Pablo Picasso

Four Nude Women and a Sculpted Head, from: Suite Vollard - Modern Portraits

1934

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Graphic Work / Opera Grafica, 1972 1. Impressions/ Impressioni, 1959 2. Emotion of the Scene / Mo...

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: Caricature of General de Gaulle and Two Women, from: Series 347 Caricature du général de ...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: Girl’s Head I Mädchenkopf, 1920 Technique: Original Hand Signe...

This etching and aquatint in colour is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 100, at th...

This original etching is hand signed in black ink by the artist "Henri Matisse" at the lower right margin. The work is from the edition of 1,000 published alongside 50 reproductions...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

Jim Dine, Self Portrait drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfolio ...

Jim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate seven from Self Portraits (1971) port...

This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...

Salvador Dali - La Fontaine Portrait - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Referenc...

Signed in pencil lower left; publisher stamp lower right 100 (88/100)

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper, 1926 From: Miserere, Plate 38 Initially started by Ambrose Vollard, this portfolio was published in 1948 by Editions de l'Etoile Filante, Paris This image is the cover illustration for the 1938 MOMA catalog...