The Razorback Bunch (Etching II)
View Similar Items
Robert RauschenbergThe Razorback Bunch (Etching II)1980
1980
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1980
- Dimensions:Height: 48 in (121.92 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU595562751
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- Models for Synthetic PicturesBy Terry WintersLocated in Houston, TXTerry Winters Models for Synthetic Pictures, 1994 Intaglio with aquatint on Gampi laid down on Lana Gravure paper 19 3/8 x 22 1/4 inches Edition of 35Category
Late 20th Century Contemporary Abstract Prints
MaterialsAquatint, Intaglio
- The Razorback Bunch (Etching VI)By Robert RauschenbergLocated in Houston, TXRobert Raushenberg The Razorback Bunch (Etching VI), 1982 Intaglio in 2 colors on handmade Twinrocker paper 29 1/2 x 21 3/4 inches Edition of 24 FramedCategory
20th Century Contemporary Prints and Multiples
MaterialsIntaglio
- Nina Simone Sings Pirate Jenny (Full Bleed) #96By Kate ShepherdLocated in Houston, TXKate Shepherd Nina Simone Sings Pirate Jenny (Full Bleed) #96, 2019 Unique screenprint on Coventry Rag paper 38 3/4 x 23 3/4 in (98.4 x 60.3 cm)Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsPaper, Rag Paper, Screen
- Barcham Green PortfolioBy Sherrie LevineLocated in Houston, TXBarchman Green Portfolio, 1986 Suite of five etchings 31 x 22 1/2” each ed. 25 FramedCategory
20th Century Contemporary Prints and Multiples
MaterialsEtching, Aquatint
- Untitled Number 2, Cell with Conduit and SmokestackBy Peter HalleyLocated in Houston, TXPeter Halley Untitled Number 2, Cell with Conduit and Smokestack, 1991 Lithograph 22 3/4 x 29 3/4 inches ed. 40 FramedCategory
20th Century Contemporary Prints and Multiples
MaterialsLithograph
- Nina Simone Sings Pirate Jenny (Full Bleed) #141By Kate ShepherdLocated in Houston, TXKate Shepherd Nina Simone Sings Pirate Jenny (Full Bleed) #141, 2020 Unique screenprint on Coventry Rag paper 38 3/4 x 23 3/4 in (98.4 x 60.3 cm)Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsPaper, Screen, Rag Paper
- Arkopoly by Martin WilnerLocated in New York, NYMartin Wilner Arkopoly (2017 - 2018) Polymer photogravure, 2 plates printed with 35 colors plus black 23.5 x 23.5 inches Edition of 18 Co-published by Eminence Grise Editions and Hal...Category
2010s Contemporary Abstract Prints
MaterialsPhotogravure
- Candle - Interior Photography, Gravure, ButterflyLocated in AIX-EN-PROVENCE, FRHand Coloured Photopolymer Gravure with Chine Colle on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Butterfly. Work Title : "Candle" Artist : Suzanne Moxhay...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Paper, Photogravure, Etching
- Room with Armchair - Etching, Interior photographyLocated in AIX-EN-PROVENCE, FRPhotopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Room with Armchair" Artist : Suzanne Moxhay (UK, Born 1976) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H30 x W25 cm H47 xW42 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Paper, Etching, Photogravure
- Open Window and Rain - Etching, PhotogravureLocated in AIX-EN-PROVENCE, FRPhotopolymer Photogravure Etching on Fine Art paper. Interior Photography, Romantic, Abandoned place, Nature, Window Work Title : "Open Window and Rain" Artist : Suzanne Moxhay (UK) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H21 x W29,5 cm H54 xW39 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Paper, Etching, Photogravure
- Winds from the WestLocated in Providence, RIWinds from the West is based on a view of East Matunuck State Beach in Rhode Island. This print was made at California State University, Stanislaus, in Turlock, California with assis...Category
2010s Contemporary Landscape Prints
MaterialsArchival Paper, Intaglio, Screen
- Golden HourLocated in Providence, RIGolden Hour was completed in October 2020 — an image that captures the magical time of sunset at the beach. The left part of the print is covered in a deep teal etching ink which is broken by the sun’s low glow over Second Beach in Middletown, Rhode Island. Waves crash by the rocks, and seagulls with shiny treasures, fly off to their nesting spots. Allison Bianco...Category
2010s Contemporary Landscape Prints
MaterialsArchival Paper, Intaglio, Screen
Recently Viewed
View AllRead More
These 9 Galleries Have Helped Turn the Lone Star State into a Thriving Art Hub
The Texas art scene is booming, thanks to trailblazing gallerists and their savvy collectors.
Out of Context in Houston
New York design impresario Murray Moss has curated an exhibition of intriguing, annotated photographs at Houston's Hiram Butler Gallery, which leave viewers wondering what's the real story.