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Art Subject: Men
Andy Warhol Studies for a Boy Book (1950s Warhol illustrated announcement)
By Andy Warhol
Located in NEW YORK, NY
Andy Warhol Studies for a Boy Book 1956:
A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon.
Medium: Offset lithograph on wove paper. Framed in glass.
Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm).
Framed dimensions: 24h x 26w inches.
Good overall vintage condition; fold-lines as originally issued;
Unsigned from an edition of unknown. Rare.
With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse.
Provenance:
The Andy Warhol Foundation for the Visual Arts, New York
Susan Sheehan Gallery, New York
Private Collection, New York
Further Background:
"In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum)
Collections:
The Art Institute of Chicago
Further background:
Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings.
As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene.
The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips)
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
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Title: "Weib Vom Manne Begehrt (Woman Desired by Man)"
Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)
*Unsigned edition
Year: 1919, (published 1920)
Medium: Original Woodcut Engraving on cream wove paper
Limited edition: 500, (there was also a signed and numbered edition of 30)
Printer: Unknown
Publisher: Klinkhardt & Biermann, Leipzig, Germany
Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114
Framing: Recently beautifully framed in a modern gold moulding with 100% cotton rag matting and Museum Glass
Framed size: 19.69" x 16.13"
Sheet size: 12.75" x 9.5"
Image size: 9.88" x 6.25"
Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY.
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Rene Couturier, French (1933)
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Located in Paris, IDF
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Original etching
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Located in Paris, IDF
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Located in Roma, IT
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Good conditions.
Specimen before the lettering.
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Garden With Henry, by Peter Milton
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Year: 1993
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Torso
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‘The Shape of Her’, homage to Henry Moore BY CLARE GROSSMAN, Limited Edition Art
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Clare Grossman
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Nude of Woman - Lithograph by Carlo Marcantonio - 1970s
Located in Roma, IT
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ROBERT WALKER MACBETH
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After GEORGE FREDERIC WATTS
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A Greek Idyll
Proof etching
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Etching
Nude Woman in Bed, Surrealist Etching and Aquatint by Saint Clair Cemin
Located in Long Island City, NY
Saint Clair Cemin, Brazilian (1951 - ) - Nude Woman in Bed, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 9/30, Image Size: 5.75...
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From the Vargas Portfolio
Located in Missouri, MO
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Lithograph
Picasso, Modèle et Grande Tête Sculptée (after)
Located in Fairfield, CT
Artist: After Pablo Picasso (1881-1973)
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Year: 1992
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1990s Cubist Nude Prints
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Femme nue se couronnant de fleurs
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Etching
Salvador Dali - John Kennedy - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - John Kennedy - Original Handsigned Etching
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1968
Signed in pencil
EA in Sanguine
Jean Schneider, Basel
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Etching
Tracey Emin, Grand Hotel I, Lithograph Print, 2016
By Tracey Emin
Located in London, GB
Tracey Emin, Grand Hotel I, Lithograph Print, 2016
A Polymer gravure lithograph printed on Somerset 300gsm paper
From a limited edition of 100.
81/100
Hand signed, titled and numb...
Category
21st Century and Contemporary Feminist Prints and Multiples
Materials
Paper, Lithograph, Polymer
Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile) /// Woodcut
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 220, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.57"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
Category
1910s Expressionist Nude Prints
Materials
Engraving, Woodcut
Marc Chagall - Creation - Adam and Eve - Original Lithograph from Bible
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Apeles Fenosa Spanish Sculptor Mourlot Lithograph Abstract Expressionist Figures
Located in Surfside, FL
This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet.
This was printed at Mourlot in Paris, France, on velin D'Arches paper.
Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture.
Artist's alternative names: Apel·les Fenosa, Apelles Fenosa
Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend.
In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges.
From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara.
His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...
Category
1970s Expressionist Figurative Prints
Materials
Lithograph