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Robert IndianaNumber Suite - Zero1968
1968
About the Item
Robert Indiana
Title: Zero
Medium: Original Screen Print on paper
Year: 1968
Edition: From the limited edition of 2500
Publisher: Edition Domberger Stuttgart
Suite: "Numbers"
Dimensions: 10 x 8.25 inches
COA provided (gallery-issued)
Notarized copy of the imprint sheet showing the edition size included
Early critics read Indiana's work like a riddle; even in a practice that was rooted in numerical divination and the ancient I Ching, this sculpture pays the most endless dividends. Combinations and permutations of its arrangement or installation are infinite. Indiana believed that numbers held life's hidden secrets and that "everyone kind of drifts into some projection of their own experience." NUMBERS ONE through ZERO is then exactly like Brancusi's mirror; the progression of familiar shapes portrays life's endless emotions. For example, ONE's triumphant combination of red and blue is also a signifier for birth's physical tumult; the white and blue on FIVE evoke a transition from adolescence; SEVEN's autumnal hues gently remind of a forthcoming sunset; NINE, in yellow and black, warns of an impending end.
NUMBERS' labyrinth of references might even call to mind the masterful work of Renaissance masters; however, no codex is needed. Each arrangement of this sculpture that reflects back to the viewer will add up correctly.
- Creator:Robert Indiana (1928 - 2018, American)
- Creation Year:1968
- Dimensions:Height: 10 in (25.4 cm)Width: 8.25 in (20.96 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:Seller: RIN_1902_001stDibs: LU60839799672
Robert Indiana
Robert Indiana's work evolved into hard-edged graphic images of words, logos and typographic forms, earning him a reputation as one of the country's leading contemporary artists.
Indiana is known for using public signs and symbols with altered lettering to make stark and challenging visual statements. In his prints, paintings and constructions, he gave new meaning to basic words like Eat, Die and Love. Using them in bold block letters in vivid colors, he enticed his viewers to look at the commonplace from a new perspective. One indication of his success was the appearance of his immensely popular multi-colored Love on a United States postage stamp in 1973.
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