Contemporary Prints and Multiples

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging Our mission is to connect art collectors to opportunity. Whethe...

This is a first-printing lithograph book plate by André Masson, featured in XXe Siècle No. 38. Known for his dynamic and surrealist-inspired compositions, Masson’s work in this editi...

Ed Ruscha SCIENCE IS TRUTH FOUND OUT (RED)ITION, 2022 100% Silk twill Signed in the plate and numbered 130 × 130 cm 142.5 x 141 cm (Framed) Edition of 500

This is a monotype, a unique print with no other editions. This geometric abstract monotype on delicate Asian paper layers shapes on a background that transitions from pale sky blue ...

Torso is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1958. Offset print on paper. Good condition. Italian title on the back " Torso...

Chris Brown In The Green Color soapground and spitbite aquatints with softground. Edition of 20

Part of Richard Heeps 'Dream in Colour' Series, here he perfectly captures Palm Springs mid-century modern architecture and the desert oasis it...

'NOMAD (Mosaic)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminat...

Publisher GKM. Unframed. Edition of 200 ex. Paper: 300gr. Goya. Signed, dated and numbered. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Sunday, 5 September 2010 aged 88 years. Guillaume Cornelis van Beverloo was born in 1922 in Liège, Belgium, to Dutch parents. After leaving school, he studied drawing at the Academy of Arts in Amsterdam from 1940 to 1943. As a painter, however, he was an autodidact. His first exhibition was in 1946 in Groningen in the Netherlands, together with artists from the Dutch experimental group, Reflex. Corneille first visited Paris in 1946 and felt immediately at home in the art metropolis. Together with Karel Appel, Asger Jorn, Dotremont and Constant, he founded the COBRA group in Paris 1948. Many other artists, poets and architects later joined the group, including the Swedish artists C-O Hultén, Max Walter Svanberg and Anders...

Sergio Hernández (Mexico, 1957) 'Untitled', 2014 engraving on paper Velin Arches 300 g. 29.6 x 33.5 in. (75 x 85 cm.) Edition of 30 Unframed

This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden huts or cabanes in wilderness setting. The pr...

Paper Size: 39.5 x 27.25 inches ( 100.33 x 69.215 cm ) Image Size: 36.75 x 24.75 inches ( 93.345 x 62.865 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Sup...

Lithograph printed in colours Edition of 99 Signed, numbered and dated on the front Excellent. Minor soft handling creases and faint traces of surface soiling. This does not distract...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Der Wald or The Forest consists of nine wood block prints in a single portfolio. In each of the nine images a single tree is printed cleanly in solid black on manila colored archival...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'Wal-Marx', N/A Silkscreen on paper 19.6 x 27.6 in. (49.7 x 70 cm.) Edition of 50 ID: ARE-201 Hand-signed by author

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_12 Hand-sign...

Still life , 60х60cm, print on canvas.Edition 10 pcs.

A framed edition of this cyanotype sold to Timothée Chalamet at The Other Art Fair in Los Angeles. One of 10 mini editions of the same photograph printed by hand using the antique ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-007 Hand-signed by a...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 25.5 x 20.5 inches ( 64.77 x 52.07 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Alfonso Fraile (Spain, 1930-1988) 'Personaje I', 1987 engraving on paper Overall size: 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: FRA1262-004-050 Hand-signed by author ___________...

"Leaf Ocean" is a dramatic cyanotype and woodcut monoprint with contrasting layers and objects abstracted from nature. Black, silver, and white leaves float on top of a watery background. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery...

Untitled 1 Etching original painting number 12 of an edition of 15 engravings. Jaume Plensa Suñé (Barcelona, 1955) is a Spanish plastic artist, sculptor and engraver. Very versatile artist who has also experimented with drawing, opera sets, video projections or acoustic installations.1 He is known for his large sculptures made up of letters and numbers.2 Born in Barcelona in 1955, he studied at the Llotja School and the Sant Jordi Superior School of Fine Arts. Trajectory In a first stage, his work reflects an interest in issues related to volume, space and tension. In 1983-1984 he began to mold iron with the casting technique and developed a sculptural concept of zoomorphic forms using cuts and folds. In 1986 he started working with cast iron, and later he used glass, resin, lights and sounds. Since 1996 he has also been dedicated to creating elements and sets for opera and theater productions, mainly in collaboration with the company La Fura dels Baus. He also stands out as a draftsman and engraver. In 2008 he made the sculpture called "Alma del Ebro" in Zaragoza (Aragon) on the occasion of the International Water Exhibition held there. This sculpture is 11 meters high and is located in front of the Palacio de Congresos, on the banks of the Ebro river. The letters represent cells of the human body, which is made up of more than 60% water. Its white letters and hollow structure invite the viewer to look inside and reflect on the relationship between human beings and water. In December 2012, he was elected the winner of the 2013 National Prize for Graphic Art awarded by the National Calcography and which recognizes the artist's career in the field of graphic art.3 In 2012 he produced the poster for the Festival de la Mercè in Barcelona. Honors The main distinctions obtained by the artist have been the following: • 1993: Medaille des Chevaliers des Arts et Letres, Ministry of Culture, France. • 1996: Prize of the Fondation Atelier Calder...

Nestor Arenas (Cuba, 1964) 'Yellow Structure I', 2021 etching, aquatint on paper 21.3 x 27.2 in. (54 x 69 cm.) Edition of 10 ID: ARN-101 Unframed

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Hand signed, dated and numbered by artist with pencil. Etching and watercolour Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs.

Donald Sultan, Yellow Mimosa, July 23, Screenprint in colors with yellow flocking on 4-ply museum board. Edition of 50. 81.3 x 114.3 cm (32.2 x 45.5 in) Signed, dated, numbered, and titled accompanied by Certificate of Authenticity Published by Lococo Fine Art, St. Louis. In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The piece is offered unframed. Sultan’s work incorporates basic geometric and organic forms with a formal purity that is both subtle and monumental. His images are weighty, with equal emphasis on both negative and positive areas. His powerfully sensual, fleshy object representations are rendered through a labor-intensive and unique method. "The image in the front is very fragile, but it conveys the loaded meaning of everything that is contained in the painting." — Donald Sultan This print of flowing yellow mimosa blossoms, which shows all the textural qualities that the artist excels at in his printmaking projects, is made with several layers of color silkscreen, some matte finish inks, and some glossy. Mimosas depicts the flowering plant Mimosa, which is also called the sensitive plant or sleepy plant. Sultan seems to have taken inspiration from the name with the dark black, chalky stems flowing down and covering most of the page and the clusters of white spots symbolizing the blossoms. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

Wes Lang (American, b. 1972) To Tell The Truth, 2020⁣⁣⁣ Medium: Archival pigment print on cotton paper Dimensions: 66 x 85 cm (26 x 33 1/2 in) Edition of 75 + 20 AP : Hand-signed and...

Paper Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Image Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling??Additional ...

Luis Miguel Valdes (Cuba, 1949) 'Vecindario I' (Neighborhood I), 2015 woodcut and watercolor on paper 44.5 x 80.4 in. (113 x 204 cm.) Edition of 10 ID: VAL-599 Unframed Luis Miguel ...

"Nu Assis" (Seated Nude) is a limited edition lithograph by French artist Paul Rebeyrolle (1926–2005). Known for his expressive and often provocative works, Rebeyrolle's art frequent...

Delicate and iridescent limited edition lithograph of a butterfly by an unknown artist. Titled "Fairy Rush", numbered "2/20", and signed along the bottom edge (illegible). Presented ...

Artist: Hunt Slonem, American (1951 - ) Title: Curtains Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: HC 10 Image Size: 22 x 26.5 inches Size: 26 ...

Nestor Arenas (Cuba, 1964) 'Yellow Structure II', 2021 etching, aquatint on paper 27.2 x 21.3 in. (69 x 54 cm.) Edition of 10 ID: ARN-102 Unframed

Colette (aka Colette Justine), Tunisian/American (1952 - ) - In Memory of Ophelia, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edi...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Architectural rendering in blue, white red and black, features a Bay Area building with blue sky in this Monotype ev edition 2/4 with hand coloring. the plate is 12 1/2 x 21 inches a...

Rainbow Apartments, from Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has bec...

Swallows are a real signal that summer has arrived. I created this as a warm afternoon landscape with swallows providing movement. Additional information: Swallows in Summer [2023] ...

Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper Guarro Super Alpha 250g. 29.6 x 41.4 in. (75 x 105 cm.) ID: HER-159-1"

This is a monotype print, a unique print with no other editions. This monotype on delicate Asian paper layers geometric shapes in yellow, coral, red and blue on a soft blue gray back...

BLUE HORSE, THREE GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese bo...

This limited edition color lithograph, titled Le Petit Prince et le Renard (The Little Prince and the Fox), beautifully recreates the iconic watercolors from the beloved book Le Peti...

This limited edition print, La Grenouille et la Scie, is a unique and intriguing work that reflects the whimsical and imaginative spirit of contemporary art. Published in 1971, this ...

Sergio Hernández (Mexico, 1957) 'Viaje al fondo del mar', 2011 woodcut on paper Velin Arches 400 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

This Limited Edition giclee print by Roger Mudre features nearly transparent light blue circles, arranged in an overlapping pattern to create a larger circle shape. The outer layer o...

Signed and numbered from an edition of 25, this simple elegant image captures the grace of a single Calla Lilly against a black background. Based in San Francisco, Mark Jenkins has ...

A group of girls forms the image for Barbara Wagner's silkscreen print. This is a unique piece and not part of an edition.

Bernardo Navarro Tomas (Cuba, 1977) 'Cosmopolitan II', 2018 silkscreen on paper Feltmark 300 g 22.9 x 35.5 in. (58 x 90 cm.) Edition of 40 ID: NAA-107 Unframed

Color monotype.

This is a monotype print, a unique print with no other editions. This monotype on delicate Asian paper layers geometric shapes in yellow, teal and navy blue on a background that tran...