Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Arthur B. Davies
Amber Garden

1919

$785
£602.85
€690.85
CA$1,105.09
A$1,237.94
CHF 645.08
MX$15,100.32
NOK 8,197.49
SEK 7,729.65
DKK 5,156.35

About the Item

Arthur B. Davies (1862-1928), Amber Garden (Hand Raised, Autumn Mist), soft ground etching and aquatint, 1919, signed in pencil lower right margin. Reference: Czestochowski 73, third state (of 4), from an edition of unspecified size but according to Czestochowski “total printing unknown but small.” In very good condition, the matrix pristine, some folds and creasing in the (wide) margins, printed on a cream wove paper with the watermark SPECIAL MBM, 11 3/4 x 7 13/16, the sheet 14 3/4 x 11 5/8 inches; archival mounting with acid free window mat. A fine strong impression with the several layers of aquatint contrasting effectively. At this stage of his printmaking career Davies had for the most part abandoned the cubist idiom he had experimented with after his involvement in the Armory Show of 1913, and reverted to the expressive symbolism and mysticism characteristic of much of his earlier work. Of this work artist Marsden Hartley wrote: “Often you have the sensation of looking through a Renaissance window upon a Greek world – a world of Platonic verities in calm relation….Arthur B. Davies is a lyric poet…He is mystic only in the sense that perhaps all lyrical poetry is mystic, since it strives for union with the universal soul in things.”

More From This Seller

View All
By the Sea (aka Idyll)
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), By the Sea (aka Idyll), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochowski 72, fourth state (of 5; see disc...
Category

1910s American Impressionist Nude Prints

Materials

Etching, Aquatint

Torment
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Torment, soft ground etching with aquatint and roulette, 1919-20, signed with the estate stamp lower right, and signed by the printer Frank A. Nankivell...
Category

1910s American Impressionist Nude Prints

Materials

Etching, Aquatint

Tartessians
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Tartessians, soft ground etching with aquatint, 1919-20, signed in pencil lower right. Reference: Czestochowski 96, second state (of 2), total printing ...
Category

1910s American Impressionist Figurative Prints

Materials

Etching, Aquatint

Against Green
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Against Green (also Three Figure Composition, Figures Against Green), soft ground etching and aquatint, 1918, signed in pencil lower right; also titled ...
Category

1910s American Impressionist Figurative Prints

Materials

Etching, Aquatint

Up-Rising
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies, Up-Rising, soft ground etching and aquatint on a cream laid paper, 1919, signed in pencil lower right margin. Reference: Czestochowski 78, second state (of 3). In g...
Category

1910s American Impressionist Figurative Prints

Materials

Etching, Aquatint

Afternoon
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Afternoon, transfer lithograph, 1920, signed in pencil lower left. Reference: Czestochowski 188, only state, from the edition of 25 (another 300 unsigne...
Category

1920s American Impressionist Nude Prints

Materials

Lithograph

You May Also Like

"Study 6" Figurative Abstract Lithograph
By Jim Smyth
Located in Soquel, CA
Graceful abstract figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...
Category

1970s American Impressionist Figurative Prints

Materials

Paper, Etching

Figure in Garden
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category

1980s American Impressionist Figurative Paintings

Materials

Oil, Panel

The Garden - Original Drawing - Early 20th Century
Located in Roma, IT
Sketch in The Garden is an original drawing in Ink, Watercolor, and pastel in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes an...
Category

Early 20th Century Modern Figurative Drawings and Watercolors

Materials

Pastel, Ink, Watercolor

Garden - Vintage Offset Print by Franco Gentilini - 20th Century
By Franco Gentilini
Located in Roma, IT
Garden is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the late 20th Century. The state of preservation of t...
Category

20th Century Figurative Prints

Materials

Offset

'Lida & the Swan', New York Armory Show, Ashcan School, ASL, NYMOMA, AIC, LACMA
By Arthur B. Davies
Located in Santa Cruz, CA
Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...
Category

Early 1900s Modern Figurative Prints

Materials

Paper, Aquatint

Style of Arthur B. Davies, Art Nouveau Muses, Reverse Glass Painting
Located in New York, NY
Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...
Category

1920s Art Nouveau Nude Paintings

Materials

Glass, Oil, Laid Paper