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William Henry TomsDraught of a Galley /// Old Masters Ship Boat Seascape Construction Diagram Art1737
1737
About the Item
Artist: William Henry Toms (English, c.1700-1765)
Title: "Draught of a Galley" (Plate 13, Vol. III, page 131)
Portfolio: La Spectacle de la Nature
Year: 1737
Medium: Original Hand-Colored Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London, UK
Publisher: Humphreys, London, UK
Framing: Recently framed in a Regency style gold moulding with 100% cotton rag matting and 99% UV protective Museum Glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY
Framed size: 10.25" x 10.25"
Sheet size (irregular margins): 6.63" x 8.25"
Image size: 4.75" x 6.75"
Condition: In excellent condition with strong colors and good margins
Rare
Notes:
Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso.
Biography:
William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765.
Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest. He is now known for his Spectacle de la nature, a most popular work of natural history. Pluche, son of a baker, was born in Reims, in a street now named after him. He became a teacher of rhetoric.
- Creator:William Henry Toms (1700 - 1758, English)
- Creation Year:1737
- Dimensions:Height: 10.25 in (26.04 cm)Width: 10.25 in (26.04 cm)
- Medium:
- Movement & Style:
- Period:1730-1739
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121210250732
About the Seller
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View AllVarious Weapons & Implements of War /// Edward Barnard's "History of England"
Located in Saint Augustine, FL
Artist: Edward Barnard (English, 1717-1781)
Title: "Various Weapons & Implements of War ... Which have been Employed Against the English, by Different Enemies: Now Deposited in the Tower of London"
Portfolio: New Complete and Authentic History of England
Circa: 1785
Medium: Original Hand-Colored Etching on laid paper
Limited edition: Unknown
Printer: Alex Hogg, London, UK
Publisher: Alex Hogg, London, UK
Sheet size: 15.38" x 9.63"
Image size: 11.75" x 7.94"
Condition: Slight toning to edges. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Cheltenham, UK. Engraved by English artist George Walker (1781-1856) after a drawing by English artist William Hamilton (1751-1801). Comes from Barnard's one volume "New Complete and Authentic History of England", (1783, 1785, 1790) (First - third editions), which consists of 105 engravings. Printed in one color from one copper plate: black.
Biography:
Edward Barnard (1717-1781) was an English cleric and academic, provost of Eton from 1764. Barnard was second son of Rev. George Barnard...
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Set of Two Leaves from "Missale Frisingense" /// German Catholic Incunabula 15th
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528)
Title: "Preface Page" and "Page CVI - 106"
Portfolio: Missale Frisingense
Year: 1492 (First edition)
Medium: Set of Two Original Incunabula Leaves on watermarked laid paper
Limited edition: Unknown
Printer: Erhard Ratdolt, Ausburg, Germany
Publisher: Sixtus of Tannberg, Freising, Germany
Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944
Sheet size (each): approx. 11.94" x 8.13"
Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors
Very rare
Notes:
Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets.
A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book".
Biography:
Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
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Set of Three Leaves from "Breviarium Pataviense" /// German Catholic Incunabula
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528)
Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29"
Portfolio: Breviarium Pataviense
Year: 1490 (First edition)
Medium: Set of Three Original Incunabula Leaves on watermarked laid paper
Limited edition: Unknown
Printer: Erhard Ratdolt, Ausburg, Germany
Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany
Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615
Sheet size (each): approx. 12.5" x 8.88"
Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors
Extremely rare
Notes:
Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets.
Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day.
Biography:
Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
Category
15th Century and Earlier Old Masters More Prints
Materials
Laid Paper, Woodcut
King Richard II /// Old Masters British Royal Family Portrait Engraving Art
By George Virtue
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Richard II"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting
Framed size: 23.63" x 19.69"
Image size: 11.25" x 7.25"
Condition: In excellent condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings.
Richard II (1367-1400), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. Richard's father, Edward, Prince of Wales, died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III...
Category
1730s Baroque Portrait Prints
Materials
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King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
By George Virtue
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, and filet from Italy
Framed size: 22.69" x 18.63"
Image size: 11" x 7"
Condition: Light toning and a few minor foxmarks to sheet. In very good condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below.
Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses.
Biography:
George Vertue...
Category
1730s Baroque Portrait Prints
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Galerie Karl Flinker (Peintures de Feu) Poster /// Yves Klein Fire Paintings Art
By Yves Klein
Located in Saint Augustine, FL
Artist: (after) Yves Klein (French, 1928-1962)
Title: "Galerie Karl Flinker (Peintures de Feu)"
Year: 1976
Medium: Original Offset-Lithograph, Exhibition Poster on light smooth wove paper
Limited edition: Unknown
Printer: SMI (Société Mondiale d'Impression), Paris, France
Publisher: Galerie Karl Flinker, Paris, France
Sheet size: 30.75" x 19.75"
Condition: Soft handling creases throughout sheet, scattered faint surface abrasions, and light edge wear. In otherwise good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Bretteville-du-Grand-Caux, France. Poster produced for a special posthumous exhibition of Klein's work "Peintures de Feu" at Galerie Karl Flinker, Paris, France from October - November, 1976. Text printed lower left: "photo pierre joly - vera cardot / smi paris 580 50 42".
Yves Klein's Fire Paintings: These celebrated works were executed largely in 1961 shortly after the artist founded the New Realist...
Category
1970s Modern More Prints
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