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Art Subject: Graphics
Henri Matisse, Creole Dancer, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Bromeliad Flowers, Aileen Brown limited edition colour linocut, 1999
Located in Melbourne, Victoria
Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...
Category

Late 20th Century Modern Still-life Prints

Materials

Linocut

Epiphyllum Flowers, Aileen Brown colour linocut, 2019
Located in Melbourne, Victoria
Colour linocut, limited edition, Artists Proof, titled, signed and dated in pencil. 2019. Aileen Brown is a Melbournian printmaker. Since 1983 she has w...
Category

21st Century and Contemporary Modern Still-life Prints

Materials

Linocut

Irises (17), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Irises (17), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29 x 21 in. (73.66 x 53.34 cm), Description...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Roses, Photorealist Screenprint by Lowell Nesbitt
Located in Long Island City, NY
Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Roses Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 40 Image Size: 28 x 20 inches Size: 35 ...
Category

1980s American Realist Still-life Prints

Materials

Screen

Red and Pink Flowers (5), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Red and Pink Flowers (5), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 275, Size: 20 x 25 in. (50.8 x 63.5 cm), ...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Stepehn Tabboo AKA Tashjian American dance Festival 1996
Located in Brooklyn, NY
Poster designed by Tabboo for the American Dance Festival in 1996. Hand signed and numbered out of 139 in pencil. Printed on thick paper. This poster by Tabboo!, created for the Amer...
Category

1990s Contemporary Still-life Prints

Materials

Offset

Map of Paris Photography Fine Art Print Limited Edition
Located in Slovak Republic, SK
Old map of Paris/ 1937, limited edition of 15. Fine Art Print.
Category

1930s Other Art Style Still-life Prints

Materials

Color, Digital

Mimosa with Red, April 24, 2024
Located in Washington, DC
Artist: Donald Sultan Title: Mimosa with Red, April 24, 2024 Portfolio: 2024 Mimosa (Details Suite) Medium: Color silkscreen with enamel inks, graphite powders, and sand on 4-ply mus...
Category

2010s Still-life Prints

Materials

Screen

Multicolor Bouquet, Impressionist Lithograph with Hand-Coloring by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Multicolor Bouquet, Medium: Lithograph with Hand-Coloring, signed in pencil, Image Size: 35 x 24 inches, Size: 37 x 36 in. (93.98 x 91.44 cm), D...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Spring Rhododendron I (18 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category

2010s Contemporary Still-life Paintings

Materials

Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram

Magnolias (13), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Magnolias (13), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, C, Size: 29 x 21 in. (73.66 x 53.34 cm), Descr...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Purple Flowers (21), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Purple Flowers (21), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm)...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Tropical Dream, Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Tropical Dream, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm), Description: David Lee's beautiful depiction of Japanese plum blossoms...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Braque, Composition, Braque Espaces, 13 Dessins, Lavis, Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Hugo Noske, "Mixed Bouquet " original color woodcut
Located in Chatsworth, CA
Hugo Noske "Mixed Bouquet" circa 1930 Original color woodcut on handmade paper Hand signed by the artist Paper size: 15 x 13 inches Image Size: 12 x 10 inches *some light staining i...
Category

1930s Still-life Prints

Materials

Woodcut

Modernist 1998 Flowering Tree Color Lithograph Dan Rizzie Mod Collage Artist
By Dan Rizzie
Located in Surfside, FL
Rizzie, Dan (American, born 1951) Flowering Tree 1998 Lithograph printed in colors on wave paper, Hand signed in pencil, dated, and numbered 6/25, unframed Provenance: acquired fro...
Category

1990s Abstract Figurative Prints

Materials

Paper, Lithograph

Wildflowers (on Yellow), Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Wildflowers (on Yellow), Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 45, Size: 35 in. x 25 in. (88.9 cm x 63.5 cm)
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Quiet Sunday, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Quiet Sunday, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 30 x 25 inches, Size: 33 in. x 2...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Blue Table, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Blue Table, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Size: 35.5 in. x 25 in. (90.17 cm x 63.5 cm)
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Wild Red and White flowers - Original woodcut on Arches Vellum
Located in Paris, IDF
Maurice de VLAMINCK Wild Red and White flowers Woodcut and embossing (Atelier Raymond Jacquet) Printed signature in the plate On Arches vellum 15 x 11" (38 x 28 cm) INFORMATION : W...
Category

Mid-20th Century Realist Still-life Prints

Materials

Woodcut

Red Bouquet, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Red Bouquet, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 27 x 19 inches, Size: 34 in. x 23...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Untitled Flowers 18, Impressionist Hand-Painted Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Untitled Flowers 18, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Wildflowers (on Yellow) 2, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Wildflowers (on Yellow) 2, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: I/I, Image Size: 29.5 x 20.5 inches, S...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Three Eucalyptus Branches ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Although I spent 10 years as a traditional printmaker using a press, my botanical cyanotypes are each one-of-a-kind slow cameraless photographs made outdoors using natural light. The...
Category

2010s Contemporary Still-life Photography

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Pink Roses (8), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Pink Roses (8), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29 x 21 in. (73.66 x 53.34 cm), Descript...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Untitled - Bouquet, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Untitled - Bouquet, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, I/I, Image Size: 27 x 22 inches, Size: ...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Blue Table (variation), Impressionist Hand-Painted Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Blue Table (variation), Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Red Flowers (3), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Red Flowers (3), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 x 21 in. (73.66 x 53.34 cm), Descrip...
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Dignimont, Le bouquet, Dignimont (after)
Located in Southampton, NY
Lithograph and stencil on vélin de Rives paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Dignimont, 1946. Published by Éditi...
Category

1940s Modern Still-life Prints

Materials

Lithograph, Stencil

Still Life #3
Located in San Francisco, CA
This artwork "Still Life #3" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 227/275 in pencil by...
Category

Late 20th Century American Realist Figurative Prints

Materials

Lithograph

Agent X, One Queen (6)White, Floral Art, Art of the Queen, Contemporary Art
Located in Deddington, GB
Agent X One Queen (6)White Limited Edition of 100 Mixed Media on Paper Sold Unframed Paper Size: 71 cm x 50 cm x 1cm Please note that in situ images are purely an indication of how a...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Giclée

Stilleben mit Obstschale, Modern Screenprint after Max Oppenheimer
Located in Long Island City, NY
Max Oppenheimer, After, Austrian (1885 - 1954) - Stilleben mit Obstschale, Year: circa 1925, Medium: Screenprint, Edition: Test Print, Image Size: 8 x 11.25 inches, Size: 12.75 ...
Category

1920s Modern Still-life Prints

Materials

Screen

Gray Iris VII (cyanotype, 24 x 18 inches)
Located in Oakland, CA
The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...
Category

2010s Contemporary Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Late Summer Wild Grass Diptych (two 24 x 18" original cyanotypes)
Located in Oakland, CA
This monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rush or the lat...
Category

2010s Contemporary Still-life Photography

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Daisies IX (Red Daisies) (flowers, abstract, red, bright, monotype)
Located in New York, NY
Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elements of oil painting, folk art ...
Category

2010s Pop Art Still-life Prints

Materials

Monotype

Botanical from "The Ladies' Flower Garden of Ornamental Annuals" Yellow Loasa
Located in Austin, TX
Artist: Lady Jane Webb Loudon (British, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A "chromolithographic" plate from The Ladies' Flower-Garden of Ornamental Annuals. By Mrs. ...
Category

Mid-19th Century Still-life Prints

Materials

Paper, Lithograph

Anenomes, Folk Art Lithograph by Mary Faulconer
Located in Long Island City, NY
Mary Faulconer, American (1912 - 2011) - Anenomes, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), Descri...
Category

1970s Folk Art Still-life Prints

Materials

Lithograph

Kristjana Williams, Ad Moldu Skaltu Verda – Drifting Skeleton White
Located in Deddington, GB
Kristjana Williams Ad Moldu Skaltu Verda – Drifting Skeleton White Limited Edition Print Giclee print on Paper Edition of 275 Size: H 55cm x W 27.3c...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Paper, Giclée

Wildflowers - Screen Print by Franco Bocchi - 1980s
Located in Roma, IT
Wildflowers is a modern artwork realized by Franco Bocchi in 20th century. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin, LX/a. E...
Category

1980s Contemporary Figurative Prints

Materials

Screen

Full Bloom
Located in London, GB
6-layer screenprint on white paper with a white border 40 x 40 cm Edition of 50 Chris Keegan is a British illustrator and artist known for his intricate and vibrant works that blend...
Category

2010s Contemporary Still-life Prints

Materials

Paper, Screen

Yellow Rose - Etching by Giacomo Porzano - 1972
Located in Roma, IT
Yellow Rose is a contemporary artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Mixed colored etching. Hand-signed and dated on the lower right. Edition 24...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Fourth Costume, Abstract Pop Art Screenprint by Eugenie Torgerson
By Eugenie Torgerson
Located in Long Island City, NY
Artist: Eugenie Torgerson, American Title: Fourth Costume Year: 1984 Medium: Screenprint, signed and numbered in pencil Edition: 21 Image Size: 24 x 18.5 inches Size: 32 x 24.5 inches
Category

1980s Contemporary Still-life Prints

Materials

Screen

Flowers - Original Cromolitograph - Early 20th Century
Located in Roma, IT
Flowers is a beautiful Cromolitograph print, realized by H.Herder. Good conditions with some rips on the lower margin. Signed. The artwork represents beautiful flowers created thr...
Category

Early 20th Century Modern Figurative Prints

Materials

Paper, Lithograph

Symphony Pastorale, Abstract Pop Art Screenprint by Arman
Located in Long Island City, NY
Artist: Arman, French (1929 - 2005) Title: Symphony Pastorale Year: 1979 Medium: Serigraph on Arches, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (7...
Category

1970s Abstract Still-life Prints

Materials

Screen

Wildflowers - Screen Print by Franco Bocchi - 1980s
Located in Roma, IT
Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...
Category

1980s Contemporary Figurative Prints

Materials

Screen

Wildflowers - Screen Print by Franco Bocchi - 1980s
Located in Roma, IT
Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...
Category

1980s Contemporary Figurative Prints

Materials

Screen

"Anthunium, " Original Color Serigraph Colorful Still Life signed by Hunt Slonem
Located in Milwaukee, WI
"Anthunium" is an original color serigraph by Hunt Slonem. The artist signed and dated the piece in the lower right and wrote the edition number, AP 3/30, in the lower left. This piece depicts a still life with patterned pillows and plants. 19 3/4"x 24 1/8"image 22"x 30"paper 29 1/8" x 33 1/2" frame Hunt Slonem (born Hunt Slonim, July 18, 1951) is an American painter, sculptor, and printmaker. He is best known for his Neo-Expressionist paintings of tropical birds, often based on a personal aviary in which he has been keeping from 30 to over 100 live birds of various species. Slonem's works are included in many important museum collections all over the world; he is exhibiting regularly at both public and private venues, and he has received numerous honors and awards. Hunt Slonem’s oil paintings...
Category

1980s Still-life Prints

Materials

Screen

Flowerpot - Original Lithograph by Jovan Vulic - 1988
Located in Roma, IT
Flowerpot is a beautiful colored lithograph on paper, realized in 1988 by the artist Jovan Vulic (b. 1951). Hand-signed and Artist's proof in pencil on the lower margin. This co...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Blue Rose - Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Blue Rose is a contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching Hand-signed on the lower right. Numbered on the lower left. Edition V/X Giacomo Porzano...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Flower Field, Silkscreen by Nadine Prado
Located in Long Island City, NY
Flower Field 4 Nadine Prado, Mexican/French (1940) Date: 1979 Screenprint, Signed and numbered in Pencil Edition of 300 Size: 32 x 32 in. (81.28 x 81.28 cm)
Category

1970s Contemporary Still-life Prints

Materials

Screen

Frontispiece from Braque Lithographe - Lithograph 1961
Located in Roma, IT
Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...
Category

1960s Modern Figurative Prints

Materials

Lithograph

poppy
Located in Palm Springs, CA
The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Etching, Aquatint

Quiet Sunday (Blue), Hand-painted Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...
Category

1980s Impressionist Still-life Prints

Materials

Acrylic, Lithograph

'Still Life of Tulips and Orchids', Academie Chaumiere, MAM Paris, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '80/80'; also inscribed, lower left, 'Garci...
Category

1970s Still-life Prints

Materials

Laid Paper, Lithograph

Still life - Original Lithograph - 20th Century
Located in Roma, IT
Still Life is an original artwork realized by an artist of XX century. The print rapresents an abstract still life in lively bright colors. In good conditions. Lithograph. Illegibl...
Category

20th Century Modern Still-life Prints

Materials

Lithograph

Yellow Spring
Located in Long Island City, NY
Artist: Helen Covensky, Polish/American (1925 - 2007) Title: Yellow Spring Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 225 Ima...
Category

1980s Contemporary Still-life Prints

Materials

Lithograph

Multiflower, Screenprint by Lowell Nesbitt
Located in Long Island City, NY
Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multiflower Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 23 x 23 inches Size: 30 i...
Category

1980s American Realist Still-life Prints

Materials

Screen

Buds, Still Life Realist Screenprint by Jack Beal
Located in Long Island City, NY
Artist: Jack Beal, American (1931 - 2013) Title: Buds Year: circa 1975 Medium: Screenprint, signed and numbered in pencil Edition: 50 Size: 31 in. x 41 in. (78.74 cm x 104.14 cm)
Category

1970s American Realist Still-life Prints

Materials

Screen

Buds
Located in Fairlawn, OH
Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...
Category

1980s Contemporary Still-life Prints

Materials

Lithograph

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