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Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci) Poster /// Edvard Munch Litho1973
1973
$300
$75060% Off
£227.31
£568.2760% Off
€260.82
€652.0460% Off
CA$422.15
CA$1,055.3760% Off
A$464.06
A$1,160.1460% Off
CHF 243.89
CHF 609.7260% Off
MX$5,635.35
MX$14,088.3660% Off
NOK 3,042.43
NOK 7,606.0860% Off
SEK 2,882.49
SEK 7,206.2360% Off
DKK 1,946.54
DKK 4,866.3560% Off
About the Item
Artist: (after) Edvard Munch (Norwegian, 1863-1944)
Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)"
Year: 1973
Medium: Original Lithograph, Exhibition Poster on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark
Sheet size: 35" x 21.5"
Image size: 24.75" x 19"
Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition
Rare
Notes:
Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209).
Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris, 1903, and would soon build up a strong feeling of trust which they managed to continue for many years despite both of them travelling frequently. She was a beautiful woman who was ideally suited as a muse for Munch but their own emotional connection was of additional importance in then achieving just what they did together.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Edvard Munch (Norwegian: 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call "The Frieze of Life", depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere. "The Scream" was conceived in Kristiania. According to Munch, he was out walking at sunset, when he 'heard the enormous, infinite scream of nature'. The painting's agonized face is widely identified with the angst of the modern person. Between 1893 and 1910, he made two painted versions and two in pastels, as well as a number of prints. One of the pastels would eventually command the fourth highest nominal price paid for a painting at auction. As his fame and wealth grew, his emotional state remained insecure. He briefly considered marriage, but could not commit himself. A mental breakdown in 1908 forced him to give up heavy drinking, and he was cheered by his increasing acceptance by the people of Kristiania and exposure in the city's museums. His later years were spent working in peace and privacy. Although his works were banned in Nazi-occupied Europe, most of them survived World War II, securing him a legacy.
- Creation Year:1973
- Dimensions:Height: 35 in (88.9 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- After:Edvard Munch (1863 - 1944, Norwegian)
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12121204043
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