20th Century Still-life Prints

This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates f...

Pierre GARCIA-FONS Basket of Fruits and Bouquet of Flowers Original lithograph Signed in pencil Justified EA (artist proof) On vellum 76 x 55 cm (c. 30 x 22 in) Very good conditio...

Artist/Designer; Manufacturer: Philip Guston (1913-1980) Marking(s); notes: signed, blind stamp; ed. 39/50; 1980 Country of origin; materials: Canadian-American; lithograph Dimension...

Artist: Peter Max (1937) Title: Garden Flowers & Vase of Flowers (Two Artworks) Year: 1979 Edition: 347/350, plus proofs; 143/350, plus proofs Medium: Lithograph on Somerset paper Si...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

Whimsical 1970's hand painted botanical silkscreen of baby's tears plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 96/270 is written lower left. It is titled "Baby's Tears" and signed "Babette Eddleston...

Original Japan serigraph travel poster. Linen backed in very find condition, ready to frame. The prominent fuchsia colors suggest vibrancy and ...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'. Pierre Garcia-Fons left Spain d...

La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...

Tomoe Yokoi, Japanese (1942 - ) - Still Life with Rolling Pin, Year: circa 1977, Medium: Mezzotint, signed and numbered in pencil, Edition: 71/150, Image Size: 11.75 x 13.5 inche...

Byron Bratt, American (1952 - 2020) - Solar Wind: I Only Count The Sunny Hours, Year: circa 1970, Medium: Mezzotint, signed, titled and numbered in pencil, Edition: 30/100, Image ...

ARTIST: Salvador Dali TITLE: Florals Kissing Tulips MEDIUM: Etching on Heavy Arches paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationales ED...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...

This is one print from a series of 5 that comprised the CINQ JARDINS ,CINQ SENS (five gardens, five senses), with texts and poems by Federico Garcia Lorca. The image relates to soun...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Guy Charon, French (1927 - 2021) - View of Florence, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 18 x 22 inches, Size: 22 x 3...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte aux pommes (Still Life with Apples), from the album Vlaminck, originates from the 1958 edition pu...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature Morte Aux Fruits (Still Life with Fruits), from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Lev...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

James Rosenquist (1933-2017) was one of the most important contributors to American Pop Art. He is best known for his monumental collage-style paintings that feature a melange of app...

This exquisite lithograph after Andre Derain (1880–1954), titled Deux femmes nues et nature morte (Two Nude Women and Still Life), from the folio Andre Derain entre 1935 et 1949, V (...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and t...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Mae...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Grands Oiseaux sont Ceux de LIle au Tresor (The Great Birds are Those of Treasure Island), from the folio Les En...

This exquisite lithograph after Rene Magritte (1898–1967), titled Une Porte souvre sur la Nuit Veloutee (A Door Opens onto the Velvety Night), from the folio Les Enfants Trouves de M...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Claires-Voies dun Jeune Regard Embaument la Fete dun Vie (The Clearings of a Young Gaze Perfume the Celebration ...

Dans l’Atelier de Picasso. Original page from the portfolio, executed as a stone lithograph after Picasso (d’après Deschamps), printed and published by Fernand Mourlot, Paris. The sh...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

Paul Cezanne Still life, Fruits and wine, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the folio, Une Aventure méthodique, 1950; published ...

This exquisite lithograph by Renato Guttuso (1911–1987), titled Anguria (Watermelon), from the album XXe siecle, Nouvelle serie, XLIIIe Annee, No. 57, Hommage a Guttuso, originates f...

Signed edition 44/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Signed lower right, 'Lavernia' for Angelina Lavernia (Spanish, b. 1925) with number and limitation, '5/375', inscribed lower left; blind stamped 'CG' for Collector's Guild lower left...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, originates from th...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

A vibrant 20th-century etching with hand colouring of a vase of peonies by the printmaker and painter Jenny Devereaux. She etches directly onto copper plates and prints onto fine Jap...

This lithograph is part of my private collection since the 1970's and is in very good condition. Georges Lambert was a French artist 1919-1998. He was a painter and lithographer who ...

It's wonderful for us to have work by Christo (1935-2020). He and Jeanne-Claude were the most international of artists while NYC based. In particular this lithograph, Wrapped Armchai...

Hugo Noske "Mixed Bouquet" circa 1930 Original color woodcut on handmade paper Hand signed by the artist Paper size: 15 x 13 inches Image Size: 12 x 10 inches *some light staining i...

Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...

This exquisite lithograph after Henri Matisse (1869–1954), titled Vigne (Vine), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue publish...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Religieuse Portugaise (The Portuguese Nun), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This serene and balanced composition captures Matisse’s mastery of line, harmony, and emotional resonance. La Religieuse Portugaise reflects the artist’s lifelong exploration of purity and rhythm through simplified form and luminous balance, revealing his belief that true beauty lies in the unity of contour, and spirit. The lithograph exemplifies Matisse’s ability to transform spiritual themes into modern expressions of grace and contemplation. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with leading modern artists of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Religieuse Portugaise (The Portuguese Nun), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most distinguished collaborative albums of the postwar era. Bringing together original lithographs by some of the foremost artists of the 20th century, the portfolio celebrates artistic friendship, collaboration, and the enduring spirit of creative dialogue. La Religieuse Portugaise (The Portuguese Nun) after Henri Matisse exemplifies this spirit, blending spiritual serenity with the refined formal language that made Matisse one of the most influential artists in modern art. Printed at the renowned Atelier Mourlot, the work embodies the clarity, rhythm, and elegance that characterize Matisse’s timeless aesthetic. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Religieuse Portugaise, Matisse Mourlot...

Jasper Johns Light Bulb, 1966 Signed and dated in pencil, numbered "36/45" in lower margin Lithograph on J. Whatman paper Image: 8 1/2 x 14 5/8 inches Sheet: 19 1/2 x 24 1/4 inches ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Still Life is a print in etching technique on paper by Vairo Mongatti, in the 1970s. Hand-signed and numbered, 63/120 prints. In very good condition. 

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...

This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...

Salvador DALI (1904-1969) Casanova : A Pear for Thirst, 1967 Original etching Printed signature in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog r...

Original Russian European Weight Lifting Championship held in Leningrad in 1968. This poster is archival linen-backed and in very good condition. The original fold marks have been restored during linen backing. The event was June 19th – 25th, 1968. Translation: USSR WEIGHTLIFTING FEDERATION June 19.25 LENINGRAD EUROPEAN WEIGHTLIFTING CHAMPIONSHIP The image of a big hand holding one side of a set of giant weights for the bench press...

This exquisite lithograph by Jules Cavailles (1901–1977), titled Interieur a la Fenetre (Interior by the Window), from the folio Les Peintres mes amis (The Painters My Friends), orig...