Graphics Still-life Prints

David Lee, Chinese (1944 - ) - White Peonies, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 59/275, Size: 25.5 x 20 in. (64.77 x 50.8 cm), Descr...

Wayne Ensrud, American (1934 - ) - Wildflowers (on Yellow) 2, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: I/I, Image Size: 29.5 x 20.5 inches, S...

David Lee, Chinese (1944 - ) - Pink Roses (8), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29 x 21 in. (73.66 x 53.34 cm), Descript...

Wayne Ensrud, American (1934 - ) - Untitled - Bouquet, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, I/I, Image Size: 27 x 22 inches, Size: ...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Marigold Lowell Blair Nesbitt, American (1933–1993) Date: ...

Old map of Paris/ 1937, limited edition of 15. Fine Art Print.

Although I spent 10 years as a traditional printmaker using a press, my botanical cyanotypes are each one-of-a-kind slow cameraless photographs made outdoors using natural light. The...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Wayne Ensrud, American (1934 - ) - Blue Table (variation), Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

David Lee, Chinese (1944 - ) - Tropical Dream, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm), Description: David Lee's beautiful depiction of Japanese plum blossoms...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

David Lee, Chinese (1944 - ) - Red Flowers (3), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 x 21 in. (73.66 x 53.34 cm), Descrip...

This artwork "Still Life #3" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 227/275 in pencil by...

This artwork "Still Life with Silver Vase" 1991 is a large original color serigraph by artist Audean Johnson. It is hand signed and numbered 195/275 in ...

This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Lithograph and stencil on vélin de Rives paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Dignimont, 1946. Published by Éditi...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multiflower Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 23 x 23 inches Size: 30 i...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Still Life is a lithograph realized by Ibrahim Kodra in the 1980s. Hand-signed on the lower right, Numbered, edition of 150 prints. Good conditions. Ibrahim Likmetaj Kodra (22 Apr...

6-layer screenprint on white paper with a white border 40 x 40 cm Edition of 50 Chris Keegan is a British illustrator and artist known for his intricate and vibrant works that blend...

Mary Faulconer, American (1912 - 2011) - Anenomes, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), Descri...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '80/80'; also inscribed, lower left, 'Garci...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

Wildflowers is a modern artwork realized by Franco Bocchi in 20th century. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin, LX/a. E...

Yellow Rose is a contemporary artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Mixed colored etching. Hand-signed and dated on the lower right. Edition 24...

Artist: Lady Jane Webb Loudon (British, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A "chromolithographic" plate from The Ladies' Flower-Garden of Ornamental Annuals. By Mrs. ...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

Lithograph on vélin du Marais paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve:...

"Anthunium" is an original color serigraph by Hunt Slonem. The artist signed and dated the piece in the lower right and wrote the edition number, AP 3/30, in the lower left. This piece depicts a still life with patterned pillows and plants. 19 3/4"x 24 1/8"image 22"x 30"paper 29 1/8" x 33 1/2" frame Hunt Slonem (born Hunt Slonim, July 18, 1951) is an American painter, sculptor, and printmaker. He is best known for his Neo-Expressionist paintings of tropical birds, often based on a personal aviary in which he has been keeping from 30 to over 100 live birds of various species. Slonem's works are included in many important museum collections all over the world; he is exhibiting regularly at both public and private venues, and he has received numerous honors and awards. Hunt Slonem’s oil paintings...

A very fine contemporary copy in extra large sizing, of the original 1819 monograph on the Camellia flower, by the botanical artist Clara Maria Pope. The monograph consists of an ill...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Flower Field 4 Nadine Prado, Mexican/French (1940) Date: 1979 Screenprint, Signed and numbered in Pencil Edition of 300 Size: 32 x 32 in. (81.28 x 81.28 cm)

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

Blue Rose is a contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching Hand-signed on the lower right. Numbered on the lower left. Edition V/X Giacomo Porzano...

A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it t...

Still Life is an original artwork realized by an artist of XX century. The print rapresents an abstract still life in lively bright colors. In good conditions. Lithograph. Illegibl...

Hugo Noske "Mixed Bouquet" circa 1930 Original color woodcut on handmade paper Hand signed by the artist Paper size: 15 x 13 inches Image Size: 12 x 10 inches *some light staining i...

Hugo Noske "Roses in a Vase" circa 1930 Original color woodcut on handmade paper Hand signed by the artist Paper size: 14.25 x 15 inches Image Size: 11.5 x 11.75 inches

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Birds of Paradise (Red) Lowell Blair Nesbitt, American (19...

Artist: Helen Covensky, Polish/American (1925 - 2007) Title: Yellow Spring Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 225 Ima...

Kristjana Williams Ad Moldu Skaltu Verda – Drifting Skeleton White Limited Edition Print Giclee print on Paper Edition of 275 Size: H 55cm x W 27.3c...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

Victor Spahn, French (1949 - ) - Flower Scene, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: EA, Size: 30 x 21.5 in. (76.2 x 54.61 cm)

Autumn Collection by Vicky Oldfield [2016] limited_edition and hand signed by the artist Collagraph Edition number 2 Image size: H:55 cm x W:90 cm Complete Size of Unframed Work: H:...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope III Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 22 x 30 inches Size: ...

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

Artist: Bill Sullivan Title: Flowers Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 30" Condition: Excellent. This piece has been stored in a ...

Still Life with Net Curtain is a unique monoprint by Rosemary Farrer. The simplistic shapes and contrasting colours give the work a layered effect. The prints are in no way copies of...

Vicky Oldfield: Look at Me. Limited Edition Print. Edition of 20 (Unique) Sold Unframed. Signed by the artist in pencil. Vickys’ strong images are created using collagraphs, an exp...

Fresh Blooms by Vicky Oldfield Hand signed by the artist Limited Edition Collograph Print Edition of 30 Image Size: H 19.5cm x W 15.5cm Sheet Size: H 35.5cm x W 30.5cm x D 0.1cm Sol...

Romantic Mid-century French lithograph of table setting in front of window, circa 1960. Title lower left. Signed lower right. 67/150 Original artwork on paper displayed on a white ...