Flower Still-life Prints

Studio Flowers Lithograph, 1982 Signed lower right (see photo) Numbered lower left Edition: 120 (42/120) (see photo) Condition: Mint condition Two bits of hinge residue verso Image size: 24 x 18 inches Sheet size: 28 1/4 x 21 1/4 inches Reference: Lunde Robert Kipniss (1921 Considered one of the greatest living American printmakers, with a professional career that spans seven decades and work that can be found in over 170 museums including The Metropolitan Museum of Art, New York; The Whitney Museum of American Art, New York; Butler Institute of American Art, Youngstown, OH; The British Museum, London; the Albertina, Vienna; the Bibliothèque Nationale de France, Paris; the Royal Society of Painter-Printmakers, London; The Pinakothek der Moderne, Munich, Germany; the Los Angeles County Museum of Art; The Museum of Fine Arts, Boston; Smithsonian American Art Museum, Washington, DC; and the Art Institute of Chicago. Kipniss was elected to the National Academy of Design in 1980, and to the Royal Society of Painter-Printmakers, London, in 1998. He has received a Lifetime Achievement Award from the Society of American Graphic Artists and The Artists Fellowship. He has also received the Speicher-Hassam Purchase Award from the American Academy of Arts & Letters, as well as Honorary Doctorates from Wittenberg University and Illinois College. Selected Public Collections Achenbach Foundation for Graphic Arts, The Fine Arts Museums of San Francisco, California Palace of the Legion of Honor Albertina Museum, Vienna, Austria Albright-Knox Art Gallery, Buffalo, New York Arkansas State University Permanent Collection, State University, Arkansas The Art Institute of Chicago, Chicago, Illinois Art Museum of Western Virginia, Roanoke, Virginia Art Students League of New York, New York, New York Bates College Museum of Art, Lewiston, Maine The Berkshire Museum, Pittsfield, Massachusetts Bibliothèque nationale de France, Paris The Boston Athenaeum, Boston, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine The British Museum, London Brooklyn Museum of Art, Brooklyn, New York Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY The Butler Institute of American Art, Youngstown, Ohio Canton Art Institute, Canton, Ohio Carnegie Museum of Art, Pittsburgh, Pennsylvania The Century Association, New York, New York The Cleveland Museum of Art, Cleveland, Ohio Columbus Museum of Art, Columbus, Ohio Coos Art Museum, Coos Bay...

after Henri MATISSE (1869-1954) Lithograph after a drawing of 1941 Printed signature and date Book plate from Aragon. Henri Matisse: Dessins, Thèmes et Variations : précédés d...

Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Boxthorn Japanese, Lyciym japonicum Plate 361 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Fig-marigold Showy, Mesembryanthem spectabile Plate 396 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

—–---Pyramidal, -------Pyramidalis Plate 366 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Epidendrum Aloe-leaved, Epdendrum aloides Plate 387 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Artist: Donald Sultan Title: Wallflower 22 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that allowed photographs to be bonded directly and permanently to acrylic sheet. Diasec® panels are backed with pure aluminium sheet, reinforcing the rigidity of the finished panel. Giving a beautiful profile when viewed from the side. The aluminium back also enables us to attach one of our bespoke pure aluminium sub-frames that allows the artwork to hang on the wall without a traditional picture frame Discover new photography by Allan Forsyth online and in our Wychwood Art Gallery in Deddington. Allan Forsyth is an artist who explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards. Born in the Highlands of Scotland, Forsyth’s heritage conveys his love of the drama of nature to his work, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work. His work complements some of the most dynamic of interiors worldwide and his work has been exhibited and collected internationally. He lives and works in London. GHOST FLOWER...

Vervain Three-leaved, Verbena triphylla Plate 367 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Toad-flax Clammy, Antirrhinum viscosum Plate 368 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Artist: Donald Sultan Title: Wallflower 24 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 1/2" x 27" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 31 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 29 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 27 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 2 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Artist: Donald Sultan Title: Wallflower 21 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Still Life with Net Curtain is a unique monoprint by Rosemary Farrer. The simplistic shapes and contrasting colours give the work a layered effect. The prints are in no way copies of...

Artist: Donald Sultan Title: Wallflower 5 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 71/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Signa...

Artist: Francesco Scavullo Title: Flower Arrangement in Mug, Black Year: 1987 Medium: Screenprint on Lennox Museum Board, signed and dated recto, numbered in pencil, verso Edition: ...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...

Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A fine, painterly impression, with fresh colors, o...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Screen print on cardboard Hand-signed on the lower right in pencil and dated...

Cactus, a woodcut by Jaques Hnizdovsky in 1970, #37 from an edition of 150. Tahir Cat. No. 93. A fine dark impression with full margins. No international sales!!

Flower bouquet design. Sealed on the back with the design studio name and number 484 We offer a small number of these original illustration designs by this design studio based in Al...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

Twinkle Twat (2022) Giclee print on 310gsm 100% cotton rag paper, embellished with neon pink glitter Hand-signed and numbered by the artist Limited edition of 25 60 x 60 cm Lancashire-born Alexandra Gallagher...

Calla Lily Jack Brusca, American (1939–1993) Date: 1978 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 23.5 x 23.5 inches Size...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Yellow Peppers   1993 Print - Silkscreen Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, dated and marked 51/125 Donald Sultan T...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

This magnificent bouquet of Red Tulips is an original lithograph by famous French artist Roger Muhl. The elegant lines and joyful colors are typical of the artist's love for nature and its flora. Roger Muhl lived in the town of Mougins in the South of France and he was strongly inspired by the bright and warm light found in the Mediterranean. This original lithograph is from a signed and numbered edition in pencil by artist of 175 plus 10 artist proofs. Printed and published by Edition E.F. Mourlot in 1990 Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...

Wildflowers is al modern artwork realized by Franco Bocchi in 1980s Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Endless summer is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique. Vicky Oldfield is available online ...

After PABLO PICASSO (1881-1973) Colorful Flowers 1958 Dimensions: 65 x 50 cm Signed and dated in the plate Edition Succession Picasso, Paris (posthumo...

Harmony is a limited edition giclée print by artist Susan Brown, featuring a composition of two vases in an abstracted still life. Each vase contains a cluster of orchid flowers in a cubist style. Discover limited edition giclée prints online with Wychwood Art and in their Oxfordshire art gallery. Susan Brown (BAHons HonDArts. MCSD) is an interior architect and a painter,and has been involved in both disciplines for many years. The paintings are held in many collections including, The Royal Bank of Canada, HBOS, Universities of York and Sheffield, and the National Trust. The work has been represented and shown by many galleries throughout the UK, has been represented internationally in New York, Hong Kong and Singapore, the paintings have been included in many open exhibitions including the Royal Academy Summer Exhibition, and the Scottish Royal...

This is the back cover of "Chagall Lithographe III," M 577". It is an original Lithograph by Marc Chagall. This print is a glorious black and red bouquet, most of the foliage is shown by black leaves and stems where as the flowers and blooms are red. Also on the top right one can see a tiny red bird. Image: 12.5 x 10 in Frame: 25.5 x 21.5 in Marc Chagall was born in Liozno, near Vitebsk, now in Belarus. The eldest of nine children in a close-knit Jewish family. His father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum. He began studying painting in 1906 with a local artist, Yehuda Pen. In 1907, he moved to St. Petersburg. There he joined the school of the Society of Art Supporters and studied under Nikolai Roerich. It was here that he was exposed to experimental theater and the work of such artists as Gauguin. From 1908-1910 Chagall studied under Leon Bakst at the Zvantseva School of Drawing and Painting. This was a difficult period for Chagall; at the time, Jewish residents were only allowed to live in St. Petersburg with a permit, and the artist was jailed for a brief period for an infringement of this restriction. Despite this, Chagall remained in St. Petersburg until 1910, and regularly visited his home town where, in 1909, he met his future wife, Bella Rosenfeld. After gaining a reputation as an artist, Chagall left St. Petersburg to settle in Paris to be near the burgeoning art community in the Montparnasse district, where he developed friendships with such avant-garde luminaries as Guillaume Apollinaire, Robert Delaunay, and Fernand Léger. In 1914, he returned to Vitebsk and, a year later, married his fiancée, Bella. While in Russia, World War I erupted and, in 1916, the Chagalls had their first child, a daughter named Ida. Chagall became an active participant in the Russian Revolution of 1917. Although the Soviet Ministry of Culture made him a Commissar of Art for the Vitebsk region, where he founded Vitebsk Museum of Modern Art and an art school, he did not fare well politically under the Soviet system. "Chagall was considered a non-person by the Soviets because he was Jewish and a painter whose work did not celebrate the heroics of the Soviet people."[6] He and his wife moved back to Paris in 1922. During this period, Chagall wrote articles, poetry and his memoirs (in Yiddish,) which were published mainly in newspapers (and only posthumously in book-form). Chagall became a French citizen in 1937. With the Nazi occupation of France during World War II and the deportation of Jews, the Chagalls fled Paris, seeking asylum at Villa Air-Bel in Marseille, where the American journalist Varian Fry assisted in their escape from France through Spain and Portugal. In 1941, the Chagalls settled in the United States where he lived until 1948 (his wife Bella died in 1944.) His wife Bella, who appears in many of his paintings, bore him one child, Ida and then died on September 2, 1944. Bella and Ida appeared in many of his early and most famous paintings. In 1945, he began a relationship with his housekeeper Virginia Haggard McNeil, with whom he had a son, David. In the 1950s, they moved to a villa in Provence. Virginia left him in 1952, and Chagall married Valentina Brodsky (whom he called "Vava"). Jewish influence: Chagall had a complex relationship with Judaism. On the one hand, he credited his Russian Jewish cultural background as being crucial to his artistic imagination. But however ambivalent he was about his religion, he could not avoid drawing upon his Jewish past for artistic material. As an adult, he was not a practicing Jew, but through his paintings and stained glass, he continually tried to suggest a more "universal message," using both Jewish and Christian themes...

A colorful arrangement of pink, red and purple flowers. Note: This screen print is unframed. An image of a framed impression is for reference only. Gary Bukovnik is an internationa...

Signed, titled, and numbered from the edition of 15. Japanese still life of flowers and vase. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns. Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland. Partial list of public collections: The British Museum, UK Tokyo Central Museum, Japan Panstwowe Museum, Poland The House of Humor and Satire, Bulgaria Cincinnati Art...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it t...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...