 19th Century More Prints

Materials

Color, Etching

The Blind Fiddler, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'The Blind Fiddler' Engraving by John Burnet after Sir David Wilkie RA (1785-1841) India-laid. Proof before letters. 'Second Plate' printed under e...
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Naturalistic Early 19th Century More Prints

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Engraving

The Mountains of Ethiopia: Original 19th C. Hand-colored Aquatint by Henry Salt
Located in Alamo, CA
This is a large original hand-colored aquatint etching entitled "The Mountains of Samayut" (Ethiopia) drawn by Henry Salt and engraved by D. Havell. It was ...
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Naturalistic Early 19th Century More Prints

Materials

Lithograph

Colossi of Memnon, Thebes, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Vue des Deux Colosses. Thebes, Memnonium' Elephant folio engraving, by Baltard after Dutetre, from 'Description de l'Egypte', published after Napoleon's expedition to colonize Egyp...
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Other Art Style Early 19th Century More Prints

Materials

Engraving

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category

American Realist Early 19th Century More Prints

Materials

Paper, Printer's Ink, Etching

Jobs for Fighters original post World War 1 vintage American poster
Located in Spokane, WA
Jobs for Fighters. Original post World War 1 vintage poster, linen backed. Artist: Gordon Grant. Printer: United States Department of Labor - United States Employment Service...
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American Realist Early 19th Century More Prints

Materials

Lithograph

"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving, Aquatint

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving

Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
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Naturalistic Early 19th Century More Prints

Materials

Aquatint

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving, Aquatint

35: The United Kingdom Steam Vessel
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
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Realist Early 19th Century More Prints

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Engraving

Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category

Naturalistic Early 19th Century More Prints

Materials

Aquatint

38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century More Prints

Materials

Etching

Iris des Marais (Yellow Iris), French botanical herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Victorian Early 19th Century More Prints

Materials

Engraving

Classical Roman vase, early 19th century Italian Grand Tour engraving, c1820
By Carlos Antonini
Located in Melbourne, Victoria
Italian Neoclassical engraving depicting the Roman bronze and marble vases in collections of antiquities in Rome. Circa 1820. 175mm by 130mm (platemark) 330mm by 215mm (sheet size)
Category

Renaissance Early 19th Century More Prints

Materials

Engraving

Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
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Naturalistic Early 19th Century More Prints

Materials

Engraving

The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category

Victorian Early 19th Century More Prints

Materials

Aquatint

Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
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Early 19th Century More Prints

Materials

Engraving

Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea' 'Native of the Brazils'. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
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Naturalistic Early 19th Century More Prints

Materials

Engraving

07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Early 19th Century More Prints

Materials

Etching

Sting Rays, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Sting Rays, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...
Category

Naturalistic Early 19th Century More Prints

Materials

Engraving

Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Victorian Early 19th Century More Prints

Materials

Engraving

Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category

Old Masters Early 19th Century More Prints

Materials

Engraving

"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time. The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
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Early 19th Century More Prints

Materials

Engraving

"The Beggars Opera" and " A Just View of The British Stage" Original Etchings
Located in Houston, TX
The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...
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Baroque Early 19th Century More Prints

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Etching

44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

37: The Stationer's Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

58: Schooner & Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

61: H.M.S. Prince
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints

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Etching

96: Labrus julis, Indented-Striped Wrasse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Naturalistic Early 19th Century More Prints

Materials

Color, Etching

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