Lithograph Nude Prints

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Nue Assise dans l'Herbe". The original painting was completed in 1961. In the 1970's a...

Lithograph on wove paper. Inscription: Signed in plate and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le, P...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Keith Haring album art 1987: A rare vinyl art cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool framed. Off-S...

Medium: original serigraph. Printed in 1975 for the art revue XXe Siecle (issue number 44) and published in Paris by San Lazzaro. Sheet size: 12 1/4 x 18 1/4 inches (310 x 464 mm). T...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on wove paper. Inscription: Signed in plate and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le mi...

Original lithograph poster for the Matisse exhibition at the Galerie Jacques Benador, Geneva 1980. The center of the composition features an image of a drawing by Henri Matisse of a ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Lithograph on wove paper. Inscription: Signed in plate and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le mi...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Quatre Nus au Harem”. The original painting was completed in 1920. In the 1970’s after Picass...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Formeuse a l'Oreiller (Marie-Therese Walter)". The original painting was completed in 1932. ...

Artist: Henry Moore (British, 1898-1986) Title: Dame Creole Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Image size: 18.5 x 15 inches paper size: 18.5 x 15 i...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Lithograph on wove paper. Inscription: Signed in plate and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le mi...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

La Pierre aux Trois Croquis From: Douze lithographies originales de Pierre-Auguste Renoir Publisher: Ambrose Vollard Edition: 950 (signed in the stone) on wove paper as here (see pho...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Raymond Pettibon Black Flag Live 1985: Rare folding double-sided promotional tour flyer illustrated by Raymond Pettibon for SST Records, advertising 1985 Black Flag concert dates. O...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

’Am Strand liegender Knabenakt’ By Willy Jaeckel Medium - Stone Lithograph Signed - Yes Edition - Unkown Date - 1918 Size - 277mm x 290mm Condition - 8. In reasonable conditio...

Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies O...

Lithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le miroir, P...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 46-47, published by Derrière le miroir, P...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Joseph FELON (1818 - 1897) The Bath of Venus Original stone lithograph, enhanced with watercolor Printed signature in the plate On vellum 28 x 44 cm (c. 11 x 18 inch) Excellent con...

Wonderful example of iconic Pin Up girls of early 20th Century titled "The Enchantress" by famed Pin Up artist Rolf Armstrong (American, 1889-1960) Circa 1...

Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...

Set of 3 lithographs on heavy smooth white wove paper. Each sheet measures 31.5 x 23 inches. Each hand signed and numbered in pencil. Numbered A.P. 18/50 (artist's proofs aside fro...

Alain BONNEFOIT Beauty in a Dream, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

HENRI MATISSE (1869-1954) Le Repos du modèle lithograph, on Japanese paper, 1922, Duthuit’s first state (of two), signed in pencil by artist, one of 85 signed impressions from a plan...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Artist: Marc Chagall Title: The Lovers' Heaven Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 20 1/2" x 17 1/2" Sheet Size: 12 3/4" x...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

SPELLBOUND is an original hand drawn lithograph(not a photo reproduction or digital print) printed using traditional hand lithography techniques on archival Arches paper, 100% acid f...

Keith Haring Safe Sex poster 1987: A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...

lithograph in 2 colours on Somerset 300 gsm paper Hand-signed by the artist, Titled lower left, signed, dated, and numbered lower right in pencil by Emin. Edition 64 of 100 Tracey E...

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

Claes Oldenburg Parade of Women from the Deluxe hand signed edition of 1 Cent Life Portfolio (Acquired from the Estate of Robert Indiana), 1964 Color lithograph on wove paper Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Hand-signed by Claes Oldenburg on the lower right front; numbered 85/100 on the colophon page a copy of which is affixed to the back of the frame -see photo Frame included: elegantly floated and framed in hand made museum frame with UV plexiglass, and colophon page with unique edition number affixed to the back. (see photos) This hand signed work is from the Deluxe hand signed edition of only 100 - not to be confused from the unsigned edition of 2000. (None of the works from the edition of 2000 were ever signed by Oldenburg.) Hand signed editions are rarely if ever seen on the marketplace. This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most important and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Claes Oldenburg, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Claes Oldenburg lithograph...

Keith Haring 'Man to Man' record art 1987: A rare vinyl art cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool f...