Mr. Brainwash

Banksy Thrower

2023

Color silkscreen with enamel inks, flocking on Rising 4-ply museum board 54 x 69 in (137.16 x 175.26 cm)

Color silkscreen with enamel inks, flocking on Rising 4-ply museum board 54 x 69 in (137.16 x 175.26 cm)

Lithograph, linocut, screenprint in colors with collage and hand coloring on T.H. Saunders and Somerset papers 59 x 47.25 in Frank Stella Then Came Death and Took the Butcher, 1984 is the tenth installment in the artist’s Illustrations After El Lissitsky’s Had Gadya Series. In 1919, Russian avant-garde artist El Lissitzky created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (Only Kid). After seeing these artworks in the Tel Aviv Museum in 1981, Stella was fascinated by their movement and vibrancy of the simplified, graphic forms. This work recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created this series. This work is composed of mostly black and white forms that mimic the artist’s Cones and Pillars paintings. Two of these shapes extend beyond the confines of the straight edges of the right and bottom sides of the composition, showcasing the artist’s innovation and restructuring traditional artmaking. Chromatic marks with a hand-drawn quality are placed over the abstract shapes which create movement throughout the work. Created in 1984, Frank Stella, Then Came Death and Took the Butcher, from Illustrations after El Lissitzky’s Had Gadya, 1984, hand-coloring and collage with lithograph, linocut, silkscreen and rubber relief on T.H. Saunders paper and shaped, hand-cut Somerset paper and shaped, hand-cut Somerset paper is hand-signed by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower center image and numbered from the edition of 60 in pencil in the lower center image. Frank Stella Had Gadya...

Silkscreen in colors on Rising 4-ply Museum Board 60 x 60 in (152.40 x 152.40 cm)

Rosie Emerson returns to her elongated trademark style for the release of a brand new Audrey Hepburn print. Emerson has developed her very own technique to make these to prints using charcoal powder instead of ink, these print have a soft look and light texture to them, the powder is fixed with layers of fixative and also a UV varnish so they are protected for the years to come. Elevating the iconic Audrey Hepburn these prints unite hand painted elements, collaged found wire, diamonds and star constellations all in her monochrome style. A small edition of just 20, each print will vary slightly due to her unique technique, they come signed and edition in pencil and embossed with an artists stamp. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Hand painted screen print with diamond dust on 410 gsm Saunders Waterford Paper 15 x 15 inches / 38 x 38 cm Edition of 16 + 2AP's As the prints are hand-painted they are all vary slightly. Price is for unframed, we are happy to coordinate framing for this piece at an extra cost. Produced in 2021 these latest celestial prints really sparkle when the light hits them! Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...

Jayson Lilley A little Bit of London Limited Edition City Scape Art Screen Print with Gold Leaf, Pen and Ink on Museum Board Edition of 50 Size: H 24cm ...