Abstract Geometric Prints and Multiples

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition size: 250 Size: 25 in. x 25 in. (63.5 cm x 63.5 cm)

Artist: Jim Jacobs Title: Folded NYC I (after Mondrian) Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 40 Size: 33 x 26 inches

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1992 Medium: Screenprint, signed, numbered, dated and titled in pencil...

“Colour gives me a new way of working - in complete darkness. It seems contradictory that to produce colour you need to work in the dark. You blindly feel your way around the paper w...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Harland Miller's 'OUI', 2023 is a contemporary woodcut print. A tribute to Harland Miller’s time spent in Paris as a young artist and writer during the 1990s, OUI is inspired by the ...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 360 Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: AP 35 Image Size: 25.5 x 20 inches Size: 29 ...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1991 Medium: Screenprint, estate stamped verso and numbered in pe...

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Artist: Kyohei Inukai Title: Idea Year: circa 1977 Medium: Screenprint, Signed and numbered in pencil Edition: AP 30 Image: 32 x 24 inches Paper Size: 35 x 26 inches

Artist: Roy Ahlgren, American (1927 - 2011) Title: Green Enigma Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 5/50 Image Size: 18 x 18 inches Size: 20 x 20 in....

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 366 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 25 x 20 inches Size: 22.5 in....

Artist: Kyohei Inukai Title: Aquarius Year: 1979 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Size: 22.5 x 30 inches

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

Larry Zox, American (1937 - 2006) - Purple Composition, Year: 1971, Medium: Linocut, signed and numbered in pencil, Edition: 6/50, Size: 22 x 30 in. (55.88 x 76.2 cm)

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Nines Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 19 x 19 inches Size: 27 in. x 2...

Artist: Jules Engel, Hungarian/American (1909 - 2003) Title: Rainbow X Year: 1969-70 Medium: Acrylic on Paper, signed verso Size: 13.5 x 13.5 inches (34.3 x 34.3 cm)

Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Elena's Dream Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 7...

Blohm studied painting at the Academy of Fine Arts in Munich, Germany and moved to New York in 1984, later establishing a second studio in Berlin. She is in numerous international co...

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

Hugo Dermaco Relation Couleur, 1973 Silkscreen on velincarton Hand-signed by artist, Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the front. 29 1/2 × 29 1/2 inches Unframed This beautiful silkscreen on velincarton (thin board) by Hugo Demarco...

La Mosca Negra is a captivating work by Mexican surrealist Pedro Friedeberg, renowned for his visionary style and intricate, esoteric symbolism. In this piece, Friedeberg elevates th...

Maya Hayuk The Likes of Us, 2017 Screenprint with spray paint in colors on Arches paper Signed, numbered 91/100, dated, and titled in pencil along lower edge. Accompanied by COA hand signed by the artist. 20 × 15 inches Unframed This work is accompanied by a Certificate of Authenticity from the artist. Excellent condition. Published by the artist; Printed by Haven Press, Brooklyn, New York More about Maya Hayuk: Maya Hayuk is a Ukrainian-American artist with an extensive background in a wide range of generative art and social practices. Hayuk weaves visual information from her immediate surroundings into elaborate, painterly abstractions, thus creating an engaging mix of referents from popular culture and advanced painting practices alike. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Ultimately, the traditional and the contemporary blend into new harmonic, dissonant, optimistic, experimental compositions. Hayuk considers her studio painting and mural practices as both inversely relational and symbiotic. Hayuk’s work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, FR (2019), The Ukrainian Museum New York (2017), The Bowery Wall, NY (2014), The Hammer Museum, LA (2013), The Museum Of Contemporary Canadian Art, Toronto, Canada (2013), Bonnefanten Museum, Maastricht, The Netherlands (2012); Socrates Sculpture Park, Queens, New York (2011); Musee E.A.V., Rio De Janiero, Brazil (2011); Matucana Artspace, Santiago, Chile (2009); Democratic National Convention, Denver, Colorado (2008); and Monster Island, Brooklyn, New York (2005-2011). Her work has been included in group exhibitions such as Streetopia, The Luggage Store, San Francisco (2012); Black Light & Outer Space, Secret Project Robot, Brooklyn, New York (2011); Rojo Nova, Museum of Image and Sound, Sao Paolo, Brazil (2010); Contemporary Art 2010, Ukrainian Institute of America, New York (2010); Sous l’es bombs, Musee International des Arts Modeste, Sete, France (2007); The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA (2005). In 2018, Hayuk gave a TEDx Talk from The Center of Art and Design (CAD) in Brussels, Belgium, which recounts the arc of her developing career. Maya Hayuk’s work is represented in numerous public and private collections internationally including FRAC Museum (FR), The Ukrainian Museum (US), The Millennium Iconoclast Museum of Art (Brussels, Belgium), The Embassy of the United States of America (Sanaa, Yemen), The Embassy of the United States of America Residence (Costa Rica), MOCA Jacksonville (FL), The Ullens Foundation (Brussels, Belgium), The Dean Collection (US) and Wayne Coyne...

Caisse, 2013, Digital print on Fine art 100% cotton paper Edition 294/300 Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in) Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in) Limited edition signe...

Engraving with carborandum & collages, ed. 6/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstractio...

A black, grey, beige, and white silkscreen by Josef Albers from, "Articulation : Formulation," published by Harry N. Abrams, 1972, and printed by Ives - Stillman. The individual imag...

Néoci, 2013, Digital print on Fine art 100% cotton paper Edition 126/300 Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in) Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in) Limited edition signed...

Alberto Magnelli Original Lithograph Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism") published in Paris by San Lazzaro There is a fold in the center, as issu...

Artist Victor Vasarely Title of the work Answers to Vasarely - Folkota edition Period 1974 Technique Silkscreen printing Signature Hand-signed Edit...

Nedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...

Untitled (From the Sotomagie Portfolio), 1967 Denise Rene Editeur, Paris Based on Soto's Work Rotation, 1952, Oil on Plywood Silkscreen 23 7/8 x 23 7/8 in (60.5 x 60.5 cm) Editioned ...

Eternity (ÉTERNITÉ), 1951 Lithograph in colors on heavy paper 24 x 20 inches Numbered in pencil 111/150; unsigned as issued AUGUSTE HERBIN (1882 1960) French artist Auguste Herbin ...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. Signed L. Siekman, titled Jupiter Four and numbered 9/10. It is part of a ...

‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted. About the series: " 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. Florist, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the Artist George McLeod...

BASF Luren on aluminum 37 5/8 x 37 5/8 in. Signed lower right The Kantra Series Edition 8 of 8 Publisherd by Editions Pyra AG, Zürich, Switzerland Vasarely Catalogue Raisonné No. 17...

Roger BISSIERE (1886-1964) Abstract Composition in Yellow Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50 x 65 cm (c...

Includes a Certificate of Authenticity

Limited edition of 100 prints, hand signed and numbered.

Artist/Designer; Manufacturer: Richard Tobias (American, b. 1952)
Marking(s); notes: signed, blind stamp; ed. 12/18; 1987
Materi...