Henry C Andrews

Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print

1799

Pair of Botanical Hand-Colored Engravings, 19th century, comprising: Samuel Holden (English, 1800-1860), "Mirabelia Floriabunda", signed and titled in plate and "Cyclogyne Canescens"...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30

This gorgeous and subtle still life print by Laurent Schkolnyk, realized in France during the latter half of the 20th Century. The work features an arrangement of objects on a plane, presumably a table. Fabric, appearing to be drapes in a sumptuous copper hue, gathers the right edge of the composition next to a perfume bottle with a bulbous base that tapers to a elegantly attenuated neck in a vibrant lime green hue with stylized foliate detailing in azure. The perfume bottle also offers an umber hued atomizer. Moving from right to left, there is a half circular bowl with an abstracted white...

The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne. Carol Wax originally trained to b...

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

"Campbell's Soup I: Vegetable Soup" is a Post War screen print on paper by Andy Warhol in 1968. It is edition 198/250. The artwork is 40 x 28 1/2 inches and weighs less than 50 lbs. It is signed in ballpoint pen, verso, "Andy Warhol" and stamped verso, "198/250". With Campbell's Soup Can, Andy Warhol takes as his subject a ubiquitous staple food found in millions of American homes and turns it into high art. With the unique candor he displayed in the best of his early Pop art works...

Organisée Par le International Art Program, National Collection of Fine Arts, Smithsonian Institution: “Woman with Fan” 1914 Bronze Relief, Visionaire International, Musée Rodin, Paris, 11 Mars-14 Avril, 1969 by ALEXANDER ARCHIPENKO (American-Ukranian, 1887-1964). Event Poster...