1990s Prints and Multiples

Limited-edition poster published by the Israel Museum, Jerusalem, after Chagall’s beloved composition celebrating love and dreamlike flight over his native Vitebsk. Produced by the m...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

This vibrant vintage postcard features an untitled composition by Keith Haring, published in 1993 by te Neues Publishing Company and printed in Germany. The image exemplifies Haring’...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This particular image features the Plata River D...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

Heart is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print and increasingly desirable among collectors. This work captures Warh...

“Nude with Blue Hair” by Roy Lichtenstein, from the Nudes series published by Tyler Graphics in 1994. A striking late-period work showcasing Lichtenstein’s signature Pop language — b...

This rare serigraph by Thomas McKnight, titled Aegean Paradise, is a luminous and inviting example of the artist’s celebrated interior-meets-landscape compositions. Hand signed and n...

This five-color offset lithograph, featuring a facsimile signature of Marc Chagall, masterfully captures a vibrant detail from his iconic Paris Opera ceiling. Printed on high-quality...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 50 gloss photogra...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

This framed piece celebrates the beloved character Babar, the charming elephant who has captivated children and adults alike for generations. Created by Jean de Brunhoff in the 1930s...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

David hockney Giacomo Puccini's Turandot, Lyric Opera of Chicago Computer generated laser print on smooth wove paper Boldly signed in blue marker by David Hockney Published by Lyric ...

North Yorkshire By David Hockney 1997 Medium: Offset Lithograph Paper Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Image Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Edition Size: Un...

This rare serigraph by Thomas McKnight, titled Mediterranean Paradise, is a quintessential example of the artist’s celebrated architectural interiors and idyllic coastal views. Hand ...

The Road Across the Wolds reflects David Hockney’s lifelong connection to the Yorkshire landscape, with sweeping roads, undulating fields, and expansive skies that evoke both movemen...

This vibrant image of the Statue of Liberty is one of LichtensteinÕs most patriotic and iconic compositions, blending Pop ArtÕs bold comic-inspired style with American symbolism. Pub...

This exhibition card was produced by Brooke Alexander Editions in connection with Series of Ten Woodcuts in Three Color States, associated with the work of Donald Judd. Published by...

Felix the Cat is a funny-animal cartoon character created in the silent film era. The anthropomorphic black cat with his black body, white eyes, and giant grin, coupled with the surr...

Kate Moss London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches / 101 x 7...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

This rare exhibition poster, titled "Blue Umbrellas," commemorates the remarkable installation created by Christo and Jeanne-Claude in October 1991. The project featured 960 yellow u...

In October of 1991 Christo and his collaborator Jean-Claude constructed an installation in two valleys, in Japan, north of Tokyo and one in California, north of Los Angeles. 960 yell...

Crying Girl is one of Roy Lichtenstein's most iconic works, epitomizing his mastery of Pop Art with its bold Ben-Day dots, comic book style, and emotionally charged subject. This ima...

This rare exhibition poster featuring Henri Matisse's Le Goûter (The Snack) is part of the prestigious "Collection of European Masters" series, published by Achenbach Editions for th...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

Offset lithograph mimeograph on green apple paper Pencil signed and numbered 9/300 Provenance: Opus Art Limited This work has been elegantly floated and framed in a wood frame under ...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

In 1995, American sculptor Donald Lipski was commissioned to design the official poster for the French Open at Roland Garros. Known for his innovative installations and large-scale p...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, ...

"Composition IV" is a remarkable piece, capturing the bold and innovative style of Wassily Kandinsky's abstract art. The fact that it's part of a limited edition by Achenbach Art Edi...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Kate Moss Close Up London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches /...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

"Still Life with Goldfish Bowl" is a reproduction of a painting by Roy Lichtenstein, originally created in 1972. This piece captures Lichtenstein's iconic Pop Art style, making it a ...

Paper Size: 4.25 x 6 inches ( 10.795 x 15.24 cm ) Image Size: 3.75 x 5.75 inches ( 9.525 x 14.605 cm ) Framed: Yes Frame Size: H: 17.25 x W: 13 x D: 1.25 in. Condition: A-: Near Mint, very light signs of handling Additional Details: This vintage blank...

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

This striking reproduction of Wassily Kandinsky's "Murnau" captures the vivid color palette, bold geometry, and dynamic composition that define the artist’s most celebrated expressio...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Little Flower Princess" first released on "Milk & Honey" in 1981 . It was written when Lennon wa...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Bungalow Bill" first released on the Beatles "White Album" in 1968. This limited edition was release...

This work is one of six image variations from Andy Warhol’s James Dean portfolio, with layout and design created by Roger L. and Nance Schlaifer...

Paper Size: 37.75 x 54.5 inches ( 95.885 x 138.43 cm ) Image Size: 27.5 x 54.5 inches ( 69.85 x 138.43 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Shipping...

Artist: Piero D'Orazio, Italian (1927 - ) Title: Pink Abstract Year: 1992 Medium: Screenprint, signed and numbered in pencil Edition: 66/99 Size: 30 x 21.5 inches

This piece is one of six distinct image variations from Andy Warhol’s James Dean portfolio, a series that captures the legendary actor as an end...

Lithograph in colors on wove paper. Artist proof signed and numbered in pencil out of 10 by Robert Longo, published by Brooke Alexander from the Men in the Cities. Frank and Glen st...

This reproduction, titled Canto XIV by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertical...

Screen print on paper. Hand signed, titled and numbered. Edition of 299. Excellent condition. A striking large-format colour screen print by Italian artist Franco Costa, depictin...

This features Endangered Species: Grevy's Zebra, an iconic image from Andy Warhol’s acclaimed Endangered Species series. Originally conceived to bring attention to endangered wildlife, this striking artwork exemplifies Warhol’s signature pop art style—vibrant color palettes, graphic precision, and a bold visual voice. The image comes from a 1992 collectible box set published by teNeues Publishing Company and printed in Germany to exceptional standards. The piece is presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, mounted behind a 4-inch mat. This elegant presentation transforms Warhol’s zebra...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

This poster features Ken Keeley's photorealist depiction of the iconic Manhattan landmark, Paddy's Clam House. Known for his meticulous attention to detail and ability to capture the...

This poster, part of a series by Andy Warhol for Chanel No. 5 features the sophisticated design of the bottle in the center of the image. Aiming for simplicity, the bottle is the foc...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the f...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

FIRST SUNDAY is a hand drawn, early limited edition lithograph by the South Carolina artist JONATHAN GREEN printed in 1993, using hand lithograph...