Vertical Nude Prints

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

The artwork is made and signed by the artist in a strictly limited edition of 10. Other sizes and high-end frame on request. German born Vincent Peters...

Model in a black Leotard hiking up a Snowy Mountain in Red High Heels attached to a pair of Ski, photographed by Tony Kelly in 2018. All prints are limited...

This artwork "Nymph" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 22/100 in pencil by the artist. The imag...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

Nude Photography, Black and White Photography, Nude Prints-In The Nude 911 ABOUT THIS PIECE: Nude Photography, "In the Nude 911", is a black and white portrait that was shot during...

Created in 1932 as an etching with Chine-collé on cream wove paper, Nu pour Cleveland is hand-signed and numbered by the artist in pencil. The artwork measures 20 x 15 7/8 in. (50.8 ...

Artist: Henry Moore (British, 1898-1986) Title: Three Reclining Figures Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches I...

Artist: Sandro Chia (Italian, born 1946) Title: Sitting Lady Year: 1984 Medium: Etching Edition: Inscribed A.P (Artist Proof) in pencil Paper: F...

Artist: Mel Ramos, American (1935 - ) Title: Hollywood Suite Year: 2009 Medium: Suite of 10 Lithographs, each signed and numbered in pencil Edition: 30 Size: 20 in. x 16 in. (50.8 c...

Beating It While It’s Hot, Bavaria, 2015 B&W-print on Baryta paper 15.7 x 23.6 in (40 x 60 cm) Edition of 10 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Carla Gannis is an artist who lives and works in Brooklyn, New York. Her work examines the narrativity of 21st century representational technologies and questions the hybrid nature o...