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Pat Steir
BREADFRUIT, 1983, screenprint on paper (A pink flower from a breadfruit tree)

1983

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  • BREADFRUIT, 1983, screenprint on paper (A pink flower from a breadfruit tree)
    By Pat Steir
    Located in New York, NY
    Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...
    Category

    1980s Minimalist Prints and Multiples

    Materials

    Screen

  • Untitled, 2000, by Mark di Suvero (pink and orange abstract)
    By Mark di Suvero
    Located in New York, NY
    This screen print by Mark di Suvero pops with day-glo colors. Bright green lines on a hot pink and orange background make for a fun piece of art in any room. This print is signed and numbered by the artist. The print comes directly from the publisher, Lincoln Center Editions...
    Category

    Early 2000s Abstract Prints and Multiples

    Materials

    Screen

  • Untitled (SK-PH) by Angel Otero (textured red, yellow, blue and white abstract)
    By Angel Otero
    Located in New York, NY
    Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...
    Category

    2010s Abstract Prints

    Materials

    Archival Pigment, Screen

  • Pond, screen print, 2004 by Joseph Raffael (red & yellow koi in pond)
    By Joseph Raffael
    Located in New York, NY
    This signed and numbered print is in excellent condition and comes directly from Lincoln Center, publisher of the edition. b. 1933, Brooklyn, NY Joseph Raffael’s paintings are infl...
    Category

    Early 2000s American Realist Animal Prints

    Materials

    Screen

  • STILL FROM HAND CATCHING LEAD by Richard Serra (image of hand)
    By Richard Serra
    Located in New York, NY
    Richard Serra (1939 - 2024) was one of the most important artists of the 20th and 21st centuries. Serra experimented with sculpture, printmaking and video in pursuit of his investiga...
    Category

    Early 2000s Contemporary Prints and Multiples

    Materials

    Lithograph, Screen

  • Lincoln Center Globe
    By Donald Baechler
    Located in New York, NY
    American artist Donald Baechler, created this image for the 50th Anniversary commemoration of Lincoln Center for the Performing Arts. Titled, 'Lincoln Center Globe', 2011, the print ...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Screen

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  • Venedig 1997 Minimalist Conceptual Architectural Silkscreen
    By Gerhard Merz
    Located in Surfside, FL
    Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...
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  • Biconjugate - P1, F27, I2, Silkscreen by Josef Albers
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    Biconjugate - P1, F27, I2 - From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a def...
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  • Peter Halley, Organizational Charts - Portfolio of 4 Silkscreens, Signed Prints
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