Pablo Picasso

Pablo Picasso 'Vallauris' (A. R. 330) Madoura Plate 1956

1956

PABLO PICASSO (1881-1973) Visage larvé (A. R. 347) Terre de faïence plate, 1948, from the edition of 100, inscribed 'D', partially glazed and painted, with the Edition Picasso and ...

PABLO PICASSO (1881-1973) Corrida (A. R. 182) Terre de faïence plate, painted and partially glazed, 1953, one of only a few copies produced, with the Empreinte Originale de Picasso...

PABLO PICASSO (1881-1973) Nature morte (A. R. 219) Terre de faïence dish, 1953, from the edition of 400, partially glazed and painted, with the Edition Picasso and Madoura stamps.

PABLO PICASSO (1881-1973) Visage No. 130 (A. R. 479) Terre de faïence plate, painted in colors and glazed, 1963, numbered 124/500 and inscribed 'No. 130', 'Edition Picasso' and 'M...

Jean Cocteau ( 1889 -1963 ) "chapelle saint Pierre " . 1957 . Pièce unique . Hors commerce . 22cm certificat d'origine de Madeline-Jolly

Pablo Picasso ( 1881 -1973 ) " cruchon Hibou " modèle crée en 1955 . édité à 500 exemplaires chez Madoura . pichet tourné . épreuve en faience blanche , décor aux engobes de couleu...

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Faust" drawn by Salvador Dalí. Print signed. Plate Signed in the back of the plate Dimensions: Diameter: 26 cm Edited by Salins Earthenware Sold in its original box The company "Raynaud-Limoges" specialized in the production of porcelain products in small runs, among the company's customers - crowned people and representatives of the old aristocratic families of Europe. Dali - the Prodigy Child without an Exam. Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael. Salvador Dali and Gala. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States. Gala was legally divorced from her husband in 1932. In 1934 Dali and Gala were married in a civil ceremony...