Items Similar to R.B. Kitaj Screenprint Collage Hand Signed British Pop Art Film Still Camel
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Ronald Brooks KitajR.B. Kitaj Screenprint Collage Hand Signed British Pop Art Film Still Camel1972
1972
About the Item
The Most Important Film Ever Made, 1972
Color screen print and collage, from the edition of 70.
15 x 17 in
38.1 x 43.2 cm
Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page.
Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait.
R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj was born in Ohio, USA in 1932. American-born painter noted for his eclectic and original contributions to Pop art. He became a merchant seaman with a Norwegian freighter when he was 17. He studied at the Akademie der Bildenden Kunste in Vienna and the Cooper Union in New York. After serving in the United States Army for two years, in France and Germany, he moved to England to study at the Ruskin School of Drawing and Fine Art in Oxford and then the Royal College of Art in London, alongside David Hockney, Allen Jones and Patrick Caulfield. Kitaj was recognised as being one of the world's leading draftsmen, almost on a par with, or compared to, Degas. Indeed, he was taught drawing at Oxford by Percy Horton, himself a pupil of Walter Sickert, who was a pupil of Degas; and the teacher of Degas studied under Ingres.
Kitaj had a significant influence on British Pop art and was recognised as being one of the world’s leading draughtsmen. In his later years he developed a greater awareness of his Jewish heritage, considering himself to be a ‘wandering Jew’. He was awarded Royal Academician in 1991 and Golden Lion at the Venice Biennale in 1995. Examples of his work are held in most major public collections worldwide. Kitaj was elected to the Royal Academy in 1991, the first American to join the Academy since John Singer Sargent. He received the Golden Lion at the Venice Biennale in 1995. He staged another exhibition at the National Gallery in 2001, entitled "Kitaj in the Aura of Cézanne and Other Masters".
In September 2010 Kitaj and five British artists including Howard Hodgkin, John Walker, Ian Stephenson, Patrick Caulfield and John Hoyland were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art.
Kitaj was associated with the beginnings of the Pop art movement in Great Britain in the early 1960s. His works mingled the impersonal finish characteristic of Pop canvases with the loose, painterly brushwork of Abstract Expressionism but differed from the work of his Pop contemporaries in their complex and allusive figurative imagery. Kitaj’s semi abstract paintings feature brightly coloured and imaginatively interpreted human figures portrayed in puzzling and ambiguous relation to one another. His work was highly intellectual in its wealth of pictorial references to historical, artistic, and literary topics. Kitaj continued to exhibit widely throughout the 1960s and ’70s while teaching painting at various British fine arts schools. In his later years, he developed a greater awareness of his Jewish heritage, which found expression in his works, with reference to the Holocaust and influences from Jewish writers such as Franz Kafka and Walter Benjamin, and he came to consider himself to be a "wandering Jew". In 1989, Kitaj published "First Diasporist Manifesto", a short book in which he analysed his own alienation, and how this contributed to his art.
He staged a major exhibition at Los Angeles County Museum of Art in 1965, and a retrospective at the Hirshhorn Museum in Washington D.C. in 1981. He selected paintings for an exhibition, "The Artist's Eye", at the National Gallery, London in 1980.
- Creator:Ronald Brooks Kitaj (1932-2007, American)
- Creation Year:1972
- Dimensions:Height: 15 in (38.1 cm)Width: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. waving to paper and possible light staining (might be inherent to image). Please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212683732
Ronald Brooks Kitaj
Born in Cleveland, Ohio in 1932, R.B. (Ronald Brooks) Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draftsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Among his various honors are election to the American Academy of Arts and Letters in 1982, and election to the Royal Academy in 1985 (the first American since John Singer Sargent to receive this honor.) Numerous retrospective exhibitions of his work include shows at the Hirshhorn Museum in Washington, D.C.; The Jewish Museum, Berlin; The Jewish Museum, London; and the Hamburger Kunsthalle in Germany. Raised in Cleveland, Ohio, and Troy, New York, Kitaj joined the Merchant Marines in 1949.
In 1950, between sailings, he attended classes at the Cooper Union for the Advancement of Science and Art in New York. He went on to study drawing at the Academy of Fine Art in Vienna, Austria. Kitaj moved to Oxford, England in 1957, and enrolled at The Ruskin School of Drawing and Fine Art, University of Oxford. In 1959, Kitaj was accepted into Royal College of Art, London, where he befriended classmate David Hockney. Upon graduation from the RCA, Kitaj signed with Marlborough Fine Art, London, where he had his first solo exhibition in 1963. His art career began in earnest, and he found critical acclaim alongside commercial success. A second solo show followed at Marlborough Gallery, New York, in 1965, and he sold “The Ohio Gang” to The Museum of Modern Art. In 1969, Kitaj taught for a year at the University of California, Los Angeles. In 1976, he coined the term “School of London” in an essay he wrote as curator of the polemical exhibition, “The Human Clay,” at the Hayward Gallery, London. The term, though loose, continues to define a group of stylistically diverse artists, including Kitaj, who were working in London at that time focusing on figural representation. In 1981, he spent a year in Paris, France, where he focused on drawing and use of pastel. In 1994, the Tate Gallery, London, organized a major retrospective of Kitaj’s work. Hostile and personal attacks from some critics led to what Kitaj referred to as the “Tate War.” The exhibition subsequently traveled to the Los Angeles County Museum of Art and the Metropolitan Museum of Art, New York. Kitaj moved to Los Angeles, California, and continued to exhibit with Marlborough Fine Art and the Marlborough Gallery, New York. In 2001 the National Gallery London organized a solo exhibition of paintings: “R.B. Kitaj In the Aura of Cezanne and Other Masters.” Kitaj focused on his “late style” in his Yellow Studio in Westwood and died in 2007. His gift of his archive to the UCLA Library Special Collections was celebrated with exhibitions at the Skirball Cultural Center and UCLA’s Young Research Library.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,747 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLarge Donald Saff Surrealist Pop Art Aquatint Etching Bee, Chair, Pot
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Medium: Etching with Aquatint, Hand signed and numbered in pencil
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, sp...
Category
1980s Pop Art Figurative Prints
Materials
Etching, Aquatint
Untitled Still Life Hanging Plaid Shirt, Figurative Poetry Lithograph
Located in Surfside, FL
Signed, numbered and dated limited edition lithograph print. The number might not match the photo as I had more than one.
George Schneeman (March 11, 1934 – January 27, 2009) was an...
Category
1980s American Modern Figurative Prints
Materials
Lithograph
Samuel Bak Surrealist Etching Israeli Bezalel Artist "Hidden Pear", Fruit Bowl
By Samuel Bak
Located in Surfside, FL
HIDDEN PEAR, color etching, signed in pencil, numbered 7/50, Jerusalem Print workshop blind stamp, image 7 ½ x 5 ½”, sheet 15 x 10 ¼”.
Samuel Bak (born 12 August 1933) is a Polish- American painter and writer who survived the Holocaust and immigrated to Israel in 1948. Since 1993, he has lived in the United States.
Samuel Bak was born in Wilno, Poland, Bak was recognized from an early age as having an artistic talent. He describes his family as secular, but proud of their Jewish identity.
By 1939 when Bak was six years old, the war began and Wilno was transferred from Poland to Lithuania. When Wilno was occupied by the Germans on June 24, 1941, Bak and his family were forced to move into the ghetto. At the age of nine, he held his first exhibition inside the Ghetto. Bak and his mother sought refuge in a Benedictine convent where a Catholic nun named Maria Mikulska tried to help them. After returning to the ghetto, they were deported to a forced labour camp, but took shelter again in the convent where they remained in hiding until the end of the war.
By the end of the war, Samuel and his mother were the only members of his extensive family to survive. His father, Jonas, was shot by the Germans in July 1944, only a few days before Samuel's own liberation. As Bak described the situation, "when in 1944 the Soviets liberated us, we were two among two hundred of Vilna's survivors--from a community that had counted 70 or 80 thousand." Bak and his mother as pre-war Polish citizens were allowed to leave Soviet-occupied Wilno and travel to central Poland, at first settling briefly in Lodz. They soon left Poland and traveled into the American occupied zone of Germany. From 1945 to 1948, he and his mother lived in Displaced Persons camps in Germany. He spent most of this period at the Landsberg am Lech DP camp in Germany. It was there he painted a self-portrait shortly before repudiating his Bar Mitzvah ceremony. Bak also studied painting in Munich during this period, and painted "A Mother and Son", 1947, which evokes some of his dark memories of the Holocaust and escape from Soviet-occupied Poland. In 1948, Bak and his mother immigrated to Israel. In 1952, he studied art at the Bezalel Academy of Arts and Design in Jerusalem. After serving in the Israel Defense Forces, he continued his studies in Paris (from 1956 at the École nationale supérieure des Beaux-Arts) and spent various periods of time in Rome, Paris, Switzerland and Israel before settling permanently in the United States. In 2001, Bak returned to Vilnius for the first time and has since visited his hometown several times. Samuel Bak is a conceptual artist with elements of post-modernism as he employs different styles and visual vernaculars, i.e. surrealism (Salvador Dali, Rene Magritte), analytical cubism (Picasso), pop art (Andy Warhol, Roy Lichtenstein) and quotations from the old masters. The artist never paints direct scenes of mass death. Instead, he employs allegory, metaphor and certain artistic devices such as substitution: toys instead of the murdered children who played with them, books, instead of the people who read them. Further devices are quotations of iconographical prototypes, i.e. Michelangelo's "Creation of Adam" on the Sistine Ceiling or Albrecht Dürer's famous engraving entitled "Melencholia" . In the late 1980s Bak opened up about his paintings, stating they convey “a sense of a world that was shattered.” He turns these prototypes into ironical statements. Irony in the art of Samuel Bak does not mean parody or derision, but rather disenchantment, and the attempt to achieve distance from pain. Recurring symbols are: the Warsaw Ghetto Child, Crematorium Chimneys or vast backgrounds of Renaissance landscape that symbolize the indifference of the outside world. These form a disturbing contrast with the broken and damaged images in the foreground. Samuel Bak's paintings cause discomfort, they are a warning against complacency, a bulwark against collective amnesia with reference to all acts of barbarism, worldwide and throughout the ages, through his personal experience of genocide.
In Bak's piece entitled Trains Bak creates a vast grey landscape with large mounts creating the structure of a train. Massive taper candles burn in the distance further down the train tracks, surrounding an eruption. The smoke from the candles and volcano pour into a sky of dark ominous clouds that lurk over the landscape. Here Bak has created a whole new meaning for “trains.” Many of Bak’s pieces incorporate aspects of Jewish culture and the holocaust with a dark and creative twist, such as Shema Israel...
Category
20th Century Surrealist Figurative Prints
Materials
Etching
Offset Lithograph Modernist Print of Bold Vibrant Flowers, Plate Signed
Located in Surfside, FL
Alfred Cohenartist, 1920-2001
Brilliant colourist famed for portraits of the stars and landscapes
Although his professed heroes were Rembrandt and Picasso...
Category
20th Century Modern Still-life Prints
Materials
Offset
Israeli Modernist Surrealist Etching Cut Pear
By Shlomo Zafrir
Located in Surfside, FL
20.75x14.5 sheet size. 9.5x7.75 image size
Shlomo Zafrir is active/lives in Israel, France. Shlomo Zafrir is known for cubist painting.
Shlomo Zafrir is a painter and, at the same t...
Category
20th Century Surrealist Still-life Prints
Materials
Etching
Spanish Catalan Surrealist Lithograph Portrait Girl with Fruit Still Life
By Luis Vidal Molné
Located in Surfside, FL
Luis Molné (or Luis Vidal Molné ) painter and lithographer born in Barcelona in 1907 and lived in Monaco where he died in 1970. Friends with Antoni C...
Category
20th Century Surrealist Figurative Prints
Materials
Lithograph
You May Also Like
Summer, Color silkscreen on Rives BFK paper Signed/N by famed artist Paula Scher
By Paula Scher
Located in New York, NY
Paula Scher
Summer, ca. 1987
Silkscreen in Colors on Rives BFK Paper.
36 × 29 3/5 inches
Edition 81/190
Signed in graphite lower right margin front; numbered 81/190 in graphite lower...
Category
1980s Pop Art Figurative Prints
Materials
Screen
Mini Saucy and Use Me Mini diptych
By Gavin Dobson
Located in Deddington, GB
Mini Saucy and Use Me Mini diptych
Overall size cm : H42 x W29.6
Mini Saucy by Gavin Dobson [2021]
limited_edition
Cymk screen print
Edition number 100
Image size: H:21 cm x W:14.8 cm
Complete Size of Unframed Work: H:21 cm x W:14.8 cm x D:0.1cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
Gavin Dobson Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...
Category
2010s Pop Art Figurative Prints
Materials
Screen, Paper
ACANTHUS
By Donald Sultan
Located in Aventura, FL
Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 30 x 29 inches. A...
Category
1990s Pop Art Figurative Prints
Materials
Paper, Screen
$1,800 Sale Price
20% Off
POMEGRANATES
By Donald Sultan
Located in Aventura, FL
Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...
Category
1990s Pop Art Figurative Prints
Materials
Paper, Screen
$1,880 Sale Price
20% Off
2 PEARS, A LEMON, AND AN EGG
By Donald Sultan
Located in Aventura, FL
Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...
Category
1990s Pop Art Figurative Prints
Materials
Paper, Screen
$2,200 Sale Price
20% Off
JEANNIE'S BACKYARD, EAST HAMPTON
By Tom Wesselmann
Located in Aventura, FL
Screenprint on heavy wove paper. Hand signed and numbered by the artist. HC edition of 12 (there was also a main edition of 100). Published by International Images, Putney, Vermont....
Category
1980s Pop Art Still-life Prints
Materials
Paper, Screen