Beth van Hoesen

Fresno Basket

1974

Artist: Mark Adams (American, 1925-2006) Title: Pink Poppy Year: 1980 Medium: Color aquatint Paper: Wove Image size: 11.25 x 8.5 inches Sheet size: 18 x 13.5 inches Framed size: 20....

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...

Artist: George Braque – French (1882-1963) Title: Les Marguerites (Daisies) Year: circa 1952 Medium: Color etching and aquatint Publisher: Maeght, Paris (bears Maeght blindstamp in ...

Artist: Joel Stewart – American (1959- ) Title: Eclipse Year: circa 1997 Medium: Aquatint on heavy paper Sheet size: 34.5 x 28 inches. Signature: Signed, dated lower right. Numbered lower left Edition:14. This one: 5/14 Condition: Very good Unframed This large aquatint is by the noted American artist, Joel Stewart (1959- ). The print is a bold composition with rich, yet soft colors. Stewart has lived and worked in Kyoto, Japan since the early 1990s. This print was printed in Kyoto in 1997 in a very small edition of 14. It is in very good condition with no flaws to note. JOEL STEWART – BIOGRAPHY (source: Artist's website) SELECTED EXHIBITIONS 2008 “MAKING WAVES – CONTEMPORARY JAPANESE PRINTS”, PHOENIX ART MUSEUM, Phoenix, AZ., Group exhibition Solo exhibitions on hold while construction of “Crossroads” folding screen installation project (begun January 2007) continues. Kyoto, Japan 2007 “ON THE CUTTING EDGE: CONTEMPORARY JAPANESE PRINTS”, LIBRARY OF CONGRESS, Washington D.C., Group exhibition “Crossroads”- Folding screen installation project initiated in January – Kyoto, Japan 2006 “MAHAFFEY FINE ART: 14 YEARS, 14 ARTISTS”, PORTLAND ART MUSEUM, Portland, OR., Group Exhibition “MODERN JAPANESE PRINTS: ETCHINGS”, LOS ANGELES COUNTY MUSEUM OF ART, Los Angeleges CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2005 “JOEL STEWART – RECENT WORKS”, AZUMA GALLERY, Seattle, WA., Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2004 “NEW PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2003 “20 YEARS”, VERNE GALLERY, Cleveland, OH, Group exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2002 “JOEL STEWART: NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA, Solo exhibition “RECENT PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2001 “JOEL STEWART – PAINTINGS”, KEIHAN ART GALLERY, Osaka, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2000 “EAST MEETS WEST: TRADITION AND INNOVATION IN MODERN JAPANESE PRINTS”, CLEVELAND MUSEUM OF ART, Cleveland, OH “NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA. Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition “JOEL STEWART – PAINTINGS AND PRINTS”, REN BROWN...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

'14,829 East 14th Street' Hand Colored Aquatint Etching 2015 image size 10” x 15” with the paper being larger. Edition of 3' (one of three) Hand Colored...

'Elizabeth's Cone II', Hand Colored Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger piece of archival paper . An iconic still life image featuring the “tragedy” of a dropped ice cream cone. The artist came to see dropped cones as fleeting promises of joy; offering refreshing coolness, a mixture of favorite flavors, soft ice cream gushiness, and crunch of cake cone. Whether devoured or dropped, their existence is short lived. Beside the alluring visual attributes, dropped cones represent a metaphor for the temporal nature of life, itself. And was an important sub-series for James Torlakson...

'Wizard of Wyoming ' , Hand Colored Aquatint Etching with the plate (image itself) 12 x 12 inches. On a larger piece of archival paper at approximately 16 x 16 inches and matted to approximately 19 x 19 inches. . An iconic still life image featuring the crash scene of a lone overturned semi truck...