Late 20th Century Portrait Prints

The Fiancés of Knokke I is a vibrant and joyful reproduction from Nikki de Saint Phalle’s Nana Sculpture series. Featuring a stylized depiction o...

Jean Jansem (1920-2013) La Brocante, 1975 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 69 x 51,5 cm / 76 x 54,5 cm Bibliographie: Jansem Lith...

Oxygeno en Marte is an original contemporary artwork, plate n. 52 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rig...

Artist: Sir Peter Thomas Blake Title: Ebony Tarzan, Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Signed and Numb...

Alexander Calder - Lithograph - Behind the Mirror 1 lithograph created in 1976 Unsigned. Unnumbered from an edition of presumably large size. Dimensions: 38 x 28 cm Source: Lithogra...

Hand signed & numbered by the artist. AP edition. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numerals), published by Mazzota Editore, Milan, 95.2 x 64.8 cm. (37½ x 25½ in.) The ‘Ladies and Gentlemen...

Original lithograph, hand-signed and hand-numbered in pencil by the artist. Edition: 56/99 Excellent Conditions Dimensions: 76 x 56 cm Reference : Catalogue raisonné Tonneau-Ryckely...

Photolith on arches paper from the series Time. Hand signed and numbered by the artist. From the EA edition of 30. There is also a main edition of 300. Sheet size 29.5 x 21 inche...

Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...

(after) Salvador Dali Tienta en Espana, 1983 Lithograph and embossing after an etching Plate signed On Arches vellum 30 x 37" (74 x 93 cm) REFERENCES : Field 67-2 edition descibed p....

Jean Jansem (1920-2013) Le coin de l'atelier, 1986 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 67 x 51 cm / 76 x 54 cm D'une édition à 30 exe...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

"Lady Holding a Baby" - Woodblock Print on Laid Rice Paper Elegant woodcut print by Stephen White (American, b. 1939). In an early example of White's signature style, a stylized, mi...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Helen Frankenthaler Hand signed and inscribed photograph, ca. 1987 Photograph printed on offset lithograph Hand signed and inscribed by Helen Frankenthaler on the front Frame Include...

Original exhibition poster for David Hockney at Artcurial, Paris, 1979. Signed by the artist lower right in pencil. This poster is reproduced from the Hockney lithograph...

Jean Jansem (1920-2013) La commode, 1986 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 51 x 70 cm / 54 x 76 cm D'une édition à 30 exemplaires d...

NEW YORK CITY: GRAND HYATT is an original hand drawn lithograph created in 1983 by the NY woman artist, Joan Melnick. NEW YORK CITY: GRAND HYATT was Inspired by the architectural des...

Signed, titled and numbered etching from the edition of 120. In individual prints, and in his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravings and tongue-in-cheek wit. This image of a rhinoceros and a lamb, hints at an imaginary fable similar to the lion and the lamb. Stan Washburn...

Hand signed & numbered by the artist. Edition of 250. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Self-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...

Mick Jagger VI - After Andy Warhol. The line drawing placed on a golden backdrop is a feature unique to this print adding a sense of motion to Jagger’s features which shows him in a...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...

THE DOORWAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original 12-color, hand drawn lithograph, with gold and silver silkscree...

Patrick Nagel's Commemorative Poster Series is a collection of fifteen iconic posters, numbered NC01 to NC15, created over a span of four years. These works perfectly capture the sle...

Jean Jansem (1920-2013) Joëlle aux jambières, état rouge, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 65 x 50 cm / 76 x 56 cm Rare édit...

Sentimental is the adjective to describe this beautiful portrait of a mother with her innocent child. This is a beautifully framed limited edition lithograph (100/295) on paper sign...

Jim Dine self portrait in which the artist's face is covered in tulip flowers. This is one of four states: for each successive print he worked i...

Jean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...

Paloma Picasso, from Hommage à Picasso. Screenprint in colors on Arches. Hand signed and numbered on verso by the artist. Published by Propyläen-Verlag, Berlin, and Pantheon Presse, ...

Akio Takamori Fruit Tree, 1993 Medium: 4 Color Lithograph Edition: 30 Paper: Rives BFK, White Paper Size: 33.5″ x 15″ Image Size: 29.5″ x 11″ Signed, dated, numbered and inscribed by...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes a...

Original concert poster: Joan Baez in Concert Under the Stars, Oct 31, 1975, Orange County, CA. Artist: Rick Griffin. Size: 9.75" x 23 3/8". Blac...

From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Hand signed and dated in pencil, lower right by Roy Lichtenstein. Numbered 17/1...

"Shiny Nude" by Tom Wesselmann, published by Parasol Press LTD. and printed by A. Colish Press, stands out for its glossy finish and vibrant depiction of th...

Jean Jansem (1920-2013) Peintre dans son atelier, 1969 Lithographie sur papier Rives Signée en bas à droite et justifiée en bas à gauche 39 x 52 cm / 56 x 76 cm D'une édition à 120 exemplaires Bibliographie: Jansem Lithographe, 1954-1983, de Francony Editeur, Nice, 1984, n. 211, reproduit p. 53, référencé p. 231. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Jack Levine Vintage 1970s Kennedy Galleries poster (Hand signed and warmly inscribed), 1972 Offset lithograph poster (Signed, dated and inscribed in black marker by Jack Levine) Sign...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Etching made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 50cm x 70cm, round engraving diameter 31cm hand coloured. Excellent condition, no defects. Born in Milan on ...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Original exhibition poster commemorating David Hockney's 1982 show at Andre Emmerich Gallery, New York. This poster reproduces Hockney's 1982 photo montage Gregory, Los Angeles March...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier of Rene Guillard and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur ...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. From the edition of 125 (there are also Artist Proofs). Sheet size 48 x 36 inches. Image size approx 41.5 x 3...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200. There are 200 pieces in the edition all signed and numbered b...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio was printed in Munich in the studios of Guenther Dietz under the personal supe...

Hand signed and numbered by the artist. Serigraph on paper. Edition of 150. Sheet size: 40 x 47 inches. Image size: 32 x 40 inches. Additional images available upon request. Certi...

Head of Woman, 1981 Etching on paper.
 Hand-signed and numbered by the artist. Paper size: 57 x 46 cm
 Framed: 60 x 49 cm Edition of 50 Henry Moore’s prints are a vital aspect of hi...

Hand signed numbered by the artist. Framed size: approx. 37 x 49 in. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 600. All reasonable offers w...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Museum Ludwig (M-Maybe)" Year: 1984 (Second edition) Medium: Original Offset-Lithograph and Lithograph, Exhibition Post...

SHOE SHOP by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techn...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in sepia brown ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using traditional hand lithography techniques, not a photo reproduction or digital print. RABBI TEACHING is a realistic, detailed portrait depicting an elder Rabbi teaching a young boy. RABBI TEACHING is in good condition, superb craftsmanship, never been framed or mounted, pencil signed AP (Artists Proof) by Vladimir Dashevsky, printers chop mark embossed on lower corner, from the master printers private collection. Print size - 22" x 30", unframed, good condition, slight handling on print margins, pencil signed by Vladimir Dashevsky Year printed - 1975 Master Printer - Joseph Kleineman, J K Fine Art Editions.Co., NYC Judaic Art...

Clint Eastwood Hollywood Legend Movie Star Oscars Academy Awards Litho Western Al Hirschfeld (1903-2003) Clint Eastwood Hand-signed Limited Edition Etching 20/100 14 1/2 x 11 3/4 i...

An original serigraph by Italian Pop Artist, Mimmo Rotella featuring the lovely Marilyn Monroe. It is hand-signed and numbered in pencil from the edition of 300. The print is in an...