Photorealist Prints and Multiples

Lithograph on Rives BFK 350gm paper Printer's proof (Edition of 6) This artwork is offered by ClampArt, located in New York City.

Lithograph on Rives BFK 350gm paper Printer's proof (Edition of 6) This artwork is offered by ClampArt, located in New York City.

Artist: Richard Haas Title: Frick Garden Court Year: 1979 Medium: Screenprint on Wood Panel, signed in ink Edition: 155 Size: 95 x 71 inches

A lithograph and silkscreen on aluminum by Richard Haas from 1999. A detailed sectional view of the support and suspension structure of the George Washingt...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Viola Adorata Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 30 x 38 inches Size: 37...

Artist: Robert Cottingham, American (1935 - ) Title: Rolling Stock Series: For Armyn Year: 1992 Medium: Aquatint Etching, signed, numbered and titled in pencil Edition: 43/60 Im...

Artist: Ron Kleemann, American (1937 - ) Title: Jackie Stewart Year: 1972 Medium: Serigraph, signed and numbered in white pencil Edition: 41/150 Size: 2...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Bluebird Year: 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: AP 5/25 Image Size: 27.5 x 35.5 inches Fram...

Unframed. Edition of 375 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and transports of d...

Que haces tu para Evitor Esto? Ayuda a Madrid. Ca 1936 -1939. ( What are you doing to prevent this? Help Madrid) On Linen. Hand-modified photographic image of a tearful mother and child in foreground with bombed-out building and war planes...

Artist: Tom Blackwell, American (1938 - ) Title: 451 from the Cityscapes Portfolio Year: 1981 Medium: Silkscreen on Somerset, signed and numbered in pe...

Artist: C.J. Yao Title: Downtown Houston Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 22 x 30 inches

Artist: Ron Kleemann, American (1937 - ) Title: Red Formula Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 195 Image Size: 17.25 x ...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Image size 30 x 30 inches. Artwork is in excellent condition. Certificate of Authenticity included. Published by C...

Each hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Each sheet size: 38 x 37. Each image size: 32 x 32. Certificate of Authenticity included. Complete Suite, edition 69/100. Published by Greg Smith...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Framed size approx 38 x 45 inches. Image size 30 x 40 inches. Artwork is in excellent condition. Certificate of Au...

Artist: C.J. Yao, Taiwanese (1941 - 2001) Title: Entex Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 250, AP 30 Paper Size: 22 x 28 inches

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Parrot Tulip III Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Imag...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow and Blue Iris Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 40 Image Size: 24 inches...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Rose Monochrome Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 27 x 27 inches ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Red Spotted Lily from the Stamps Series Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Siz...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

Contact is content at Seljalandsfoss, Contemporary, 21st Century, C Print C-Print Edition of 100 Each 53 x 42 cm (20 x 16.5 in.) Signed and numbered on adhesive label In mint conditi...

From street artist and photographer JR, this artpiece depicts Charlie Chaplin in the legendary scene from "The Kid" as a celebration of the movie's 100th anniversary in 2021. JR Unf...

JR, JR au Louvre, 29 Mars 2019, 18h08 Contemporary, 21st Century, Print, Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 250 35 ...

JR, Inside Out, Haiti Contemporary, 21st Century, Lithograph, Limited Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 180 70 x 100 cm Signed on the bott...

JR, In the Container Wall, Le Havre, France Contemporary, 21st Century, Lithograph 20 colours lithograph Edition of 180 50 x 70 cm (19.6 x 27.5 in) Signed and numbered In mint condi...

Bridgehampton Arne Besser, American (1935–2012) Portfolio: Cityscapes Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250, 30 AP Size: 30 ...

Medium: Lithograph Printer and Publisher: Cirrus Editions, Los Angeles Catalogue reference: MMA 4 Edition size: 65, plus proofs Signed, dated, and numbered in pencil, lower margin

The complete set of six mezzotints. Each signed, dated and numbered from the edition of 24 in pencil. Printed on mold-made Hahnemüller paper. Published by Pace Editions, Inc., New...

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

ROBERT COTTINGHAM Blues, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM M, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and n...

ROBERT COTTINGHAM NIte, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Rialto, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' ...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Hot, from American Signs Portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...