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Komar & MelamidKomar & Melamid Peace I Lithograph 1986 Russian Avant Garde1986
1986
About the Item
Komar and Melamid combine various photographs of Tolstoy with their own renderings, cropping and overprinting the 19th-century moralist's portrait in a heady two-headed mix of art and politics. They are perhaps best known as the founders of SotsArt (СоцАрт), a form of Soviet Nonconformist Art that combined elements of Socialist Realism and Western Pop Art in a conceptual framework that also references Dadaism. Komar and Melamid often create many works within a common theme. Their prolific collaboration precludes from mentioning all of their projects, however, some of their best known series and projects are: Sots Art series (1972–1973), Post-Art series (1973), Ancestral Portraits series (1980), Nostalgic Socialist Realism series (1982–1983), Diary series (1984–1986), Anarchistic Synthesism series (1985–1986), Most-Wanted series (1993–1997), Monumental Propaganda (1994), Elephant Project (1995–2000), American Dreams (1994–1999).
- Creator:Komar & Melamid (1943, Russian)
- Creation Year:1986
- Dimensions:Height: 36.5 in (92.71 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210673442
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Hand signed in marker with dedication
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Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max was born in Berlin, the son of German Jews, Salla and Jakob. They fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel, where they lived for several years. Peter attended school in Mount Carmel, but was often drawing instead of taking notes. His principal suggested to his parents that he be put in art lessons after school, and he began to study under Professor Hünik, a Viennese Expressionist. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art. In their short time in Paris, Max's mother enrolled him in drawing classes at the Louvre, where he began to study Fauvism. After nine months in Paris, Max and his family made their final move, settling in Brooklyn, New York, USA. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell.
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