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Salvador Dalí­
Salvador Dali “Les Chants de Maldoror”

1934

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    Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...
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  • Pierre-Auguste Renoir "La danse à la campagne
    By Pierre Auguste Renoir
    Located in Los Angeles, CA
    Pierre-Auguste Renoir (French, 1841-1919) "La danse à la campagne" (second plate), Conceived 1883 Soft ground Etching on paper Image: 8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate)...
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  • Pablo Picasso (1881–1973) "Peintre et modèle avec un noeud dans les cheveux"
    By Pablo Picasso
    Located in Los Angeles, CA
    Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and aquatint on BFK Rives image: 10¾ h × 15 w in (27 × 38 cm)...
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    Materials

    Etching, Aquatint

  • After Pablo Picasso “La Corrida”
    By Pablo Picasso
    Located in Los Angeles, CA
    (After) PABLO PICASSO “La Corrida” Color Aquatint,1956. 19 1/8 x 25 ¾ inches, full margins. Signed and numbered 137/200 in pencil, lower margin. Published b...
    Category

    1950s Prints and Multiples

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  • Marc Chagall "Song of the Bow"
    By Marc Chagall
    Located in Los Angeles, CA
    MARC CHAGALL ( 1887- 1985 ) “ Song of the Bow” 1958 from ‘The Bible’ Original Etching with hand-coloring in watercolor. Signed with initials and numbered 17/100 in pencil, published...
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    Mid-20th Century Figurative Prints

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  • Marc Chagall “Ten Commandments”
    By Marc Chagall
    Located in Los Angeles, CA
    MARC CHAGALL (1887-1985) “Ten Commandments” Original Etching with Water Color numbered 46/100 on the lower left margin,Paper Monogrammed by hand of M...
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    Located in New York, NY
    James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60 A very fine impression. A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope. Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...
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  • One Can't Tell Why - Proof from the Disasters of War
    By Francisco Goya
    Located in New York, NY
    Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
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  • The Mill, Amsterdam, 1889
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
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  • I Learned Helplessness from Rats
    By Bruce Nauman
    Located in New York, NY
    Frame size: 23 x 25 3/8 inches Catalogue Raisonne: Cordes 61 Edition size: 35, plus proofs Signed, dated, and numbered in pencil, lower margin
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  • Le Cocu Magnifique -- complete illustrated book with 12 original etchings
    By Pablo Picasso
    Located in New York, NY
    About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...
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  • J.H. Woods’ Fruit Shop, Chelsea
    By James Abbott McNeill Whistler
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    James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
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