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Sol LeWitt
Untitled

1970

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Untitled No. 6
By Robert Motherwell
Located in New York, NY
One of the most experimental & courageous printmakers of the 20th century, Robert Motherwell’s, Untitled #6 (from The Basque Suite) demonstrates the bold, highly saturated areas of c...
Category

20th Century Modern Abstract Prints

Materials

Screen

Untitled, by Cy Twombly
By Cy Twombly
Located in New York, NY
In both the content and process of his art, Twombly was interested in the layering of time and history, and of various meanings and associations. His art situates itself in the context of the history of Western civilization as well as the process-oriented aspects of Abstract Expressionism. Created by Cy Twombly...
Category

20th Century Modern Abstract Prints

Materials

Lithograph, Screen

Scholes I
By Al Held
Located in New York, NY
This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...
Category

20th Century Abstract Geometric Abstract Prints

Materials

Screen

Scholes I
Price Upon Request
Scholes II
By Al Held
Located in New York, NY
This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...
Category

20th Century Contemporary Abstract Prints

Materials

Screen

Scholes II
Price Upon Request
Art Critic
By Roy Lichtenstein
Located in New York, NY
A bold, vibrant and surreal image, Lichtenstein created Art Critic in 1996 as an original screenprint in colors.  Measuring 26 x 19 1/8 in. (66 x 48.6 cm), unframed, the artwork is s...
Category

20th Century Abstract Figurative Prints

Materials

Screen

Bicentennial, by Roy Lichtenstein
By Roy Lichtenstein
Located in New York, NY
Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...
Category

20th Century Pop Art More Prints

Materials

Lithograph, Screen

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C.M II, Abstract Geometric Screenprint by John Urbain
By John Urbain
Located in Long Island City, NY
John Urbain, Belgian/American (1920 - 2009) - C.M II, Year: circa 1975, Medium: Screenprint and collage, signed, numbered and titled in pencil, Edition: AP, Image Size: 28 x 33.75 in...
Category

1970s Modern Abstract Prints

Materials

Mixed Media, Screen

JOSEF ALBERS, Homage to the Square (diptych), 1971
By Josef Albers
Located in Torino, IT
JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Original colored serigraph. Perfect copies published in 1971 by the Ives-Sillman Inc. edition, New Ha...
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1970s American Modern Abstract Prints

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"Sacrifice Economy" Silkscreen 39" x 27.5" inch by Patricio Gonzalez
By Patricio Gonzalez
Located in Culver City, CA
"Sacrifice Economy" Silkscreen 39" x 27.5" inch by Patricio Gonzalez Silkscreen Not framed From "Looking for Happiness" series LOOKING FOR HAPPI...
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21st Century and Contemporary Modern Abstract Prints

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Berlin 2 by Dieter Roth architectural monument postcard in pink of Germany
By Dieter Roth
Located in New York, NY
Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...
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1970s Modern Abstract Prints

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"Indianapolis Museum of Art Inaugural Exhibitions", Color Silkscreen, Signed
By Robert Indiana
Located in Detroit, MI
"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...
Category

1970s American Modern Abstract Prints

Materials

Paper, Ink, Screen

Busy Signal
By James Rosenquist
Located in New York, NY
A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...
Category

1970s Modern Abstract Prints

Materials

Mylar, Color, Lithograph, Screen

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