Items Similar to Papel collé, Société internationale d'art XXe siècle

Pablo Picasso - Picasso, Table before Window (Orozco 95), Picasso (after)

Pablo Picasso - Picasso, The Basket (Orozco 95), Picasso (after)

Roger de la Fresnaye - de La Fresnaye, La conquête de l'air, Collection Pierre Lévy (after)

Roger de la Fresnaye - de La Fresnaye, La table Louis-Philippe, Collection Pierre Lévy (after)

Pablo Picasso - Picasso, Composition, Faunes et Flore d'Antibes (after)

Want more images or videos?

Request additional images or videos from the seller

1 of 8

Alberto Magnelli
Papel collé, Société internationale d'art XXe siècle
1957

Name: Papel collé, Société internationale d'art XXe siècle
Brand: Alberto Magnelli
Price: 1565.91 AUD
Availability: InStock
Rating: 4.9 (68 reviews)

About the Item

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9 (double) Juin 1957, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1957. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Atelier Jacomet, Paris, under the direction of Daniel Jacomet, Paris, 1957. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. ALBERTO MAGNELLI (1888-1971) was an Italian modern painter who was a significant figure in the post war Concrete art movement. Magnelli was born in Florence on July 1, 1888. In 1907 he started painting and, despite lacking formal art education by 1909 he was established enough to be included in the Venice Biennale. His initial works were in a Fauvist style. Magnelli joined the Florentine avant-garde befriending artists including Ardengo Soffici and Gino Severini. He also visited Paris where he met Guillaume Apollinaire and the Cubists including Pablo Picasso, Fernand Léger, and Alexander Archipenko. By 1915 he had adopted an abstract style incorporating cubist and futurist elements. In 2013, Alberto Magnelli’s painting, Maschere No. 1, sold for $1,817,616 USD at Christie's London, setting a world record for the artist.

Creator:

Alberto Magnelli (1888-1971, Italian)

Creation Year:

1957

Dimensions:

Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)

Medium:

Lithograph

Movement & Style:

Cubist

Period:

1950-1959

Condition:

Gallery Location:

Auburn Hills, MI

Reference Number:

1stDibs: LU1465216483622

20% Off

Léger, La Femme et l'Enfant, Derrière le miroir (after)

By Fernand Léger

Located in Auburn Hills, MI

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 79-81, 1955. Publishe...

Category

1950s Cubist Still-life Prints

Materials

Lithograph

This etching by Dimitrios Galanis , Greek early 20th century artist is part of my private collection and there is only one available. Dimitrios Galanis was a good friend of Picasso. ...

Category

Early 20th Century Modern Landscape Prints

Materials

Paint, Ink, Etching, Lithograph

Dimitrios Galanis
Promenade Danis Le Parc, 1960

$450

Fleurs

Located in Belgrade, MT

This lithograph is part of my private collection of School of Paris era artists. Eve Jean 1900-1968 was French and her work is very detailed and colorful. It is approved by the artis...

Category

Early 20th Century French School Landscape Prints

Materials

Lithograph

Eve Jean
Fleurs, 20th Century

$540 Sale Price

70% Off

Alberto Magnelli
Papel collé, Société internationale d'art XXe siècle
1957

About the Item