Paula Rego

The Baker's Wife II -- Print, Etching, Aquatint, Hand-coloured Art by Paula Rego

1989

Raised Eyebrows / Furrowed Foreheads / Figure with Globe, 2009 John Baldessari Screenprint in colours, on Fabriano paper Signed, dated, and numbered from the edition of 70 Printed a...

Mr Rochester, 2002 Paula Rego Lithograph in black, on Somerset textured paper Signed, a proof aside from the edition of 35 From Jane Eyre: The Guardians P...

Prince Pig Gets Married to the Third Sister, 2006 Paula Rego Lithograph in colours, on Somerset Velvet Signed and numbered from the edition 35 From Prince Pig Printed by The Curwen ...

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

Venus and the Bull is an original etching and drypoint realized by Leo Guida in 1985. Good condition. Mounted on a yellowed cardboard passpartout (50x35 cm). Hand signed and title...

The Fall of Sibyl is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35) Dated and signed by the auth...

Venus and the Bull is an original etching and drypoint realized by Leo Guida in 1985. Good condition. Mounted on a yellowed cardboard passpartout (50x35 cm). Hand signed and title...

Arnulf Rainer (Austrian, born 1929) Self-Portrait, 1995 Medium: Drypoint etching and aquatinta on wove paper Dimensions: 53.5 x 38 cm Edition of 35: Hand-signed and numbered Publishe...