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1790s Prints and Multiples

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Period: 1790s
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category

Northern Renaissance 1790s Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

El Vergponzoso (The Shamefaced One)
Located in Fairlawn, OH
El Vergponzoso (The Shamefaced One) etching & aquatint, 1799 Unsigned (as are all Goya etchings) From: Los Caprichos, Plate 54 From the First Edition, printed 1799, on laid paper Ref...
Category

Old Masters 1790s Prints and Multiples

Materials

Aquatint

El Vergponzoso (The Shamefaced One)
Located in Fairlawn, OH
El Vergponzoso (The Shamefaced One) etching & aquatint, 1799 Unsigned (as are all Goya etchings) From: Los Caprichos, Plate 54 From the First Edition, printed 1799, on laid paper Ref...
Category

Old Masters 1790s Prints and Multiples

Materials

Aquatint

Que se la Llevaron! - Etching by Francisco Goya - 1799
Located in Roma, IT
Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series. The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition. Good conditions. Los Caprichos. Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching

Ya es hora from Los Caprichos - Etching by Francisco Goya - 1878
Located in Roma, IT
Ya es hora from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatin...
Category

Modern 1790s Prints and Multiples

Materials

Etching

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

Naturalistic 1790s Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

Two Soldiers - Etching by G.B. Tiepolo - 1795
Located in Roma, IT
Two soldiers is an etching realized by Giambattista Tiepolo in 1785.  Sheet 23 x 30 cm. Good impressions on paper, with wide margins. Reference: D...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching

Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year...
Category

Victorian 1790s Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

Naturalistic 1790s Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

OBSEQUIO á el MAESTRO (‘A gift for the master’)
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

Old Masters 1790s Prints and Multiples

Materials

Aquatint, Etching

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

Que se la Llevaron! - Etching by Francisco Goya - 1799
Located in Roma, IT
Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series. The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition. Good conditions. Los Caprichos. Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching

Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

¿De qué mal morirá? - Etching by Francisco Goya - 1799
Located in Roma, IT
¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category

Naturalistic 1790s Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...
Category

Victorian 1790s Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Boxthorn Japanese, Lyciym japonicum Plate 361
Located in Columbia, MO
Boxthorn Japanese, Lyciym japonicum Plate 361 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

Ni asi la Distingue - Etching by Francisco Goya - 1799
Located in Roma, IT
"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition. Rare and in ...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching, Aquatint

Allà Và Eso from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquat...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

Set of Three Engravings from "The British Sportsman" /// Osbaldiston Animal Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Titles: "Coursing" (Plate 3), "Hawking" (Plate 7), and "Hare Hunting" (Plate 8) Portfolio: The British Sport...
Category

English School 1790s Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
Category

Naturalistic 1790s Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Shakespeare's Midsummer-Night's Dream- Etching-J.P. Simon After J.H. Fussli-1796
Located in Roma, IT
Midsummer-Night's Dream is an original etching engraved by Jean Pierre Simon after the iconic romantic painting by Heinrich Füssli in 1790. Titled on plate: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen of the fairies, Bottom, fairies attending Mint conditions with little tears along the margin, and a glued tear in the center. Some light little foxings. The original oil painting is displayed at Tate Britain in London. It was commissioned for the Boydell Shakespeare...
Category

Romantic 1790s Prints and Multiples

Materials

Etching

Egyptian Figure - Etching Hand Colored by L. Pizzi After A. Tofanelli
Located in Roma, IT
“Idolo Egizio” - Image Dim: cm 48 x 33, Dim: cm 59 x 44. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Luigi ...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching

Cornette de Crêpe, à Longues Pointes - Etching - 1799
Located in Roma, IT
Cornette de Crêpe, à Longues Pointes is an original watercolored print, realized in 1799 by an anonymous French engraver. This artwork is the original illustration n. 145, of the F...
Category

1790s Prints and Multiples

Materials

Etching, Paper

------- Pyramidal, ------- Pyramidalis Plate 366
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

Ya es hora from Los Caprichos - Etching by Francisco Goya - 1878
Located in Roma, IT
Ya es hora from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatin...
Category

Modern 1790s Prints and Multiples

Materials

Etching

The Courtesan Midorigi
By Chokosai Eisho
Located in Fairlawn, OH
Signed: Eisho zu From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe) Format: Oban Publisher: Yamaguchi ya Chusuke The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox. Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda. Reference: Richard Lane...
Category

1790s Prints and Multiples

Materials

Woodcut

Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

Craggula Tree, Crassula cotyledon Plate 384
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

Vervain Three-leaved, Verbena triphylla Plate 367
Located in Columbia, MO
Vervain Three-leaved, Verbena triphylla Plate 367 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Category

Naturalistic 1790s Prints and Multiples

Materials

Engraving, Handmade Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category

Northern Renaissance 1790s Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

¿De qué mal morirá? - Etching by Francisco Goya - 1799
Located in Roma, IT
¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

"Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/Engraving
By Robert Smirke
Located in Alamo, CA
An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...
Category

1790s Prints and Multiples

Materials

Etching, Engraving

College Fun at the University of Cambridge, engraving by William Bunbury
Located in London, GB
William Bunbury, engraved by James Bretherton College Fun or Quizzing the Proctor Hand coloured engraving 27 x 34 cm c.1790 In this playful scene, a proctor--garnering a powdered wig and academic dress--is reading a public proclamation regarding a 'general fast.' Unbeknownst to him, a mischievous student is pinning a satirical note on his back. The note mocks the proctor's authority, reading, "From all Pride, Vanity, Glory and Hypocrisy, Good Lord Deliver us." Meanwhile, two other students, dressed in academic gowns and mortarboards, stand to the left, laughing and gesturing at the proctor, clearly enjoying the other student's prank. This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...
Category

Victorian 1790s Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

The Hopes of the Family, University of Cambridge engraving by William Bunbury
Located in London, GB
William Bunbury, engraved by James Bretherton The Hopes of the Family Hand coloured engraving 26 x 36 cm c.1790 This engraving, titled "The Hopes of the Family – An Admission at the University", is satirical work by William Bunbury. The scene portrays a young man being presented for admission to the University of Cambridge. Although the title suggests that the boy is expected to achieve great things, his appearance and and general demeanour hint at incompetence or lack of enthusiasm, thus introducing an ironic paradox. This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

Military Promenade c1795 Colour Litho
Located in Bristol, CT
Art Sz: 5 3/4"H x 5 5/8"W Frame Sz: 10 3/8"H x 10 3/8"W Property from the Estate of Paula Peyraud
Category

1790s Prints and Multiples

Materials

Lithograph

India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796 This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category

Other Art Style 1790s Prints and Multiples

Materials

Paper, Etching

The Courtesan Midorigi
By Chokosai Eisho
Located in Fairlawn, OH
Signed: Eisho zu From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe) Format: Oban Publisher: Yamaguchi ya Chusuke The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox. Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda. Reference: Richard Lane...
Category

1790s Prints and Multiples

Materials

Woodcut

Donde va Mama from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

Ni asi la Distingue - Etching by Francisco Goya - 1799
Located in Roma, IT
"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition. Rare and in ...
Category

Old Masters 1790s Prints and Multiples

Materials

Etching, Aquatint

India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796 This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category

Other Art Style 1790s Prints and Multiples

Materials

Paper, Etching

Qual la Descañona from Los Caprichos - Etching by F. Goya - 1799
Located in Roma, IT
Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. ...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

The Holy Sepulchre at Northwold in Norfolk (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmel Schnebbelie The Holy Sepulchre at Northwold in the county of Norfolk Engraving 45 x 60 cm This engraving was originally published by the Society of ...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie The Holy Sepulchre at Heckington in Lincoln Engraving 45 x 30 cm This engraving was originally published by the Society of Antiquaries ...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter The Chancel of Chatham Church, Kent Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie Wainflete School, Lincolnshire Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an...
Category

Realist 1790s Prints and Multiples

Materials

Engraving

Satyr on Horseback - Etching by Carl Wilhelm Kolbe the Elder - 1795
Located in Roma, IT
Satyr on Horseback is an original etching realized in 1795/1796 by Carl Wilhelm Kolbe the Elder (1759-1835). Good Conditions except for being aged....
Category

Old Masters 1790s Prints and Multiples

Materials

Etching

Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Lincolnshire Sheep" (Plate 9) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category

English School 1790s Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Oxford High Street with Queen's College and University College engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1790s Prints and Multiples

Materials

Engraving

Wild Fowl Shooting /// Osbaldiston The British Sportsman Hunting Engraving Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Wild Fowl Shooting" (Plate 2) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category

English School 1790s Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

“Bank Notes”
Located in Southampton, NY
James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London. Description: Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is a yokel no longer bewildered. He stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right) wears a high cocked hat...
Category

Academic 1790s Prints and Multiples

Materials

Etching, Archival Paper

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

Grand Cricket Match at Lord's Ground, Marylebone, sport engraving, 1793
Located in Melbourne, Victoria
Title : 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20th and following day between the Earl's of Winchelsea and darnley for 1000 Guineas.' Publication line ...
Category

Victorian 1790s Prints and Multiples

Materials

Engraving

Al Conde Palatino from "Los Caprichos”- Etching by F. Goya - 1799
Located in Roma, IT
Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the...
Category

Modern 1790s Prints and Multiples

Materials

Etching, Aquatint

Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1790s Prints and Multiples

Materials

Engraving

Correciòn - Etching by Francisco Goya - 1799
Located in Roma, IT
Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatint on paper. The etching is pa...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

Portrait of General Washington - Original Etching by T. Holloway - 1794
Located in Roma, IT
General Washington is an Original Etching hand Watercolored realized by Thomas Holloway in 1794. The artwork is in good condition except for some s...
Category

Modern 1790s Prints and Multiples

Materials

Etching

Adieu! - Original Etching by Philibert-Louis Debucourt - 1797
Located in Roma, IT
Adieu! is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832). The artwork is the pla...
Category

Modern 1790s Prints and Multiples

Materials

Watercolor, Etching

Esto si que es Léer from "Los Caprichos" - Etching by Francisco Goya - 1799
Located in Roma, IT
Esto si que es léer is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching on paper. The etching is pa...
Category

Modern 1790s Prints and Multiples

Materials

Etching

Qual la Descañona from Los Caprichos - Etching by F. Goya - 1799
Located in Roma, IT
Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. ...
Category

Modern 1790s Prints and Multiples

Materials

Aquatint, Etching

Unknown Statue of an Important Greek Man - Etching by Giò. Brunet - 1794
Located in Roma, IT
“Statua incognita di qualche Greco illustre” (Tav. X, Tom. I) Im. Dim: cm 48 x 33, Dim: cm 59 x 44. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Bernardino Nocchi...
Category

1790s Prints and Multiples

Materials

Etching

“Man with Magic Show”
Located in Southampton, NY
China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...
Category

Academic 1790s Prints and Multiples

Materials

Aquatint

------- Shining-leaved, Salvia formosa Plate 376
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic 1790s Prints and Multiples

Materials

Etching

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