Lunch
View Similar Items
Wayne ThiebaudLunch1964
1964
About the Item
- Creator:Wayne Thiebaud (1920, American)
- Creation Year:1964
- Dimensions:Height: 12.88 in (32.72 cm)Width: 10.88 in (27.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU791251613
Wayne Thiebaud
Wayne Thiebaud’s pastel-hued still-life paintings and prints of baked goods, gumball machines, hot dogs and paint cans are often associated with the Pop art movement, thanks to the mass-cultural appeal of their content. Stylistically, however, Thiebaud eschewed the precision found in the art of such Pop giants as Roy Lichtenstein and Andy Warhol in favor of a more painterly approach, not unlike that of the Italian modernist Giorgio Morandi, whose dreamy paintings of vessels and household objects are simple yet richly atmospheric.
Thiebaud was born in Mesa, Arizona, in 1920 and grew up in Southern California from the age of six months. As a high schooler, he had a summer apprenticeship at Walt Disney Studios, which led to a stint as a graphic artist in the U.S. Army Air Forces’ First Motion Picture Unit during World War II. After the war, he attended the California State College at Sacramento on the G.I. Bill, graduating with a bachelor’s degree in 1951 and earning a master’s soon after. He went on to teach at the University of California, Davis, from 1960 to ’91.
In the late ’50s, time spent living in New York City proved crucial to Thiebaud’s career. There, he befriended Abstract Expressionist painters Willem de Kooning and Franz Kline and drew inspiration from the work of Jasper Johns and Robert Rauschenberg. Admiring the color and form on display in New York’s many bakeries, he began painting small canvases featuring rows of treats, which would become one of his central subjects. Though Thiebaud himself doesn’t identify as a Pop artist, the first major exhibition that brought him national renown was a seminal 1962 Pop show at the Sidney Janis Gallery in Manhattan. That same year, he was included in "New Painting of Common Objects” at the Norton Simon Museum of Art at Pasadena, which also featured paintings by Ed Ruscha and Jim Dine. Iconic works such as Pie Counter (1963) demonstrate Thiebaud’s signature treatment of commonplace items with the grandeur and scale of a landscape.
Thiebaud’s interest in exaggerated colors and vernacular subject matter — characteristics that call to mind images found in mid-century advertising — made him an intriguing figure occupying the hazy borderlands between fine and commercial art. Yet through a masterful handling of paint, evocative use of light and poignant sense of isolation, Thiebaud’s work is unquestionably thoughtful and singular. His later forays into landscape painting, as seen in Steep Street (1989) or Country City (1988), bring to bear his bold use of color on complex urban scenes.
Pieces by Thiebaud can be found in the collections of major museums, including the Whitney Museum of American Art, the Los Angeles County Museum of Art and the Hirshhorn Museum and Sculpture Garden, among many others. In 1994, he was awarded the National Medal of Arts by President Bill Clinton.
Find original Wayne Thiebaud art on 1stDibs.
- Wild Grape LeafBy Ellsworth KellyLocated in New York, NYPrinter and Publisher: Tyler Graphics Ltd., Bedford, New York Signed and numbered in pencil, lower marginCategory
1970s Still-life Prints
MaterialsLithograph
- Leaf IIBy Ellsworth KellyLocated in New York, NYPrinter and Publisher: Gemini G.E.L., Los Angeles Edition size: 20, plus proofs Catalogue Raisonné: Axsom 167Category
1970s Still-life Prints
MaterialsLithograph
Price Upon Request - Leaf VBy Ellsworth KellyLocated in New York, NYPrinter and Publisher: Gemini G.E.L., Los Angeles Edition size: 20, plus proofs Catalogue Raisonné: Axsom 170 Signed, numbered, and titled in pencil, lower marginCategory
1970s Still-life Prints
MaterialsLithograph
Price Upon Request - DaffodilBy Ellsworth KellyLocated in New York, NYFrame size: 39 3/4 x 31 1/4 inches Printer and Publisher: Gemini G.E.L., Los Angeles Signed and numbered in pencil, lower marginCategory
Early 2000s Still-life Prints
MaterialsLithograph
Price Upon Request - Dracena IIBy Ellsworth KellyLocated in New York, NYPrinter: Gemini, G.E.L., Los Angeles Publisher: Gemini, G.E.L., Los Angeles Catalogue raisonné: Axsom 213 Edition size: 30, plus proofs Signed and numbered in pencil, lower rightCategory
1980s Minimalist Still-life Prints
MaterialsLithograph
Price Upon Request - Pear IIIBy Ellsworth KellyLocated in New York, NYSheet size: 35 7/16 x 24 3/4 inches Frame size: 43 3/4 x 32 3/4 inches Printer: Imprimerie Arte, Paris Publisher: Maeght Éditeur, Paris Edition size: 75, plus proofs Catalogue Raison...Category
1960s Minimalist Still-life Prints
MaterialsLithograph
- Dark Gumball MachineBy Wayne ThiebaudLocated in New York, NYWayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w inCategory
1660s Post-War Still-life Prints
MaterialsEtching
Price Upon Request - VOTE by Jonas WoodBy Jonas WoodLocated in Morton Grove, IL6-color screen print on Coventry rag paper 15.75 x 10 inches Edition of 300 Signed, dated and numbered on recto in pencil In originally packing and never removed.Category
2010s Post-War More Prints
MaterialsScreen
Price Upon Request - Steinberg, Illustration, Derrière le miroir (after)By Saul SteinbergLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 157, published by Derrière le miroir, Par...Category
1960s Post-War Abstract Prints
MaterialsLithograph
- Steinberg, Illustration, Derrière le miroir (after)By Saul SteinbergLocated in Auburn Hills, MILithograph on wove paper. Inscription: Signed in the plate and unnumbered; text on verso, as issued. Good Condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 15...Category
1960s Post-War Abstract Prints
MaterialsLithograph
- Steinberg, Illustration, Derrière le miroir (after)By Saul SteinbergLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 157, published by Derrière le miroir, Par...Category
1960s Post-War Abstract Prints
MaterialsLithograph
- Steinberg, Illustration, Derrière le miroir (after)By Saul SteinbergLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Excellent Condition. Notes: From Derrière le miroir, N° 157, published by Derrière le miroir...Category
1960s Post-War Abstract Prints
MaterialsLithograph