SHEPARD FAIREY AND CLEON PETERSON

Scales of Injustice

2016

Limited edition of only 200. As seen on the separation wall in Bethlehem. Signed by Zedsy on bottom right with artist stamp. Hand numbered over artist emboss over Bethlehem stamp (pe...

Stunning print with vivid colors. Hand signed and numbered by Swoon. Limited edition of only 75. This work is also hand embellished by Swoon with Watercolor paints and Acrylic Gouach...

White Cover version of Dirty Funker Future featuring the iconic Banksy Radar Rat artwork on both sides of album cover. Limited edition. Banksy used the Rat in many of his street artw...

Ultra Lux Gold Picture Disc Vinyl Record. Created by the brand Toiletpaper (Maurizio Cattelan and Pierpaolo Ferrari). Limited Edition of only 1000. Features the classic tracks Da Fun...

Historia, Memoria y Silencios (Silencios) Unopened XI, 2009 Archival ink on cotton paper 16h x 16w in 1/5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and curren...

Historia, Memoria y Silencios (Silencios) Unopened XIII, 2009 Archival ink on cotton paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974...

Historia, Memoria y Silencios (Silencios) Unopened IV, 2009 Archival Ink on Cotton Paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

Historia, Memoria y Silencios (Unopened XV), 2009 Archival ink on cotton paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...