1990s Prints and Multiples

Drypoint 3/3. Signature, date and title inscribed below plate lines. On watermarked wove.

Artist: Tiefeng Jiang, Chinese (1938 - ) Title: Nurture Year: 1993 Medium: Screenprint, signed and numbered in pencil Edition: 283/300 Size: 24 in. x 11.75 in. (60.96 cm x 29.85 cm)

Print 4/10. Signature, title and date inscribed below plate lines. On watermarked wove.

Artist Reproduction plate. Edition 1401A Reihe "Gustav Klimt – Phantastische Meisterwerke" mit einem diagonalen Durchmesser von 22 cm und einer Goldumrandung an. Es handelt sich dabei um die Ausgabe "...." aus dem Jahr 1990, Teller-Nr. ?, die als Reproduktion im Auftrag des Hauses Lilien Porzellan...

A silkscreen Love print with poem by Robert Indiana from the Book of Love. Presented in a plexi-box frame. Artist: Robert Indiana, American (1928 - ) ...

Artist: Liu Jian, Chinese (1961 - ) Title: LI Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF I - X Year: 1990 Medium: 10 Screenprints on Saunders Watercolor paper, each signed and numbered in pencil ...

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

Album No 6 Portfolio with 3 lithographies. Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in ...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Flat Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 55 Size: 24 x 24 in. (60.96 x 60.96 cm)

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now famous logos for companies and institutions such as the Smithsonian, Nationa...

Carroll Dunham (b. 1949) is a contemporary American artist best known for his distinctive fusion of abstraction and figuration. He rose to prominence in the early 1980s in New York C...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Unknown Person from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed ...

Book A Lea Nikel, Israeli (1918–2005) Date: 1991 Screenprint, signed and numbered in pencil Edition of 110, HC Size: 15.5 x 23 in. (39.37 x 58.42 cm)

Kenny Scharf Cosmic Tavern: A set of 2 rare 1990s announcement cards designed by Scharf on the occasion(s) of the grand-opening of the Kenny Scharf Cosmic Tavern - a VIP room designe...

Artist: Donald Sultan Title: Visual Poetics Portfolio: Visual Poetics Medium: Screenprint Date: 1998 Edition: 170/395 Frame Size: 19 1/4" x 19 1/4" Sheet Size: 16 1/4" x 16 1/4" Sign...

Signed, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute pri...

Chrysanthemums by Judith Rothchild - 40/100 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects. Grafica Lombardi guarantee stamp...

Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects. Grafica Lombardi guarantee stamp...

Artist: Mike McKenzie, American (1954 - ) Title: Campbells Soup with Text Year: circa 1992 Medium: Silkscreen Size: 26 x 20 in. (66.04 x 50.8 cm)

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Artist: Aaron Fink Medium: Original Lithograph, 1993 Dimensions: 30 x 22 in, 76.2 x 55.9 cm Arches paper - Very Good Condition A A beautiful original lithograph printed at Mourlot in Paris by Boston's own Aaron Fink. This "sexy" pepper is a playful version of the Odalisques paintings...

Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5cmx33cm. Excellent condition, no defects. Pedro Cano (Blanca, 1944), one of the greatest contempor...

Color lithograph, on Magnani-Pescia paper. Paper size 35cmx25cm, work size 24cmx17cm. Excellent condition, no defects. Born in Rome in 1946, Franco Fortunato is an autodidact, follo...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Four Head Composite from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, si...

Artist: After Pablo Picasso (1881-1973) Title: La Bonne dans l'Atelier de Sculpture (after Bloch 184) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

Lithograph on Magnani-Pescia paper. Paper size 35cmx50cm, work size 26cmx40cm. Excellent condition, no defects.  Ermanno Iaia - Born in Rome in 1933, He attended the San Giacomo Aca...

Lithograph on Magnani-Pescia paper. Paper size 50cmx70cm, work size 40cmx60cm. Excellent condition, no defects. Ermanno Iaia - Born in Rome in 1933, He attended the San Giacomo Acade...

Lithograph on Magnani-Pescia paper. Paper size 56cmx76cm, work size 43cmx65cm. Excellent condition, no defects. Pino Lancia - Born in Belgium in 1952, he lives and works in Rome. He...

Artist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)

This elegant silk scarf from 1993, titled Les Oiseaux, offers a refined interpretation of the surrealist vision of René Magritte. Issued as a tribute to the artist’s poetic and enigm...

Artist: Louisa Chase, American (1951 - 2016) Title: Untitled (Hands) Year: 1990 Medium: Etching and Chine Colle, Signed and Numbered in Pencil Edition: 30 Paper Size: 35 x 50.5 Inche...

Finis le Paradis Jan Peter Tripp German (1945) Date: 1994 Etching, signed, numbered, dated, and titled in pencil Edition of 6/66 Image Size: 39 x 20 inches ...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Le Danse des Rues Year: 1999 Medium: Lithograph, signed and numbered in pencil Edition: 72/199 Size: 27 in. x 36 in. (68.58 c...

Relatives arguing. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and f...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition:...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. Edition of 150. Artwork is in excellent condition. All reasonable offers will be considered.

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VI Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 P...

Artist: David Row (American, 1949-) Title: Jabberwock Year: 1994 Medium: Lithograph, signed and numbered in pencil Edition: PP 3 Size: 18 in. x 27 in. (45.72 cm x 68.58 cm)

In 1997, acclaimed artist Jennifer Bartlett created a distinctive poster for the American Dance Festival. This offset lithograph measures 36.5 x 24.75 inches, with an image size of 2...

Untitled #11 (Two Forms, Red Ground), Color soap ground and spit bite aquatints. Image size: 23¾ x 17¾"; paper size: 38 x 30". Edition 15. Published by Crown Point Press and printed...

This romantic poster recalls imagery from the Belle Époque era and promotes Moët Champagne, which has a 270 year history. Moët & Chandon , is a French fine winery and co-owner of the luxury goods company LVMH Moët Hennessy Louis Vuitton SE. Moët et Chandon is one of the world's largest champagne producers and a prominent champagne house. Moët et Chandon was established in 1743 by Claude Moët, and today owns 1,190 hectares (2,900 acres) of vineyards, and annually produces approximately 28,000,000 bottles of champagne. By the late 1800s this brand had a long-established reputation of glamour and prestige, associated with success and royalty. Award winning artist Vince McIndoe...

Abstract modern screen print of a pair of intertwining snails floating against a grey toned ombre background. Signed, titled, and editioned along the lower edge of the print. Current...

Artist: Grace Graupe-Pillard, American Title: Plates of Light Year: 1991 Medium: Cut-out Silhouette Lithograph, signed and numbered in pencil Edition: 30/30 Size: 45 x 33 in. (114.3 ...

Suite $10,000. Individual Quartets $3,500. Signed and dated on verso. First Quartet 35 in. x 35 in. Second Quartet 35 in. x 45 in. Third Quartet 45 in. x 35 in. Fourth Quartet ...

This screenprint was created by American artist Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Elizabeth Taylor, Tennessee Williams, and Jo...

Artist: Liu Jian, Chinese (1961 - ) Title: I Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

On a striped green lawn, figures in hooded white togas stand in rows, their backs to the viewer. Each holds out their left hand before them and resting on the flat of their palm is a black inkwell with a bright white feather quill sticking out of it. The artist is also responsible for writing and illustrating books like Jumanji and The Polar Express. From the Mother Goose Portfolio, this print is signed and numbered in pencil by the artist. Around the Green Gravel Chris Van Allsburg...

Paper Size: 33.5 x 25.5 inches ( 85.09 x 64.77 cm ) Image Size: 19.5 x 19.75 inches ( 49.53 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

The 21st Floor-A View of the World Trade Center in the Skyline Screen print, c. 1990 Signed: Joni Frankel lower left Edition 200 (42/200) Signed lower lef...

Artist/Designer; Manufacturer: CRASH aka John Matos (American, b. 1961) Marking(s); notes: signed; ed. 24/35; 1990 Materials: serigraph Dimensions (H, W, D): 22"h, 30"w (work is not ...

Torsos. VIII / XII. Etching on paper, 23x14 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional training: Janis ...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

A geometric abstract print by Japanese artist Takaaki Matsumoto. World Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 54 Size: 24 x 24 in. (60.96 x 60.96 cm)

Artist: Susannah MacDonald (1954) Title: Times Square Year: Circa 1990 Medium: Silkscreen on wove paper Size: 33 x 25 inches Edition: 96/375, plus proofs Condition: Excellent Inscription: Signed and numbered by the artist in pencil SUSANNAH MACDONALD (1954- ) A contemporary American artist. She began her career as a clothing designer and illustrator, and by the early 1990s she began experimenting with a truly unique method of printmaking. Using a combination of silk-screen and lithography on both paper and transparent sheets of mylar, her brightly colored three-dimensional scenes portray contemporary life in an unforgettable manner. McDonald's images are real and imaginary, and can be described as delightful visions. No matter the passage of fashion or the seasons, there are places of transcendent timelessness in her work. Her creation of places gives us a sense of home that is responsible for her public audience. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce...

Seven Deadly Sins Suite ((pride, greed, wrath, envy, lust, gluttony, and sloth) Year: 1991 Medium: Image print: 4-color silkscreen, 1-color woodblock...