Vertical Nude Prints

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.

Woman with Black Swans by Georges Manzana Pissarro (1871-1961) Monotype 26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches) Signed lower right, Manzana Executed circa 1908 Artist biography: Like...

TECHNICAL INFORMATION: Ben Frost Krispy Kreme 2015 Silkscreen 35 x 24 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienba...

Raul Anguiano (Mexican, 1915-2006) 'Desnudo doble', 2005 Etching, aquatint and sugarlift 103 x 73 cm. (40.6 x 28.7 in.) Edition of 50 Unframed Pristine condition Hand-signed in penc...

Guo Wei Ami No. 4, 2009 24 color screenprint Edition of 200 35 x 40.5 in. (88.9 x 102.9 cm.) Guo Wei (Chinese, b.1960) was born in Chengdu, China, where he cu...

Lithograph on paper. Hand signed and numbered by the artist. Edition HC 3/6 (apart from the edition of 26 plus six artist’s proofs). Published by International Images, New York. A...

Zaida del Rio (Cuba, 1954) 'Untitled 3', 2020 woodcut on paper Intaglio 300 g. 43 x 29.2 in. (109 x 74 cm.) Edition of 40 ID: DER-105 Unframed

Robin Austin has always been a storyteller – whether earlier in his career, marketing successful global companies, or as the co-founder and creative visionary of Fusion 5, a global branding firm, or now as an artist – creating a rich landscape reflecting images of our shared cultural heritage. Each signed and limited edition work is a visual celebration of the moments captured in time. The genius of Robin’s art...

"Two People in Violet" is a Limited Edition Serigraph, 149/199. The print measures 25.5 x 19.75 inches including its border. The piece is pencil-signed and numbered, although the art...

"Her Thoughts Lingered" is an original linocut on Kozuke paper by Ellen Von Wiegand. Image size 23.75 x 15.75 inches / 60 x 40 cm Paper size 30 x 20 inches / 76 x 50 cm Von Wiegand ...

Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles" Art Deco, Art Nouveau nude of a woman. From the “Braque Espace” portfolio by Daniel Jacomet 19...

Lithograph printed in colours, 2020, on wove paper, signed and numbered from the edition of 50, published by Tate, London, 87 x 38 cm. (34¼ x 15 in.) South-African born, London based artist Lisa Brice...

Julio Girona (Cuba, 1914-2002) 'Genevieve' collagraph on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 75 ID: GIR-301 Unframed

JACOB GILDOR b. 1948 (German / Israeli) Title: Nude I, 1996 Technique: Original Hand Signed and Numbered Colour Etching and Aquatint on Arches Wove Paper Paper size: 65 x 50 cm /...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Con la mirada fija en tu paisaje ', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.)...

Isolina Limonta (Cuba, 1955) 'La Hoja', 2001 etching on paper Velin Arches 300 g. 29.6 x 21.5 in. (75 x 54.5 cm.) ID: LIM-201 Unframed

Salvador Dali - Queen Iseult and her daughter - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Salvador Dali - Tristan Wounded - Original Etching Dimensions: 45 x 33 cm Edition: 4/125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Using strange, semi-Gothic tapering forms, animal hides, fossils, and metal, Hiquily, combines the imaginative and whimsical with a more serious sense of the antique. His influence f...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'En tardes como esta', 2007 etching, aquatint on paper Deponte 300 g. 8.5 x 5.4 in. (21.5 x 13.5 cm.) ID: CUR-111 Unframed Hand-signed by ...

Leonor Fini - Red-Haired Girl - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris ...

Jacques Villon - Nude - Original Etching 1947 Signed in pencil and numbered Dimensions : 55.6 x 39.5 cm

Bert Stern - Silkscreen The last session - YELLOW Large screen print in a single run which was used as a proof for the No2 issue of the US Avant Garde magazine in August 1968. Sig...

Image Size: 14" x 11" Unframed Limited Edition Giclee on Canvas Printer's Proof of 5 Hand Signed by Robert Hartshorn

Yayoi Kusama Dots Obsession poster 2007: An iconic, vibrantly colored pop art piece - this Kusama exhibit poster features the universal polka dot patterns for which the artist is bes...

Keith Haring Poster for Montreux Jazz Festival 1983. Makes for vibrant, standout original Haring art without breaking the bank. Serigraph printed in colors. 1984. 27 x 39 inches (7...

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

Standing before the large nude sculpture, the model admires the statue before her in this work by Pablo Picasso. Nude like herself, the model's presence in the studio creates a balan...

Figura (1982), by artist Luis Frangella, featured in "The Queer Show, Part I" at Hal Bromm Gallery

Mel Ramos Chic, from 11 Pop Artists Vol. I 1965 Screenprint 24 x 20 in. 11/200 Pencil signed and numbered This print is included in the Smithsonian American Art Museum collection. ...

Social Climber, intaglio and mezzotint portrait on paper by Lisa Yuskavage, 90s - female nude stylized Social Climber 1996-1998 Signed, titled, and numbered in pencil, recto Intag...

John Baldessari at Sonnabend Gallery New York, 1987: Rare vintage original 1980s exhibition poster that makes for an excellent Baldessari collectible and frame piece. 'John Baldessar...

Brice and Robert, a Contemporary Queer Figurative Painting Print by Doron Langberg. Brice and Robert 2020 Signed, numbered, and dated Five color lithographic print on Somerset Vel...

Sandra Payne Untitled (from Most Definitely Not Profile Ladies series), 1986; 2022 Digital fine art pigment on archival paper Framed Dimensions: 24.5 x 22.25 inches (62.2 x 56.5 cm)...

This artwork titled, "Mais O Belle Dionee" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is...

This artwork titled, "Phobeus, ce Dieu Couronne de Lauriers" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dal...

Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

The artwork is made and signed by the artist in a strictly limited edition of 10. Other sizes and high-end frame on request. German born Vincent Peters ...

Model in a black Leotard hiking up a Snowy Mountain in Red High Heels attached to a pair of Ski, photographed by Tony Kelly in 2018. All prints are limited ...

This artwork "Nymph" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 22/100 in pencil by the artist. The imag...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

Nude Photography, Black and White Photography, Nude Prints-In The Nude 911 ABOUT THIS PIECE: Nude Photography, "In the Nude 911", is a black and white portrait that was shot during...

Created in 1932 as an etching with Chine-collé on cream wove paper, Nu pour Cleveland is hand-signed and numbered by the artist in pencil. The artwork measures 20 x 15 7/8 in. (50.8 ...

Beating It While It’s Hot, Bavaria, 2015 B&W-print on Baryta paper 15.7 x 23.6 in (40 x 60 cm) Edition of 10 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Carla Gannis is an artist who lives and works in Brooklyn, New York. Her work examines the narrativity of 21st century representational technologies and questions the hybrid nature o...