Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Henry C Andrews
Cape Atragene, Henry Andrews antique botanical pink flower engraving print

1800

$85
£64.43
€75.23
CA$119.06
A$134.02
CHF 70.90
MX$1,662.40
NOK 876.09
SEK 837.90
DKK 561.26
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

'Atragene Capensis - Cape Atragene' Native of the Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the original descriptive text. 1800. Henry Charles Andrews was an English botanist, botanical artist and engraver. He lived in Knightsbridge and was married to the daughter of John Kennedy of Hammersmith, a nurseryman who assisted Andrews in the descriptions of the plants he illustrated. Andrews was not only the artist, but also engraver, colourist, and publisher in an era when most artists were only employed to draw plates. The 'Botanist's Repository' was his first publication, issued serially in London in ten volumes between 1797 and 1812. 265mm by 210mm (sheet)
  • Creator:
    Henry C Andrews (1770 - 1830)
  • Creation Year:
    1800
  • Dimensions:
    Height: 10.44 in (26.5 cm)Width: 8.27 in (21 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Faint toning to the paper. Creasing and stitching holes at far right edge of the sheet. A few tiny spots and tiny break in paper on left edge of the sheet.
  • Gallery Location:
    Melbourne, AU
  • Reference Number:
    1stDibs: LU124428843382

More From This Seller

View All
Columnar-chived Ixia, Henry Andrews antique botanical flower engraving print
By Henry C Andrews
Located in Melbourne, Victoria
'Ixia Columnaris - Columnar-chived Ixia' Native of Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...
Category

Early 19th Century Naturalistic Still-life Prints

Materials

Engraving

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'5 Amanita Mappa 6 Amanita junquillea' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'95 Pleurotus Cornucopiae 96 Pleurotus geogenius' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'217 Hydnum imbricatum 218 Hydnum zonatum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'22 Armillaria melee 23 Armillaria aurantia' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'256 Marcella rotunda' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

You May Also Like

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Engraving, Watercolor

3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving