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Titleist Tillie, Pop Art Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos (American, b. 1935)
Title: Titleist Tillie
Year: 2007
Medium: Lithograph, signed and numbered in pencil
Edition: 199
Size: 45 in. x 30 in. (114.3 cm x 76.2 cm)
Category
Early 2000s Pop Art Nude Prints
Materials
Lithograph
Nude Sculpture R.B. Kitaj drawing of nude woman on handmade orange paper print
Located in New York, NY
Here Kitaj depicts a sculpture of a nude woman, shaded delicately in black, printed on wonderfully textured handmade muted orange paper. The woman’s hand reaches to the inside of her...
Category
Late 20th Century Modern Nude Prints
Materials
Lithograph
Matisse, Figure Study, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...
Category
1950s Modern Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Nude model - Original Lithograph (Mourlot)
Located in Paris, IDF
Marcel GROMAIRE (1892-1971)
Nude Model, 1965
Original lithograph (Mourlot workshop)
Printed signature in the plate
On vellum 30 x 24 cm (c. 11.8 x 9.4 in)
INFORMATION : Lithograph...
Category
1960s Abstract Geometric Nude Prints
Materials
Lithograph
Dressed in black - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche
Dressed in black
Original engraving
Handsigned in pencil
Numbered /12
On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches)
Excellent condition
Category
Early 20th Century Modern Nude Prints
Materials
Etching
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern Nude Prints
Materials
Lithograph
Erotic Scene - Woodcut by Mino Maccari - 1945
By Mino Maccari
Located in Roma, IT
Erotic Scene is an original xilography artwork realized by Mino Maccari in 1945. Hand-signed in the pseudonym of "Jean Baschie" which is the artist's signature in 1944-45 ca. erotic ...
Category
1940s Figurative Prints
Materials
Woodcut
Matisse, Souvenir D'Océanie (Duthuit 139), Verve: Revue Artistique (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$796 Sale Price
33% Off
Female Nude - 2000s - Original Lithograph After E. Schiele
Located in Roma, IT
Female Nude is an original colored lithograph from the portfolio "Erotica" by Egon Schiele.
It deals with a reproduction of the homonym artwork realized in gouache, watercolor, and ...
Category
Early 2000s Modern Nude Prints
Materials
Lithograph
Mort de l'Amour, Series of 8 Erotic Limited-Edition Wood Engravings.
Located in Cotignac, FR
A set of 8 erotic early 20th Century wood engravings on arches paper, a limited edition, number 241 of 1000, by Andre Rouveyre. Produced by Kauffmann on...
Category
1910s Art Nouveau Nude Prints
Materials
Paper, Ink
Sitzende Frau mit Blüten (Seated Woman with Flowers) /// Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Sitzende Frau mit Blüten (Seated Woman with Flowers)"
Series: Die Aktion
Year: 1914
Medium: The Complete Vol. 4, No. 11 issue of 'Die Aktion' with a Lithograph on cream smooth wove paper
Limited edition: Unknown
Printer: F.E. Haag, Melle, Hanover, Germany
Publisher: Verlag der Wochenschrift DIE AKTION, Berlin, Germany
Sheet size: 12.25" x 9.25"
Image size: 3.82" x 3.25"
Condition: Toning to sheets (as normal). Light water staining at center right edge and upper right corner. Some separation and small paper losses at spine. It is otherwise in very good condition
Extremely rare
A very nice copy of this extremely scarce issue
Notes:
Provenance: private collection - Fürstenberg/Havel, Germany. The lithograph on the cover is a smaller-sized reproduction after Schmidt-Rottluff's 1913 larger original signed woodcut engraving edition, ("Das Graphische Werk Bis 1923" - Schapire No. 114, page 28). Published March 14th, 1914. A total of 14 pages. There is an example of this complete issue in the permanent collection of the Museum of Modern Art, New York, NY.
In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
Artist Max Oppenheimer (MOPP) worked closely with 'Die Aktion' in its early years, portraying in its pages many of the young writers who gave the journal its distinctive voice. Egon Schiele made his first woodcuts at Pfemfert's urging in 1916, for publication in the journal. Other frequent contributors included Ludwig Meidner and, later, Conrad Felixmüller and Karl Schmidt-Rottluff.
Adamantly opposed to World War I, Pfemfert skirted tightened censorship from August 1914 to October 1918 by treating contemporary events only through artistic and literary allusions. At a time when reading books by foreign authors was considered unpatriotic, he dedicated entire issues of Die Aktion to Russian, French, and Belgian authors and artists. In late 1918, however, Pfemfert resumed vocal political critique, siding with the radical left. His selection of prints, formerly varied, became overtly political. After 1921, he ceased art coverage altogether, decreased the number of issues, and used the publication exclusively as a mouthpiece for his own increasingly partisan views.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl...
Category
1910s Expressionist Nude Prints
Materials
Lithograph
From Portfolio "Twilight" with Karin Szekessy
Located in Kansas City, MO
Paul Wunderlich
From Portfolio "Twilight" with Karin Szekessy
Year: 1971
Medium: Color Lithograph
Edition: 125
Size: 33 x 25 in.
Publisher: A.A.A., New ...
Category
1970s Contemporary Prints and Multiples
Materials
Lithograph
$350 Sale Price
50% Off
Larry Rivers Republique De Guinee Pochoir Inscribed in ink to Andy Warhol Framed
By Larry Rivers
Located in New York, NY
Larry Rivers
Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977
Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges
Hand signed and inscr...
Category
1970s Pop Art Figurative Prints
Materials
Mixed Media, Acrylic, Pencil, Stencil
Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category
1930s Modern Nude Prints
Materials
Lithograph, Stencil
$1,436 Sale Price
20% Off
Picasso, Minotaure, Buveur et Femmes (after)
Located in Fairfield, CT
Minotaure aveugle guidé par une Fillette dans la Nuit (after Bloch 225)
PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth cen...
Category
1990s Cubist Nude Prints
Materials
Lithograph
$4,000 Sale Price
20% Off
Women's Games : Spring - Original lithograph - 1970
Located in Paris, IDF
Bernard BUFFET (1928-1999)
Women's Games : Spring, 1970
Original lithograph
Unsigned
On vellum
75 x 55 cm (c. 30 x 22")
References : Bernard Buffet - Lithographe / Mourlot, ref. #...
Category
1970s Realist Nude Prints
Materials
ABS, Lithograph
$361 Sale Price
25% Off
Opium Night - Etching by Edouard Chimot - 1930s
Located in Roma, IT
Opium Night is an Etching realized by Edouard Chimot in 1930s.
The very beautiful artwork is in good condition.
No Signature.
Represents a young lady with red hair...
Category
1920s Modern Figurative Prints
Materials
Etching
La Sirene, Japanese Surrealist Nude Etching and Aquatint by Masuo Ikeda
Located in Long Island City, NY
La Sirene
Masuo Ikeda, Japanese (1934–1997)
Date: 1969
Etching and Aquatint on BFK Rives, signed and numbered in pencil
Edition of 38/45
Image Size: 23.5 x 19.5 inches
Size: 28 x 21....
Category
1960s Surrealist Nude Prints
Materials
Etching, Aquatint
Matisse, Nu Bleu V (Duthuit 139), Verve: Revue Artistique (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$716 Sale Price
40% Off
Rex (woodcut print, male figure, neutral colors, pattern)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
Rex
Woodcut on paper
Year: 2000
Size: 27x22in
COA provided
Ref.: 924802-1663
Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...
Category
Early 2000s Contemporary Portrait Prints
Materials
Woodcut, Paper
$1,555 Sale Price
40% Off
"Femme nue assise" original etching
Located in Henderson, NV
Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler...
Category
Early 1900s Impressionist Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
Jean Gabriel Domergue - Woman - Original Etching
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Nude Prints
Materials
Lithograph
From Portfolio "Twilight" with Karin Szekessy
Located in Kansas City, MO
Paul Wunderlich
From Portfolio "Twilight" with Karin Szekessy
Year: 1971
Medium: Color Lithograph
Edition: 125
Size: 33 x 25 in.
Publisher: A.A.A., New ...
Category
1970s Pop Art Prints and Multiples
Materials
Lithograph
$490 Sale Price
30% Off
Tom Cruise Penis [2]: Study for The Shroud of Scientology
Located in Santa Monica, CA
Unframed print.
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Digital
$288 Sale Price
40% Off
Mother and Child Before Notre Dame
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Medium: Lithograph
Title: Mother and Child before Notre Dame
Portfolio: Verve Vol VII No. 27-28
Year: 1952
Edition: 6000
Signed: Unsigned
Framed Size: 22" x 18 1...
Category
1950s Fauvist Nude Prints
Materials
Lithograph
Incarnation 4. Young artist, Figurative print Linocut, Black & white, Polish art
Located in Warsaw, PL
Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other.
LUIZA KASPRZY...
Category
2010s Contemporary Figurative Prints
Materials
Paper, Linocut
Nude - Original Etching by Gian Paolo Berto - 1974
Located in Roma, IT
Nude is an original etching on paper realized by Gian Paolo Berto, in 1974.
Good conditions except for small cyaways on the top and bottom margins.
Hand-signed and numbered, editio...
Category
1970s Contemporary Figurative Prints
Materials
Etching
Dancers and Actresses Before the Show - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche
Dancers and Actresses Before the Show
Handsigned original engraving
Signature printed in the plate
Numbered /12
On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches)
...
Category
Early 20th Century Modern Nude Prints
Materials
Etching
Salvador Dali - Women - Original Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Women - Original Etching
Embossed signature
From the edition of 731
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1 / Michler & Lopsinger 305
Category
1960s Surrealist Nude Prints
Materials
Etching
Nymphee, Surrealist Etching by Roberto Matta
Located in Long Island City, NY
"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...
Category
1970s Surrealist Landscape Prints
Materials
Etching, Aquatint
Two nudes - Figurative etching print, Monochromatic, Minimalistic, Female nude
By Leszek Rózga
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015)
He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category
Early 2000s Contemporary Figurative Prints
Materials
Watercolor, Paper, Drypoint
Three Native American Girls
Located in San Francisco, CA
This artwork "Three Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 2/750 in pencil by the arti...
Category
Late 20th Century American Realist Nude Prints
Materials
Lithograph
Tom Cruise Penis [3]: Study for The Shroud of Scientology
Located in Santa Monica, CA
Unframed print, artist proof.
Category
2010s Contemporary Nude Prints
Materials
Digital
$288 Sale Price
40% Off
Guéridon et Guitare, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...
Category
1980s Modern Figurative Prints
Materials
Lithograph
The Red Host - Lithograph After Egon Schiele - 2007
By Egon Schiele
Located in Roma, IT
The Red Host is a colored lithograph from the portfolio " Erotica" by Egon Schiele.
It deals with a reproduction of the homonym artwork realized in watercolor and pencil by the Aus...
Category
Early 2000s Modern Portrait Prints
Materials
Lithograph
Original Andy Warhol's TRASH vintage 1970 linen-backed movie poster
Located in Spokane, WA
Andy Warhol’s TRASH, 1970 US 1-sheet movie poster. Archival linen-backed • Very Fine condition • Ready to frame. Photographer: Jack Mitchell. Grade A condition.
Bring a piece o...
Category
1970s American Realist Portrait Prints
Materials
Offset
Green and Gold:Contemporary Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
20/25
Signed
Mounted 14 x 11 inches
Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife ...
Category
2010s Contemporary Nude Prints
Materials
Etching
$200 Sale Price
20% Off
Nude on the Beach - Original Etching and Drypoint by A. Soffici - 1957
Located in Roma, IT
Hand signed. Very rare edition of 125 prints.
Good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an a...
Category
1950s Figurative Prints
Materials
Drypoint, Etching
Kneeling Male Nude in Profile - Lithograph - 2007
By Egon Schiele
Located in Roma, IT
Kneeling Male Nude in Profile is a beautifulcolored lithograph from the portfolio " Erotica " after Egon Schiele.
It is a reproduction of the homonym artwork realized in gouache, w...
Category
Early 2000s Modern Portrait Prints
Materials
Lithograph
Andy Warhol Studies for a Boy Book (1950s Warhol illustrated announcement)
By Andy Warhol
Located in NEW YORK, NY
Andy Warhol Studies for a Boy Book 1956:
A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon.
Medium: Offset lithograph on wove paper. Framed in glass.
Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm).
Framed dimensions: 24h x 26w inches.
Good overall vintage condition; fold-lines as originally issued;
Unsigned from an edition of unknown. Rare.
With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse.
Provenance:
The Andy Warhol Foundation for the Visual Arts, New York
Susan Sheehan Gallery, New York
Private Collection, New York
Further Background:
"In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum)
Collections:
The Art Institute of Chicago
Further background:
Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings.
As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene.
The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips)
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
Related Categories
1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...
Category
1960s Pop Art Nude Prints
Materials
Paper, Lithograph
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
Still Life with Cranach and De Heem, Pop Art Screenprint by Josef Levi
By Josef Levi
Located in Long Island City, NY
Josef Levi, American (1938 - ) - Still Life with Cranach and De Heem, Year: 1980, Medium: Screenprint on Arches, signed, titled, numbered and dated in pencil, Edition: Trial Proof,...
Category
1980s Pop Art Nude Prints
Materials
Screen
Jacques Lipchitz French Cubist Modernist Lithograph Hebrew Judaica ZIon
Located in Surfside, FL
Hand signed and numbered.
with Hebrew calligraphy "Zion"
Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Figure assise, le bras droit appuye sur une table - Etching by H. Matisse - 1929
Located in Roma, IT
Seated figure is an original modern artwork realized by Henri Matisse in 1929.
Etching on Chine appliquè on Arches Velin paper.
Original title: Figure assise, le bras droit appuye ...
Category
1920s Modern Figurative Prints
Materials
Etching
Standing Male Nude - Lithograph - 2007
By Egon Schiele
Located in Roma, IT
Standing Male Nude is a beautiful colored lithograph from the portfolio " Erotica " after Egon Schiele.
It deals with a reproduction of the homonym artwork realized in pencil by Eg...
Category
Early 2000s Modern Figurative Prints
Materials
Lithograph
Contemplation, by Mark Jenkins
By Mark Jenkins
Located in Palm Springs, CA
Male nude by San Francisco based Mark Jenkins. Jenkins has spent the majority of his career working as a commercial photographer and graphic designer. But in his personal work, much ...
Category
Early 2000s Contemporary Nude Prints
Materials
Digital
Nude from the Back - Silhouette VI - Original Etching by Giacomo Porzano - 1972
Located in Roma, IT
Image dimensions: 97 x 69.5 cm.
Silhouette VI is an original color etching realized by the Italian artist Giacomo Porzano (Lerici, 1925 - Rome, 2006) in 1972.
Hand-signed and dated...
Category
1970s Contemporary Figurative Prints
Materials
Etching
Couple - Original Etching by Louis Jou - Early 20th Century
By Louis Jou
Located in Roma, IT
Couple is an original etching realized by Louis Jou in the Early 20th Century.
Good conditions.
Specimen before the lettering.
Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...
Category
1920s Modern Nude Prints
Materials
Etching
Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass
Framed size: 16.88" x 13.07"
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
"This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London
Biography:
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category
16th Century Old Masters Nude Prints
Materials
Intaglio, Laid Paper, Engraving
Matisse, Acrobates (Duthuit 139), Verve: Revue Artistique (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$956 Sale Price
20% Off
Oreste e Pilade, 2e version
Located in New York, NY
The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...
Category
1970s Surrealist Nude Prints
Materials
Etching, Aquatint, Color
The stairs - Figurative Etching Print Monochromatic Surreal Black & white
Located in Warsaw, PL
Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942.
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...
Category
2010s Contemporary Figurative Prints
Materials
Paper, Drypoint
Male Acrobat, Impressionist Lithograph by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Male Acrobat, Year: 1902, Medium: Lithograph on Japon, signed in the plate, Image Size: 9 x 8 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Refe...
Category
Early 1900s Impressionist Nude Prints
Materials
Lithograph
Salvador Dali - Girl on Rhinoceros Horn
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Girl on Rhinoceros Horn - Original Etching
Dimensions: 38 x 28 cm
Edition: 390
1967
On Rives Vellum
Signed in the plate
References : Fi...
Category
1960s Surrealist Nude Prints
Materials
Etching
Nude Girl with Raised Arms - Lithograph - 2007
By Egon Schiele
Located in Roma, IT
Nude Girl With Raised Arms is a beautiful lithograph from the portfolio " Erotica " after Egon Schiele.
It is a reproduction of the homonym pencil drawing ...
Category
Early 2000s Modern Portrait Prints
Materials
Lithograph
Matisse, Nu Bleu VII (Duthuit 139), Verve: Revue Artistique (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$956 Sale Price
20% Off
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10
'Musee du Louvre' blindstamp.
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
Nude - Etching by Edouard Chimot - 1930s
Located in Roma, IT
Nude is an etching realized by Edouard Chimot in the 1930s.
Signed on the plate by the artist on the lower right corner.
Good conditions.
Édouard Chimot (26 November 1880 – 7 June...
Category
1930s Modern Figurative Prints
Materials
Etching
Larry Rivers Lithograph "For Adults Only I" Corseted Nude Female
By Larry Rivers
Located in Detroit, MI
"For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the frame inviting the vi...
Category
1970s Pop Art Figurative Prints
Materials
Lithograph, Offset